MAA News – Annual Appeal

To the Members of the Medieval Academy:

As threats to the Humanities continue to disrupt our colleagues’ teaching, research, and livelihoods, your support of the Medieval Academy of America means more than ever.

As we come to the end of our Centennial year and you consider end-of-year charitable giving, we hope you will include the Medieval Academy of America in your plans. The MAA has responded to the challenges so many of our community members have faced this past year by increasing scholarship support, offering a set of subsidized summer skills courses for graduate students, continuing our successful summer mentoring program, and adding a new book prize, all while advancing our mission of publishing the most thoughtful and innovative scholarship in medieval studies. This critical work depends on contributions from members.

This year’s Centennial was a singular celebration of our community. The Annual Meeting brought together more than 850 medievalists from around the world. Through our Centennial Grants, we supported two dozen innovative projects across the North America. The January issue of Speculum looked back at where we’ve been, and the 100th volume of Speculum will debut next month with the publication of Speculations, a collection of dozens of essays considering the future of our field. 

Your year-end donation will help us to continue and expand programming in 2026 and beyond. A donation to our Travel or Mentoring funds enables us to continue and even expand support for students, early-, and mid-career scholars. Donations to the MAA’s endowment contribute to the future of the organization and its programs; funding for operations helps to implement all of our programs. 

Please consider making a donation so we can continue to strengthen medieval studies and support its scholars in North America and around the world. 

Thank you in advance for whatever support you can offer. We look forward to working with you in 2026 as we celebrate the centennial of Speculum!

Peggy McCracken, President

Lisa Fagin Davis, Executive Director

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MAA News – Save the Date: 2026 Annual Meeting

The 101st annual Meeting of the Medieval Academy of America will take place on March 19–21, 2026 on the campuses of the University of Massachusetts Amherst and Amherst College, and will also include events at Mt. Holyoke College and Smith College. Hosted by the Five College Consortium, the theme of the meeting is “Consortiums and Confluences.” The program will bring together scholars from a wide range of disciplinary backgrounds addressing the medieval world and critical topics in Medieval Studies. Our plenary lectures will be given by Elly Truitt (Associate Professor of History and Sociology of Science at the University of Pennsylvania), Peggy McCracken (President of the Medieval Academy of America and Professor of French, Women’s Studies, and Comparative Literature at the University of Michigan), and Jesús Rodríguez-Velasco (Augustus R. Street Professor of Spanish & Portuguese and Comparative Literature at Yale University). We are excited to welcome you to Amherst, MA, and its environs, and look forward to meeting you, learning from you, and celebrating our shared commitment to Medieval Studies. Watch this space for program and registration information in the coming months: 
https://maa2026.wordpress.amherst.edu/

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MAA News – 2026-27 Schallek Fellow

Rebekkah Hart has been named the incoming 2026 Schallek Fellow. During the tenure of her fellowship, she will be working on Chapter 2 of her dissertation entitled “The Kiss of Peace: Materialities and Afterlives of Liturgical Paxes, or ‘Kissing Images,’ in Late Medieval England (c. 1250-1550).” While the “Kiss of Peace” was a common liturgical ritual in the Christian mass from at least the second century, this ritual became materially embodied around 1250 in the form of the “pax” object, first recorded in England. A pax (Latin for “peace”) is a small object that generally features a Christological, Marian, or hagiographic image, which the celebrant used to present to another person to kiss. Every church had at least one pax, as they were a central component of the mass. Thus, they survive today in significant numbers across museums and collections, and contain vast potential for understanding how medieval worshippers physically interacted with sacred and religious images. Yet, paxes remain chronically understudied. Their wide-ranging visual and material forms complicate identification, and their censure at the Reformation further obscured their original contexts. An entire class of objects has fallen through the cracks. This dissertation will be the first large-scale English-language study of paxes to rectify this oversight and mine these objects for what they can tell us about image veneration, sensorial functions, and the lived bodily experiences of worship in late medieval England.

Rebekkah Hart is a PhD candidate studying late medieval art with Professor Elina Gertsman. She is currently a curatorial intern at the J. Paul Getty Museum in the Sculpture and Decorative Arts Department during the 2025-2026 academic year. Her research interests include the role of sensorial reception, performativity, and materiality in late medieval devotional imagery. First and foremost, Rebekkah is fascinated by objects. Forthcoming publications investigate the curative consumption of medieval alabaster sculpture and the theological implications of transparent materials and oil paint in early Netherlandish painting.

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MAA News – Upcoming Webinars and Workshops

“Trans Studies as Book Historical Method”
JD Sargan
December 5, 2025, 12pm-1pm (EDT)

Archival collections are political spaces: the decisions that govern whose histories are preserved, when, and by whom are not neutral. They reflect the communities that make them. For most of western history queer, trans, and gender non-conforming people were excluded from such communities. As a result, the experiences of premodern gender-divergent people went largely unreported and reconstructing such histories relies on the piecing together of ephemeral glimpses. Tackling these limitations requires generative modes of reading through the archive to seek out trans lives beyond the trace. Literary scholars have developed tactics and tools to read through such traces, but how do we move beyond the limits of the trace to uncover a more expansive history of premodern gender non-conformity?

Click here to Register.

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How to Talk to Your Dean
Moderated by CARA Board Member Christina Christoforatou
Thursday, 1/15, 6pm EST, on Zoom

So many of us who are working to advocate for Medieval Studies in universities today are trying to better understand our academic administrators. How can we advocate for our programs in an age that seems to increasingly devalue the humanities and premodern studies?

Join us for this special CARA zoom session when we will get the inside scoop thanks to this panel of medievalist-deans: Jeffrey Jerome Cohen (Dean of the Humanities, Arizona State University), Craig Nakashian (Dean of the Honors College, Texas A&M University), and Lawrence Poos (Former Dean, School of Arts and Sciences, Catholic University of America).

If you want to know how to pitch your medieval curriculum, or advocate for a Medieval Studies program faculty line, or write a conference funding application, join us on Thursday, January 15th at 6pm EST. Moderated by CARA board member Christina Christoforatou Konstantinis (Baruch College, CUNY). To better streamline our conversation, please send any questions you might have for our panel of deans by Wednesday, 1/7/26 (email them to laurenmancia@brooklyn.cuny.edu).

Click here to register.

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MAA News – Upcoming Deadlines

The Medieval Academy of America invites applications for the following grants. Please note that applicants must be members in good standing in order to be eligible for Medieval Academy awards.

The Inclusivity and Diversity Research Grant

The Inclusivity and Diversity Research Grant of up to $3,000 will be granted annually to a scholar, at any stage in their career, who seeks to pursue innovative research that will broaden the scope of medieval studies. Projects that focus on non-European regions or topics under the Inclusivity and Diversity Committee’s purview such as race, class, disability, gender, religion, or sexuality are particularly welcomed. The grant prioritizes applicants who are students, ECRs, or non-tenured. Click here for more information. (Deadline 31 December 2026)

Belle Da Costa Greene Award

The Belle Da Costa Greene Award of $2,000 will be granted annually for research and travel. The award may be used to visit archives, attend conferences, or to facilitate writing and research. The award will be granted on the basis of the quality of the proposed project, the applicant’s budgetary needs (as expressed by a submitted budget and in the project narrative), and the estimation of the ways in which the award will facilitate the applicant’s research and contribute to the field. Special consideration will be given to graduate students, emerging junior scholars, adjunct, and unaffiliated scholars. Click here for more information. (Deadline 15 February 2026)

Olivia Remie Constable Award

Four Olivia Remie Constable Awards of $1,500 each will be granted to emerging junior faculty, adjunct or unaffiliated scholars (broadly understood: post-doctoral, pre-tenure) for research and travel. Click here for more information. (Deadline 15 February 2026)

MAA Dissertation Grants:

The nine annual Medieval Academy Dissertation Grants support advanced graduate students who are writing Ph.D. dissertations on medieval topics. The $2,000 grants help defray research expenses. Click here for more information. (Deadline 15 February 2026)

Schallek Awards

The five annual Schallek awards support graduate students conducting doctoral research in any relevant discipline dealing with late-medieval Britain (ca. 1350-1500). The $5,000 awards help defray research expenses. Click here for more information. (Deadline 15 February 2026)

MAA/GSC Grant for Innovation in Community-Building and Professionalization

The MAA/GSC Grant(s) will be awarded to an individual or graduate student group from one or more universities. The purpose of this grant is to stimulate new and innovative efforts that support pre-professionalization, encourage communication and collaboration across diverse groups of graduate students, and build communities amongst graduate student medievalists. Click here for more information. (Deadline 15 February 2026)

Please contact the Executive Director for more information about these and other MAA programs.

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MAA News – MAA Office Holiday Closure

The Medieval Academy’s Boston office will be closed from Tuesday 23 December 2025 through Friday 2 January 2026. We look forward to working with you in 2026.

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Call for Applications: Mary Jaharis Center Grants 2026–2027

Call for Applications: Mary Jaharis Center Grants 2026–2027

The Mary Jaharis Center for Byzantine Art and Culture is pleased to announce its 2026–2027 grant competition.

Mary Jaharis Center Co-Funding Grants promote Byzantine studies in North America. These grants provide co-funding to organize scholarly gatherings (e.g., workshops, seminars, small conferences) in North America that advance scholarship in Byzantine studies broadly conceived. We are particularly interested in supporting convenings that build diverse professional networks that cross the boundaries of traditional academic disciplines, propose creative approaches to fundamental topics in Byzantine studies, or explore new areas of research or methodologies.

Mary Jaharis Center Dissertation Grants are awarded to advanced graduate students working on Ph.D. dissertations in the field of Byzantine studies broadly conceived. These grants are meant to help defray the costs of research-related expenses, e.g., travel, photography/digital images, microfilm.

Mary Jaharis Center Publication Grants support book-length publications or major articles in the field of Byzantine studies broadly conceived. Grants are aimed at early career academics. Preference will be given to postdocs and assistant professors, though applications from non-tenure track faculty and associate and full professors will be considered. We encourage the submission of first-book projects.

Mary Jaharis Center Project Grants support discrete and highly focused professional projects aimed at the conservation, preservation, and documentation of Byzantine archaeological sites and monuments dated from 300 CE to 1500 CE primarily in Greece and Turkey. Projects may be small stand-alone projects or discrete components of larger projects. Eligible projects might include archeological investigation, excavation, or survey; documentation, recovery, and analysis of at risk materials (e.g., architecture, mosaics, paintings in situ); and preservation (i.e., preventive measures, e.g., shelters, fences, walkways, water management) or conservation (i.e., physical hands-on treatments) of sites, buildings, or objects.

The application deadline for all grants is February 1, 2026. For further information, please visit the Mary Jaharis Center website: https://maryjahariscenter.org/grants.

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center, with any questions.

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Online Lecture: Learning Late Antiquity: The Quarry Church at Deir al-Ganadla and the Lost Timber Nave

Online Lecture: Learning Late Antiquity: The Quarry Church at Deir al-Ganadla and the Lost Timber Nave

The Mary Jaharis Center for Byzantine Art and Culture and the Mashtot Chair of Armenian Studies at Harvard University are pleased to announce the next lecture in the 2025–2026 East of Byzantium lecture series.

December 9, 2025 | Zoom | 12:00–1:30 pm (Eastern Standard Time, UTC -5)
The Quarry Church at Deir al-Ganadla (Asyut, Middle Egypt) and the Lost Timber Nave
Mikael Muehlbauer, Columbia University

This presentation presents the little-known Quarry church of Mary at Deir al-Ganadla (near Asyut) as a tool for students of Late Antiquity to visualize lost timber-roofed basilicas in Egypt as well as the Mediterranean more broadly. The church’s value lies in its mural program, which orders the Pharaonic mine from which it was consecrated into a fictive freestanding basilica. These paintings depict painted timber ephemera from circa 500 that are largely lost to us. By fully documenting this largely unknown church and its decorative schema we may reconstruct elements of freestanding basilicas in Egypt and the wider Mediterranean which lack extant naves. Although modest, Ganadla’s import should not be understated, as it is the most in-tact Late Antique church in Egypt known.

Mikael Muehlbauer is Lecturer in the Discipline of Art History and Archaeology at Columbia University. He is a specialist in the architecture of Medieval Ethiopia, Egypt and the textile arts of the Western Indian Ocean world.

Advance registration required. Register: https://eastofbyzantium.org/upcoming-events/

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.

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Call for Papers – Star Gazing: Astrology and Astronomy in the Medieval and Renaissance Imagination Popular Culture and the Deep Past 2026

Star Gazing: Astrology and Astronomy in the Medieval and Renaissance Imagination Popular Culture and the Deep Past 2026

 April 10-11, 2026

Online via Zoom & Ohio Union – The Ohio State University

The submission deadline for abstracts and panel proposals is December 19, 2025. 

Submissions after that date will be happily received, but cannot be guaranteed full consideration. Abstracts may be submitted via email to cmrs@osu.edu.

Since human beings first looked up at the heavens, the stars and other celestial bodies have played a crucial role in how people have made sense of the cosmos, their societies and the bodies they inhabit.  On April 10-11, 2026, the OSU Center for Medieval and Renaissance Studies will host its biennial celebration of Popular Culture and the Deep Past (PCDP) at the Ohio State University on the topic of “Star Gazing: Astrology and Astronomy in the Medieval and Renaissance Imagination.”

As in past years, this event will feature a scholarly conference with papers, round tables and keynote lectures by prominent scholars, nested within a Renaissance-faire-like carnival featuring exhibits, gaming, contests, live demonstrations and activities of all kinds.

This event encourages participants to blur the boundary between what is too easily characterized as an older worldview based in astrology and other superstitions, and the apparently more rational and proto-scientific worldview of astronomy that championed empirical observation along with new techniques and instruments.  It will be fascinating to learn how these two systems overlapped and informed one another both in practice and across a range of representations like art and literature.  Astrological beliefs and practices live on into the present and still shape the way many of us see reality.

We seek papers from faculty, graduate students and others that address any and all aspects of astronomy and astrology in medieval and early modern cultures.

Topics might include representations of astronomy and astrology in elite and popular media, both past and present; the social, cultural, economic, gendered and political contexts of astronomy and astrology; the material and spatial artifacts associated with astronomy and astrology; the relationship of modern and historical theories and practices relating to astronomy and astrology.

Submission Guidelines:

Conference presentations will generally be limited to 20 minutes duration, followed by 10 minutes of discussion. They will be organized thematically into sessions of three or four papers each. Other presentations for our Saturday fair, including music, dance, art, gaming, readings and other activities or displays, will be accommodated more freely according to our resources of space and scheduling. Proposals for virtual presentation are welcome. Please send your presentation ideas to cmrs@osu.edu, including a title, abstract and contact information. Abstracts should be no more than 300 words and attached as either a Word document or PDF. Please also submit a short description/synopsis (50 words) that may be made public and used for marketing materials. We will begin evaluating proposals after December 19; submissions after that date will be happily received up until the time of the event, but their inclusion will depend on remaining openings in the schedule.

Schedule: Conference and Mini-Fair

The PCDP conference generally holds paper presentations on the Friday of the event (April 10). Depending on the number of submissions accepted, additional presentations may be scheduled in tandem with Saturday’s mini Renaissance Fair (April 11) that will otherwise feature a variety of exhibitions, performances and hands-on activities.

In your proposal, please let us know if you’d like to host an exhibition table or demonstration on Saturday in addition to presenting a paper on Friday. If you are only available on Saturday, please let us know.

Find this CFP, plus additional information about PCDP (coming soon!) on our event website.

This event is free, open to the public and welcoming to everyone.

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Online Lecture: Worshipping the Mother Goddess: An Underground Cult Complex in Late Antique Aphrodisias

Online Lecture: Worshipping the Mother Goddess: An Underground Cult Complex in Late Antique Aphrodisias

The Mary Jaharis Center for Byzantine Art and Culture is pleased to announce the next lecture in our 2025–2026 lecture series.

December 2, 2025 | Zoom | 12:00–1:30 pm (Eastern Standard Time, UTC -5)
Worshipping the Mother Goddess: An Underground Cult Complex in Late Antique Aphrodisias
Ine Jacobs, University of Oxford

Excavations in a suburban neighborhood of Aphrodisias have revealed a remarkably well-preserved underground cult complex dedicated to the Anatolian mother goddess Kybele. Concealed within the basement level of a large late antique private mansion—strategically positioned between the residence’s public quarters and an east–west street—the complex consists of a spacious central cult chamber, several smaller subsidiary rooms, a long subterranean corridor, and a lightwell that, in its final phase, was sealed and adapted for communal dining. To date, the sanctuary has been traced over an area of 26 by 15 meters, though it almost certainly extended further.

Originally established in the imperial period, the complex underwent several renovations in Late Antiquity, including a near-total rebuilding in the later 5th century. The sanctuary in this form remained active into the early 7th century, until the mansion that housed it was abruptly destroyed by fire in 617. Excavations have yielded a rich assemblage of cult equipment, including four statuettes of Kybele, effigies of other deities, three enigmatic “mountain busts,” amulets, numerous ceramic incense burners, ceramic and copper-alloy lamps, and copper-alloy tableware.

This presentation examines the architectural setting of the complex, structural features, cultic imagery, associated material culture, and the broader social and religious conditions at Aphrodisias that allowed pagan worship to endure into the 7th century.

Ine Jacobs is the Stavros Niarchos Foundation Associate Professor of Byzantine Archaeology and Visual Culture at the University of Oxford.

Advance registration required. Register: https://maryjahariscenter.org/events/worshipping-the-mother-goddess

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.

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