The Medieval Academy Blog

Time/ Le temps

Symposium of the International Medieval Society, Paris
Paris, 8–10 July /juillet 2019
L’appel à communications français suit l’appel anglais.

Call for Papers:

“What is time?” asked St. Augustine. “Who can comprehend this even in thought so as to articulate the answer in words? Yet what do we speak of, in our familiar everyday conversation, more than of time?”

From the diverse reckoning of historical dates to the calculation of the date of Easter and the elaboration of the liturgical calendar, medieval scholars counted time. The movement of the bodies in the night sky allowed medieval viewers to calculate the hour, and so did such instruments as the sundial, the water clock, the candle clock, and eventually the mechanical clock. Architects, sculptors, illuminators, and artisans strove to represent time iconographically in different media, and complex programs of images employed allegorical or anagogical relations in order to interweave narratives. Narrative writers experimented with ways to represent the passage of time and organize narrative action, while lyric poets used patterned repetition to turn time back on itself. In the domain of musical notation, late medieval theorists developed different ways of indicating rhythm, a phenomenon whose absence from earlier notation, such as that of vernacular monophony, has inspired debates among modern scholars.

In the medieval monastic context, time consisted of nested cycles that determined daily, monthly, and annual practice by building concrete associations between time and types of labor, reading, and eating. In this, time not only corresponded to, but was a feature of, a material world that could be transcended through contemplation. For their part, philosophers and theologians reflected on the points of articulation between different temporalities: the linear and finite time of human life, the cyclical time of the liturgy, the eschatological time of Salvation.

Today, historians ask with Jacques Le Goff, “Must we chop up history into slices?,” and some question the traditional period markers that separate Antiquity from the Middle Ages and the Middle Ages from the Renaissance, as well as the effects of that periodization for conceptualizing the historical object.

How, therefore, can we best reflect on duration, on the event, on the moment? How can we reflect on the experience of time’s dilation, or of its depth?

For its 16th annual symposium, the International Medieval Society Paris invites scholarly papers on any aspect of time in the Middle Ages. Papers may deal with the experience or exploitation of time, its reckoning or measuring, its inscription, its theorization, or the question of how or why or whether we should demarcate the “Middle Ages.” Papers focusing on historical or cultural material from medieval France or post-Roman Gaul, or on texts written in medieval French or Occitan, are particularly encouraged, but compelling papers on other material will also be considered.

The annual symposium of the International Medieval Society Paris is an interdisciplinary, international, bilingual meeting of faculty, researchers, and advanced graduate students. We welcome submissions in French or English from art history, musicology, studies of ritual or liturgy, history of dance, literature, linguistics, philosophy, theology, anthropology, history, history of science and technology, or archaeology.

An abstract of no more than 300 words (in French or English) for a paper of 20 minutes should be sent, along with a CV, to communications.ims.paris@gmail.com by 30 November. Abstracts will receive a preliminary blind review before the final selection and should give a clear idea of the topic and anticipated argument of the paper. Presenters will be notified of their selection in January 2019.

To commemorate the IX centenary of Pedro Ansúrez’s death the Instituto Universitario de Historia Simancas has organized an international conference, which will take place at the University of Valladolid, 21-23 February 2019. Organizers seek to bring together specialists in Castile, the Iberian kingdoms and the European realms during the late 11th and early 12th centuries.

We welcome scholars whose research focuses on topics related to medieval history. Proposals should include title, an abstract of c.500 words, and the participant’s information (name, institutional affiliation, e-mail address). A participant information form is currently available on http://eventos.uva.es/go/condeansurez. Applications should be submitted, in .pdf form, to congreso.ansurez@uva.es and will be evaluated by the organizing committee. The languages of the conference will be Spanish, English, French and Italian.

Deadline

Deadline for papers is December 15, 2018

Topics

Ansúrez was a prominent political figure in medieval Iberia, known for his leadership during the repopulation of the kingdom and, specifically, the foundation of Valladolid. Regarding this, potential topics for papers may include, but are not limited to:

• Pedro Ansúrez and his time: the medieval aristocracies of the Iberian Peninsula and Western Europe
• Conflict, war and villages in the Europe of the Full Middle Ages
• Economy and productive activities during the medieval expansion
• The Duero river basin: political evolution and international confluences
• Medieval urbanism and constructive impulse
• Secular and ecclesiastical powers: their role in the articulation of the medieval population
• Medieval urban life
• Material culture and urban artistic creation
• Medieval sources and document analysis
• Reorganization of the urban power in the 11 and 12 centuries
• Memory and dynasty: patronage of medieval nobility
• Women and their contributions
• Literature and mentalities in medieval times
• Representations and myths of the great founders of the medieval Europe
• The recasting of the foundation: historical uses of the medieval past
• Survival: villages and their founders in the 2020 European Horizon

Bursaries 

The Spanish Society for Medieval Studies (SEEM) has collaborated with this congress to provide two assistance scholarships (150 euros each) for members under 30 years of age. These will be granted by strict order of application to the email: secretaria@medievalistas.es

The 18th Vagantes Conference on Medieval Studies, which will take place at the
University of Toronto from March 20th-23rd, 2019, is seeking paper abstracts on any topic related to the Middle Ages.

Vagantes is North America’s largest graduate-student conference for medieval studies. Since its founding in 2002, Vagantes has nurtured a lively community of junior scholars from across all disciplines. The 18th Vagantes Conference on Medieval Studies in Toronto will feature thirty graduate-student papers and two keynote speakers. On March 20th, we will also offer an intensive manuscript workshop that will use the collections of the Pontifical Institute for Mediaeval Studies Library and the Thomas Fisher Rare Book Library. There will be a separate registration process for the workshop that will be circulated at a later time.

Graduate students in all​ disciplines​ are invited to submit an abstract of 300 words on any medieval topic. Please also include the paper title and a 1-2 page CV in your
submission. Your abstract will be blind-reviewed by an interdisciplinary panel of
graduate students, and it should provide a clear summary of your proposed paper with language that is accessible to non-specialists. Since Vagantes is an interdisciplinary conference, your audience might not know the history of the Carolingian Empire, the corpus of Geoffrey Chaucer, or the theology of Peter Comestor. Please make your abstract concise and accessible. Both your abstract and CV should be submitted in a Word document to Lane Springer at lane.springer@mail.utoronto.ca .

Out of consideration for graduate students’ budgets, Vagantes never charges a
registration fee. The deadline for submissions is Friday, November 9​th​ , 2018​. Some
travel bursaries will be available for presenters. In your submission, please indicate if you would be interested in applying for one.

DIGITAL HUMANITIES 2019: “COMPLEXITIES” – CALL FOR PAPERS
Alliance of Digital Humanities Organizations

Utrecht University (The Netherlands)

Paper/Poster/Panel deadline: 11:59pm GMT 27 November 2018

Workshop/Tutorial deadline: 11:59pm GMT, 10 January 2019

Workshops: 8-9 July 2019

Conference: 9-12 July 2019

http://dh2018.adho.org

@DH2019_NL

Email: dh2019@adho.org

I: GENERAL INFORMATION

The Alliance of Digital Humanities Organizations (ADHO) invites submission of proposals for its annual conference.

The theme of the 2019 conference is Complexities. This theme has a multifaceted connection with Digital Humanities scholarship. Complexities intends to inspire people to focus on DH as the humanist way of building complex models of complex realities, analysing them with computational methods and communicating the results to a broader public. The theme also invites people to think of the theoretical, social, and cultural complexity and diversity in which DH scholarship is immersed and asks our community to interact consciously and critically in myriad ways, through the conference and the networks, institutions and the enterprises interested in DH research. Finally, it means involving the next generation, teaching DH to students – the people who will need to deal with the complexities of the future.

Proposals related to these themes are particularly welcome, but the Conference will accept submissions on any other aspect or field of Digital Humanities. Possible topics include, but are not limited to:

*Theoretical, epistemological, methodological or historical aspects of Digital Humanities;
*Digital and computational approaches and applications in literary and linguistic fields, including computational text analysis, stylometry, authorship attribution, natural language processing and computational linguistics, digital philology and textual scholarship;
*Digital and computational approaches and applications in archaeology, architecture, and art history, including image processing, 3D modeling, digital restoration;
*Digital history, geographic information systems applications in spatial humanities and historical studies, public history;
*Digital approaches in music, film, theatre, and media studies; electronic art and literature, games studies, hacker culture, networked communities, digital divides, digital activism, open/libre networks and software, etc.;
*Cultural heritage, digital cultural studies and research undertaken by digital cultural institutions
*Social, cultural, and political aspects of Digital Humanities including digital feminisms, digital indigenous studies, digital cultural and ethnic studies, digital black studies, digital queer studies, digital geopolitical studies, multilingualism and multiculturalism in DH, eco-criticism and environmental humanities as they intersect with the Digital Humanities;
*Emerging technologies such as physical computing, single-board computers, minimal computing, wearable devices, and haptic technologies applied to humanities research;
*Institutional aspects of DH, interdisciplinary aspects of scholarship, open science, public humanities, societal engagement and impact of DH;
*Digital Humanities pedagogy and academic curricula;
*Digital Research infrastructures, digital libraries and virtual research environment, critical infrastructure studies, media archaeology, etc.;
*Any other theme pertaining to the Digital Humanities

The primary language of the conference will be English, but we warmly invite proposals written in other languages for which we have a sufficient pool of peer reviewers (German, Italian, French and Spanish).

Presentations may include:

*Posters (abstract maximum 750 words)
*Short papers (abstract maximum 1 000 words)
*Long papers (abstract maximum 1 500 words)
*Multiple-paper panels (500-word abstracts + 500-word overview)
*Pre-conference workshops and tutorials (proposal maximum 1 500 words)

The deadline for submitting poster, short paper, long paper, and multiple-paper panel proposals to the international Program Committee is 11:59pm GMT 27 November 2018. Presenters will be notified of acceptance by March 3 2019.

The deadline for submitting workshops and tutorials, , is 11:59pm GMT, 10 January 2019, with notice of acceptance by 3 March 2019.

Proposal must be submitted via https://www.conftool.pro/dh2019/.

DH2019 will use double-blind peer review. To facilitate this process, please remove all identifying information from your proposal submission including author name(s) and affiliation(s), project URLs, etc..

When submitting proposals, previous Digital Humanities conference participants and reviewers should use their existing ConfTool account rather than setting up new ones. If you have forgotten your username or password, please contact Program Committee Co-chairs Fabio Ciotti: fabio [dot] ciotti [at] uniroma2 [dot] it or Elena Pierazzo: elena [dot] pierazzo [at] univ-grenoble-alpes [dot] fr.

To facilitate the production of the conference abstract book, authors of accepted papers will be asked to submit final approved versions of their abstracts via the DHConvalidator, available through ConfTool, which creates a TEI text base of conference abstracts for further processing.

Presenters are encouraged to familiarize themselves with Global Outlook::Digital Humanities’ Translation Toolkit to prepare for a multilingual conference. This includes guidelines and best practices for multilingual slides/posters/handouts and ad hoc community translation: http://go-dh.github.io/translation-toolkit/conferences/.

Similarly, participants are strongly encouraged to make themselves aware of current recommendations for accessibility of presentations and multimedia-based materials. Please review the World Wide Web Consortium’s Web Initiative Guidelines on Presentation Accessibility: https://www.w3.org/WAI/training/accessible.

II: TYPES OF PROPOSALS

Proposals may be of five types: (1) poster presentations; (2) short paper presentations; (3) long papers; (4) multiple-paper panels; (5) pre-conference workshops and tutorials. Short paper and poster proposals are especially welcome and, based on peer review and its mandate to create a balanced and varied program, the Program Committee may offer acceptance in a different category from the one initially proposed. The committee will not normally accept more than a total of two submissions from one primary or co-author. Papers and posters may be given in English, French, German, Italian or Spanish.

All proposals should include relevant citations to sources in the appropriate literature. Citations are not to be included in the word count. Additionally, proposals that concentrate on a particular tool or digital resource should cite non-digital as well as computer-based approaches to the problem.

Poster Presentations
Poster proposals (abstract maximum: 750 words) may describe work on any specific topics or methods or present projects and software tools in any stage of development. Poster presentations are intended to be interactive with the opportunity to exchange ideas one-on-one with attendees. Posters are in no way considered lesser forms of presentation at the DH conference and are subject to the same strict peer review as other presentation types. Submissions in this category are strongly encouraged.

Short Papers
Short paper proposals (abstract maximum: 1000 words) are intended to be dynamic 10-minute presentations appropriate for reporting on experiments or works in progress or for describing tools or software in development. Short-paper sessions seek to open dialogues among scholars working on related topics. Short papers are in no way considered lesser forms of presentation at the DH conference and are subject to the same strict peer review as other presentation types. Submissions in this category are strongly encouraged.

Long Papers
Proposals for long papers (abstract maximum: 1500 words) should deal with substantial or completed research; report the development of significant new methodologies or digital resources; or present rigorous theoretical, speculative, or critical discussions. Individual papers will be allocated 20 minutes for presentation and 10 minutes for questions.
Proposals relating to the development of new computing methodologies or digital resources should indicate how the methods are applied to research and/or teaching in the humanities and what their impact has been in formulating and addressing research questions. They should also include critical assessments of their application in the humanities as well as of the computing methodologies used.

Multiple Paper Panels
Panels (abstract maximum: 500 words for overview, plus 500 words for each paper) should focus on a single theme and be inherently coherent in presenting a substantial body of research or a research question. Panel submissions which do not meet this criterion and which could function as individual papers will not normally be accepted. A panel should be conceived as a 90-minute session of four to six speakers.

Since the conference offers an important occasion to attract new scholars from diverse backgrounds to specific research areas, those submitting proposals for panels are advised to ensure that the constitution of the panel reflects the constitution of the field and/or research topic that is being addressed and ADHO’s expressed commitment to diversity or to explicitly address problems in those areas. In case the proposer’s own network is too limited, the Program Committee can advise them prior to submission on whom to contact to broaden the panel. Please contact the PC chairs Fabio Ciotti fabio [dot] ciotti [at] uniroma2 [dot] it or Elena Pierazzo elena [dot] pierazzo [at] univ-grenoble-alpes [dot] fr if you need advice.

Pre-Conference Workshops and Tutorials
Tutorials are normally half-day intensive introductions to specific techniques, software packages, or theoretical approaches with a small number of participants. Workshop proposals may take many forms, including proposals with a full slate of speakers and presentations, as well as proposals to issue an independent call for papers from which submissions will be chosen. Participants in pre-conference workshops and tutorials will be expected to register for the full conference as well as pay a small additional fee to the conference. Workshops are expected to be self-financing in terms of hardware and software needs.

Proposals should provide the following information:

Title and brief description of the content or topic and its relevance to the Digital Humanities community (not more than 1500 words);
Full contact information for all tutorial instructors or workshop leaders, including a one-paragraph statement summarizing their research interests and areas of expertise;
Description of target audience and expected number of participants (based, if possible, on past experience); and
Special requirements for technical support.
Additionally, tutorial proposals should include:

A brief outline showing that the core content can be covered in a half-day (approximately 3 hours, plus breaks). In exceptional cases, full-day tutorials may be supported.
And workshop proposals must include:

Intended length and format of the workshop (minimum half-day; maximum one-and-a-half days);
Any special requirements for attendees, including software installation (the conference will handle traditional technological support, but workshop organizers are expected to manage specific needs such as access to software, servers, etc.).
If the workshop is to have its own call for participation, a deadline and date for notification of acceptances, and a list of individuals who have agreed to be part of the workshop’s Program Committee.
As with Multiple Paper Panel proposals, those submitting proposals for pre-conference workshops are advised to ensure that the constitution of the workshop reflects the constitution of the field and/or research topic that is being addressed and ADHO’s expressed commitment to diversity, or explicitly address problems in those areas. In case the proposer’s own network is too limited, the Program Committee can advise them before submission on whom to contact to broaden the panel. Please contact the PC chairs Fabio Ciotti fabio [dot] ciotti [at] uniroma2 [dot] it or Elena Pierazzo elena [dot] pierazzo [at] univ-grenoble-alpes [dot] fr if you need advice.

N.B. Pre-conference workshops endorsed by ADHO Special Interest Groups (SIGs) will be considered via separate calls put out by SIG conveners and will not be evaluated in the general academic program review process.

III: ADHO CONFERENCE CODE OF CONDUCT

The Alliance of Digital Humanities Organizations (ADHO) is dedicated to creating a safe, respectful, and collegial conference environment for the benefit of everyone who attends and for the advancement of research and scholarship in fields supported by our constituent organizations. The ADHO Digital Humanities conference Code of Conduct is available at http://adho.org/administration/conference-coordinating-program-committee/adho-conference-code-conduct. All people submitting proposals to DH2018 should observe and uphold it.

IV: VENUE

DH2019 will take place at the TivoliVredenburg music theatre in the city centre of Utrecht, the Netherlands, and is hosted by the Faculty of Humanities at Utrecht University. The co-chairs of the local organization committee are Franciska de Jong and Joris van Eijnatten.

V: BURSARIES FOR EARLY-CAREER AND EMERGING SCHOLARS

The Alliance of Digital Humanities Organizations will offer a limited number of bursaries for early-career scholars presenting at the conference. Application guidelines will appear on the ADHO website early in 2019: http://www.adho.org.

VI: INTERNATIONAL PROGRAM COMMITTEE

Co-Chair: Elena Pierazzo
Co-Chair: Fabio Ciotti
Co-Vice Chair: Laura Estill
Co-Vice Chair: Jennifer Guiliano
aaDH representative: Paul Arthur
aaDH representative: Simon Musgrave
ACH representative: Meghan Ferriter
ACH representative: Thomas Padilla
centerNet representative: Francesca Benatti
centerNet representative: Nirmala Menon
CSDH/SCHN representative: Maureen Engel
CSDH/SCHN representative: Michael Ullyot
EADH representative: Claire Clivaz
EADH representative: Christian-Emil Ore
Humanistica representative: Clarisse Bardiot
Humanistica representative: Vincent Razanajao
JADH representative: Akihiro Kawase
JADH representative: Taizo Yamada