Call for Papers – Confound the Time

Confound the Time welcomes papers that investigate the ways in which texts, objects, and images from the medieval and early modern periods re-envision and reconstruct the past or imagine and anticipate the future. We also welcome papers that explore the ways in which medieval and early modern artifacts, history, and culture are reimagined and reconstructed in later periods.

As part of our commitment to accessibility, Confound the Time will be entirely virtual and have no registration fee. Graduate students and early career scholars are especially encouraged to submit.

Topics for individual papers may include:

  • Medieval and early modern reception of classical mythology/culture
  • Early modern reception of medieval literature/culture
  • The Pre-Raphaelites and other neo-medievalist movements
  • Contemporary video games, graphic novels, television shows, and/or films with medieval or early modern settings, characters, and cultures
  • Dungeons and Dragons and/or other role-playing or tabletop games
  • Manuscript Studies/Book History
  • Time/The Times
  • Gender and Sexuality
  • Nationalism and Race

Papers that address these subjects are encouraged, but any paper that centers on medieval or early modern studies will be considered. Please fill out this form to the best of your ability in order to submit: https://forms.gle/B8YhxejNzQHGsfcV8

The deadline for all abstract submissions is November 7th, 2026. The virtual conference will be held from February 6th-February 7th 2027.

Questions can be directed to Drs. Audrey Gradzewicz (U of Wisconsin-Madison) and Audrey Saxton (Bethany College, KS) at confoundthetime@gmail.com

Posted in Call for Papers | Leave a comment

Jobs For Medievalists

Helen Ann Mins Robbins Dissertation Fellowship, University of Rochester
https://www.library.rochester.edu/spaces/robbins/fellowship
The Rossell Hope Robbins Library at the University of Rochester is pleased to invite applications for the Helen Ann Mins Robbins Fellowship in Medieval Studies. Its intent is to provide fellows with a year of research supported by the resources of the Robbins Library. Past fellows have worked on animal studies, manuscript studies and reading practices, translation and textual transmission, medieval clothing, Jews in medieval England, the Arthurian legend, courtesy books and manners, female advice figures, and more. They have led reading groups, curated exhibits, and organized movie screenings, lectures and symposia, and other programming.

The Robbins Library has outstanding holdings across medieval studies, with particular strengths in manuscript studies, the history of the book, high and late medieval history, literary studies, and medievalism, particularly Arthuriana. Our focus is on building and maintaining a global medieval studies collection and community. We sponsor and support a wide range of scholarly projects: the Middle English Text Series, the Camelot Project, and other digital projects. Together, the Robbins Library and the Department of Rare Books, Special Collections, and Preservation boast a growing collection of medieval and early modern manuscripts and print. The Sibley Library at the Eastman School of Music maintains an excellent manuscript collection, and the Miner Library offers an outstanding special collection dedicated to the history of medicine.

The University of Rochester boasts a vibrant community of medievalists and early modernists across disciplines and departments, including History, English, Art History, Music, Modern Languages, and Religion and Classics, alongside a variety of working and reading groups, lectures, workshops, and other events. Rochester offers numerous resources and opportunities for interdisciplinary collaboration and research, including the Digital Scholarship LabEastman School of Music, the Memorial Art Gallery, the MISHA Project and Cary Graphic Arts Collection at RIT, R-CHIVE, and the Central New York Humanities Corridor, to name only a few.

Eligibility: The Fellow must be an advanced graduate student (ABD) in good standing, who is engaged full-time in researching and writing the dissertation. Ideally, they should have no more than one full year of dissertation work remaining at the start of the fellowship year, but this is not a requirement. The fellowship is open to international students, but we are not able to sponsor visas.

Additional details: The fellowship stipend is $36,000 for the academic year. The Fellow will be required to reside in Rochester for the 2027-28 academic year. The Fellow will also be required to give a presentation on their work at the end of their fellowship.

Application requirements: Applicants should send a cover letter, CV, writing sample, and two letters of recommendation to Anna Siebach-Larsen (annasiebachlarsen@rochester.edu).

Fellowship applications are due on September 18, 2026.

Posted in Jobs for Medievalists | Leave a comment

BAA Postgraduate Conference Programme

BAA Postgraduate Conference Programme

Thursday 26 November 2026

The British Archaeological Association is excited to present a diverse conference which includes postgraduate students and early career researchers in the fields of medieval art history, architecture and archaeology. The BAA Postgraduate Conference offers an opportunity for research students at all levels from universities across the UK and abroad to present their research and exchange ideas.

The conference will take place online via Zoom.

Please register for the conference via this link.

10:00 – 10:10 (GMT) Opening remarks

Panel 1: “Material Complexities: Making and Remaking Medieval Art and Architecture”

10:10 – 11:30 (GMT)

Chair: Dr Róisín Astell (University of York)

  • 10:10 – 10:30 Enakshi Dasgupta (University of Sussex) – Wonder-Working: Pillars and Power in Fourteenth-Century Delhi
  • 10:30 – 10:50 Su’aad Redan (Courtauld) – Making (up) the Virgin’s Veil: An Investigation of Mythmaking, Imagination, and Handwork in relation to The Reliquary of the Veil in the Church of Our Lady in Tongeren, Belgium (c.1400-1550)
  • 10:50 – 11:10 Chrisallo Borg (University of Malta) – Accretion and Reconfiguration of a Medieval Core in a Multi-Temporal Altarpiece in Malta
  • 11:10 – 11:30 Q&A

11:30 – 11:45 (GMT) Break

Panel 2: “From the Page to the Body: Visualising Knowledge and Power”

11:45 – 13:05 (GMT)

Chair: Dr Richard Plant

  • 11:45 – 12:05 Clive Lafferty (Courtauld) – Stones, Stars and Authority: Visualising Celestial Knowledge in Alfonso X’s Lapidario
  • 12:05 – 12:25 Blanche Darbord (University of Cambridge) – Alexander the Great and Chivalry: Interpreting Violence in Manuscript Illuminations
  • 12:25 – 12:45 Isabel Escalera Fernandez (University of Valladolid) – Accounting for Splendour: The Jewels of Isabella I of Castile
  • 12:45 – 13:05 Q&A

13:05 – 13:40 (GMT) Break

Panel 3: “Devotion and Play in Medieval Religious Spaces”

13:40 – 15:00 (GMT)

Chair: Dr Alexandrina Buchanan (University of Liverpool)

  • 13:40 – 14:00 Ilaria Truzzi (University of Reading) – Graffiti Game Boards in Religious Spaces: Insights into Sociability, Symbolism and Play 
  • 14:00 – 14:20 Isabelle Ostertag (University of Virginia) – At the Hour of Our Death: Charnel Houses and the Lady Chapel of St. Peter Mancroft
  • 14:20 – 14:40 Molly Lewis (Courtauld) – Peas, Prayer, and Profanity: An Examination of two Boxwood Micro-carvings from the Low Countries (c.1500-1525)
  • 14:40 – 15:00 Q&A

15:00 – 15:15 (GMT) Break

Panel 4: “Beyond Borders: Transcultural Connections in the Global Middle Ages”

15:15 – 16:35 (GMT)

Chair: Sophia Dumoulin (Courtauld)

  • 15:15 – 15:35 Isabelle Chisholm (Birkbeck) – The Unexpected Afterlife of the Southampton Psalter, c. 800 AD: Iro-Scottish Manuscripts and Moravian Metalwork
  • 15:35 – 15:55 Andrea Cartia (University of Florence) – Irish Saints in Medieval Umbria: Experiences of Pilgrimage Routes, Material Culture, and Shared Geographies
  • 15:55 – 16:15 Ayeshah Mohammed (MIT) – Ceramic Cartography: Reading the History of the Madrasa of Mahmud Gawan through its Tiles
  • 16:15 – 16:35 Q&A

16:35 – 16:45 (GMT) Closing remarks

Posted in Announcements | Leave a comment

Call for Papers – The Lives and Legacies of Medieval Comics: A Commemoration of Ninety Years of Hal Foster’s Prince Valiant (Hybrid)

The Lives and Legacies of Medieval Comics: A Commemoration of Ninety Years of Hal Foster’s Prince Valiant (Hybrid)

62nd International Congress on Medieval Studies, Western Michigan University (Kalamazoo, MI), Thursday, 13 May, through Saturday, 15 May, 2026

Co-sponsored by Medieval Comics Project, Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture

Co-organized by Michael A. Torregrossa, Bristol Community College, and Carl B Sell, University of Pittsburgh

Rationale

The comics have a long history of adapting aspects of the Middle Ages, and, while many series and characters have disappeared over time, Hal Foster’s comic strip Prince Valiant has persevered, continuing under a series of writers and artists over nine decades.

In commemoration of the ninetieth anniversary of Foster’s comic in 2027, we’d like to assess the ways that comics (and their adaptations across media) have contributed to the public’s understanding of the medieval past and to illuminate strategies for expanding knowledge of and interest in this corpus as creators, researchers, and teachers.

Submissions that look directly at Prince Valiant (or any of its adaptations) are especially encouraged; however, we will also consider proposals devoted to other characters, creators, and/or series that make use of medieval themes.

Do check out our expanding resource, the Medieval Comics Project Bibliographies, at https://tinyurl.com/MedievalComicsProjectBiblios, for information on prior studies of medievalist comics.

Submission Information

Please post paper submissions into the Confex site using the direct link https://icms.confex.com/icms/2027/prelim.cgi/Session/8806.

Do send any questions to the organizers at comics.get.medieval@gmail.com AND medievalinpopularculture@gmail.com. Submissions are due no later than 15 September 2026.

For this event, individuals are invited to make ONE paper proposal to ONE session of papers: either the sponsored or special sessions OR the general sessions. You may propose an unlimited number of contributions to roundtables, but you will not be scheduled to actively participate (as paper presenter, roundtable discussant, poster author, presider, respondent, workshop leader, demonstrator, or performer) in more than six sessions. See the conference’s policies page for more information at https://wmich.edu/medievalcongress/policies-guidelines.

Please be aware that those accepted to the panel must register for the conference in order to present. Past registration costs can be viewed at https://wmich.edu/medievalcongress/registration. The International Congress on Medieval Studies does offer limited funding as travel awards and subsidized registration costs; details are available at https://wmich.edu/medievalcongress/awards.

For more information about the Medieval Comics Project, do check out our website at https://medieval-comics-project.blogspot.com/ and consider signing up for our listserv, The Medieval Comics Project Discussion List, at https://groups.io/g/medieval-comixlist.

For more information about the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture, do check out our website, Mass Mediævalisms: The Middle Ages of Popular Culture: https://medievalinpopularculture.blogspot.com/.

Posted in Call for Papers | Leave a comment

Jobs For Medievalists

Stetson University seeks an Assistant Professor of Medieval History. Specific field of expertise is open, but candidates with specialization in Late Roman/Early Medieval History and the ability to teach Ancient Greek, Roman, and/or Near Eastern History are
especially encouraged to apply. Other subfields of interest include the History of Science/Medicine/Technology, Public History, and Military History. This is a full-time, tenure-track position beginning in August 2027.

https://jobs.h-net.org/jobs/70322

Posted in Jobs for Medievalists | Leave a comment

Online Lecture: Why Read Homer? Byzantine Scholars on the Value of Ancient Literature

Online Lecture: Why Read Homer? Byzantine Scholars on the Value of Ancient Literature

The Mary Jaharis Center for Byzantine Art and Culture is pleased to announce the first lecture in our 2026–2027 lecture series.

September 23, 2026 | 12:00 PM (EDT, UTC -4) | Zoom
Why Read Homer? Byzantine Scholars on the Value of Ancient Literature
Baukje van den Berg, Central European University, Vienna

Christopher Nolan’s The Odyssey and the heated debates it sparked this summer vividly demonstrate the enduring power of Homeric poetry over the art and imagination of later cultures. In this lecture, I explore Byzantine responses to Homer’s epics to consider the broader role of ancient literature in Byzantine society. Beyond serving as models of language and style, the works of Homer and other ancient poets stimulated reflection on moral behavior and the human experience more broadly.

By taking the oeuvre of the twelfth-century scholar Eustathios of Thessaloniki as my starting point, I will discuss different ways in which Byzantine scholarship made ancient texts relevant for new contexts. Eustathios’ engagement with the Iliad and the Odyssey—and that of other middle and late Byzantine scholars—reveals how he used ancient poetry to instruct students in ancient Greek, teach rhetoric and literary aesthetics, and draw moral lessons from the past. At the same time, his work formulates wider ideas on the relationship between the pagan literature of antiquity and the Christian world of Byzantium.

Baukje van den Berg is Associate Professor in the Department of Historical Studies at Central European University, Vienna. Her research concentrates on Byzantine education and literary thought, with a particular focus on the role of ancient literature in Byzantine culture. She is the author of Homer the Rhetorician: Eustathios of Thessalonike on the Composition of the Iliad (Oxford University Press, 2022) and John Tzetzes on Ancient Poetry (Dumbarton Oaks, forthcoming 2027).

Advance registration required. Register: https://maryjahariscenter.org/events/why-read-homer

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.

Posted in Announcements | Leave a comment

MAA News – From the Editor’s Desk

We hope you had a fine summer and are enjoying our July issue! We’ve recently compiled some statistics that may be of interest to the MAA membership, showing exactly who publishes in Speculum. These statistics cover the 2024 through 2026 volumes, including the Centennial Issue but excluding Speculations. Each author of a co-authored article is considered separately.

In terms of nationality (current location, not country of origin), 60 authors or 68% were from the U.S., followed by 10 authors or 11% from the United Kingdom. We had four authors each from Ireland and Israel, and two each from Canada, France, and Norway. One author each came from Germany, Hungary, Iceland, and Switzerland. In reality, the demographics are even more diverse, since many authors who now teach or study in the U.S. and the U.K. are natives of other countries. The 2027 volume will include scholars from Denmark, Poland, and Spain.

We also tracked career status. The great majority of authors (62 or 70%) were tenured or tenure-track faculty. But we also had a generous showing of early-career scholars: 8 postdocs, 7 Ph.D. candidates, and 1 visiting assistant professor. (These statistics may be misleading in a rather encouraging way: some articles by graduate students and postdocs were accepted and, by the time they reached publication, the authors had moved into tenure-track positions.) In addition, 3 authors were emeritus faculty, 2 were independent scholars, and 6 were employed in “alt/ac” careers such as publishing and museums.

So, wherever you are and whatever your status, all medievalists are welcome! Please consider publishing in Speculum.

Posted in MAA Newsletter | Leave a comment

MAA News – Database of Medieval Digital Resources Update

Dear Medieval Academy Members,

It is my pleasure to report on the current status of the MAA’s Database of Medieval Digital Resources. Since taking on the role of coordinator in April, the backlog of projects waiting to be reviewed has been substantially reduced. In April 2026 there were thirty-seven projects waiting to be reviewed. Some of these had already been included in MDR, while others were not eligible for inclusion (or the site was no longer available). Quite a few were successfully reviewed, and currently of those thirty-seven projects only nine remain in the queue. Since May 2026 there are also four new submissions awaiting reviews, bringing the total to thirteen outstanding projects. Time to review has now decreased quite significantly, but is dependent on being able to find subject experts to review each project (on which more below).

MDR is host to a great number of digital projects and is an excellent “clearinghouse” for medieval digital projects. Over (roughly) the last year fifteen new projects were added. Some, such as the Monasterium Digital Archive or the Princeton Index of Medieval Art may be familiar, but there are many great projects to explore. For instance the Corpus Synodalium which is a database of extant local ecclesiastical legislation issued across Latin Christendom from ca. 1215-ca.1500. Two sites from the Germania Sacra online project provide databases of people and religious institutions. Several linguistic resources were also added, covering Middle English verse, medieval Spanish, and Byzantine Greek. If you have not yet explored the database, I strongly recommend that you do! Even if you have used it before, there are new projects to view and learn from.

The Standards for Web Publication have also been adapted to deal with AI-generated content and projects. The new policy can be found under Section One (“Scholarly Quality”) and reads: “Projects must unambiguously center human researchers who are accountable and responsible for all content. While AI or related technologies may be used as complementary tools—e.g., to assist transcription, pattern recognition, or data visualization—nominated projects must transparently document any AI-generated workflow or content to be included in MDR.” In short, an entirely AI generated website, without proper documentation and accessible human editors who can respond to issues, is not eligible. This policy is not a total ban on AI-generated workflows or processes, but ensures that AI is only to be incorporated in certain parts of the project and with clear documentation.

The successful continuation of MDR depends on new submissions and finding subject-expertise reviewers who are willing to evaluate those submissions. If you are interested in submitting a project, you can do so by going to: https://mdr-maa.org/about/suggest-a-resource. Please note, online journals or monographs are not eligible for inclusion.

Subject experts are critical to verifying the scholarly quality of these digital projects, and is a great service to the field and the MAA. These reviews are relatively simple to conduct and can be completed relatively quickly. If you are interested in being a reviewer for MDR please get in touch by filling out the MAA’s Service Nomination Form: https://www.medievalacademy.org/page/Committee_Service_Nomination_Form.

Anyone can reach out to me with questions or suggestions at jdellisola@themedievalacademy.org.

Sincerely,

Jon Dell Isola

Special Projects Assistant and Coordinator, Database of Medieval Digital Resources

Posted in MAA Newsletter | Leave a comment

MAA News – The Multicultural Middle Ages Podcast Call for Proposals

Season 6 Call for Proposals | The Multicultural Middle Ages Podcast
Submission Deadline: October 15, 2026

After five successful seasons, The Multicultural Middle Ages Podcast (MMA) will return for its sixth in 2027. Sponsored by the Medieval Academy of America (MAA), the MMA is an anthology-style podcast that seeks to continue conversations and generate new avenues of inquiry related to the Middle Ages that emphasize the period’s diversity and the scholarship related to it. We highlight thoughtful reflections on culturally responsible approaches to the study of the Middle Ages (expansive beyond western Europe) and its afterlives.

We invite proposals from individuals and collaborators of all ranks and disciplines, especially graduate students, for single podcast episodes aimed at fellow medievalists as well as the wider public.

Possible topics include, but are not limited to, the following:

· innovative methodological and interdisciplinary approaches to the Middle Ages

· the future of medieval studies

· research on the multicultural, multiracial, and multiethnic Middle Ages

· discussions of recent scholarship and publications

· archival discoveries

· academic activism and responses to misappropriations of the Middle Ages

· pedagogical approaches

· medievalisms

· medieval culture in contemporary political and public discourse

· cultural heritage and approaches to curating exhibitions of the Middle Ages

Possible formats include narrative expositions, interviews, panel discussions, textual and material analyses, and oral performances.

No previous experience with podcasting is required. The Graduate Student Committee of the MAA has hosted several workshops on podcasting for beginners, which are now available on the MAA YouTube channel, and if accepted, an MMA producer will support you through the episode development and post-production process. We do not turn away contributors due to a lack of podcasting expertise!

To help us assess the project’s potential, your submission must include a brief description (500 words), noting the following:

· chosen topic, its relevance to the podcast, and a working title

· plan for adapting to the podcast medium (35–45 min. episodes are encouraged, but proposals of shorter or longer durations are also welcome)

· format (interview, roundtable, etc.) with an outline of anticipated structure

· assistance needed to realize the episode (note: we handle final editing, but please let us know if you would also need help recording or facilitating an interview, etc.)

Please also include each episode author’s name, CV, and email address.

Submit your proposals and any questions to mmapodcast1@gmail.com by 15 October 2026.

The Multicultural Middle Ages Podcast Production Team
Will Beattie
Reed O’Mara
Logan Quigley
Jonathan Correa Reyes
Loren Easterday Lee Cantrell

Posted in MAA Newsletter | Leave a comment

MAA News – Call for 2027 Publication Prize Nominations

Submissions for the 2027 MAA Publication Prizes are now being accepted. Submissions and dossiers must be submitted by Oct. 15 using our Publication Prize portal.

Through its Publication Prize program, the Medieval Academy of America aims to accomplish three goals:

1) Honoring and promoting outstanding scholarship produced by medievalists;

2) Supporting authors in any medieval field and at all career levels by raising the visibility of their scholarship;

3) Acknowledging the work of publishers of all kinds.

Award-winning publications scholarship should function as a model of current best practices in Medieval Studies and as a model for the future of the field. Although the various Prizes have specific eligibility criteria, general procedures and requirements are as follows:

1) In contrast to past years, authors of submitted books need not be members of the Medieval Academy of America.

2) All prize winners will receive a complimentary one-year MAA membership in addition to the prize.

3) All publishers are eligible, whether non-profit or for-profit.

4) Nominations may be submitted by authors or by publishers, but all submissions must use the central Publications Prize Portal. Please note that incomplete or late submissions will not be considered.

5) Ordinarily a nomination should go forward in a single category for a given year. Authors and publishers should contact the Executive Director LFD@TheMedievalAcademy.org for queries about exceptions to this policy.

6) Monographs that have previously been awarded an MAA Publication Prize are not eligible for other MAA Publication Prizes except for the Haskins Medal.

7) Submissions may be by hardcopy and/or eBook but eBook is preferred.

8) All submissions and supporting documents must be received by 15 October.

9) Prizes will be announced in February and awarded during the annual meeting of the Medieval Academy of America.

10) Authors need not be residents of North America, but all submissions must be written in English.

Monograph Prizes:

John Nicholas Brown Prize: Best First Monograph

Byzantine Studies Prize: Best Monograph in Byzantine Studies

Karen Gould Prize: Best Medieval Art History Monograph

Haskins Medal: Best Monograph in Medieval Studies

Jerome Singerman Prize: Best Second Monograph

Article Prizes:

Article Prize in Critical Race Studies: Best Article in the field of Medieval Critical Race Studies

Van Courtlandt Elliott Prize: Best Early-Career Article

Other Formats:

Digital Humanities and Multimedia Studies Prize: Best DH Project

Monica Green Prize: For an exceptional project (for example, a publication, exhibit, performance, or DH project) that shows the importance of studying the medieval past to understand the present.

Posted in MAA Newsletter | Leave a comment