London International Palaeography Summer School

http://www.ies.sas.ac.uk/london-palaeography-summer-school

The London International Palaeography Summer School is a series of intensive courses in Palaeography and Manuscript Studies. Courses range from a half to two days duration and are given by experts in their respective fields from a wide range of institutions. Subject areas include Latin, English, Anglo-Saxon, German, Welsh and Greek palaeography, history of scripts, illuminated manuscripts, codicology, manuscript editing and liturgical and devotional manuscripts.

The Summer School is hosted by the Centre for Manuscript and Print Studies with the co-operation of the British Library, the Institute of Historical Research, Senate House Library, the Warburg Institute, University College, King’s College London and the Victoria and Albert Museum.

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Call for Papers – Gender and Religious Practice in the Middle Ages

UCSB Medieval Studies Conference 2016:
Gender and Religious Practice in the Middle Ages
May 7, 2016: CFP

Monks, rabbis, abbesses, imams—when we think of religious practice in the Middle Ages, we often think about offices or organizations such as these that fall along clearly gendered lines. But these delimited categories belie complexities and nuance in how medieval people understood, constructed, and enacted gender in specific religious contexts. We are seeking papers that explore these complexities. Papers that engage with gender and religious practice from any discipline are welcome, and can include a diverse set of approaches, including but not limited to:

  • Men and women interacting in religious spaces
  • Same-sex interactions in religious spaces
  • The gendering of religious space
  • The construction or self-fashioning of masculinities/femininities in religious contexts
  • The gendering of different religious groups or practices by outsiders
  • Gendering of heterodoxy/orthodoxy
  • Gendered patterns of devotion

Topics are not limited to the European/Western contexts; examinations of gender and religious

practice in any medieval geographical or religious context are encouraged. Paper submissions are due by February 26, 2016, and should include your name, email, university, and departmental affiliation with an abstract of 250-300 words.

The conference will feature a keynote talk by Fiona Griffiths, Associate Professor of History at Stanford, who will be presenting “Men in Women’s Monasteries: Nuns’ Priests in the Central Middle Ages”

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MAA News – 2017 Call for Papers

univtorontoThe 92nd Annual Meeting of the Medieval Academy of America will be held in Toronto, Ontario, on 6-8 April 2017, hosted by the University of Toronto and The Pontifical Institute for Mediaeval Studies.

The Organizing Committee invites proposals for papers on all topics and in all disciplines and periods of medieval studies. Any member of the Medieval Academy may submit a paper proposal, excepting those who presented papers at the annual meetings of the Medieval Academy in 2015 or 2016; others may submit proposals as well but must become members in order to present papers at the meeting. Special consideration will be given to individuals whose field would not normally involve membership in the Medieval Academy. The due date for proposals is 15 June 2016.

Rather than an overarching theme, the 2017 meeting will provide a variety of thematic connections among sessions. The Medieval Academy welcomes innovative sessions that cross traditional disciplinary boundaries or that use various disciplinary approaches to examine an individual topic. To both facilitate and emphasize interdisciplinarity, the Call for Papers is organized in “threads.” Sessions listed under these threads have been proposed to or by the Organizing Committee but
the list provided in the Call for Papers is not meant to be exhaustive or exclusive.

The complete Call for Papers, with proposed threads and sessions as well as instructions for submitting proposals, can be found here:
http://medievalacademy.site-ym.com/?page=2017Meeting.

Please contact the organizing committee if you have further questions about the meeting, at MAA2017@TheMedievalAcademy.org.

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MAA News – 2016 Annual Meeting

Boston Public Library, MS f. Med. 101, f. 1r detail, Christine de Pizan, Le livre des trois vertus

Boston Public Library, MS f. Med. 101, f. 1r detail, Christine de Pizan, Le livre des trois vertus

There is still time to register for the upcoming Annual Meeting, taking place at the Hyatt Regency Boston, 25-27 February. More than 400 medievalists have registered so far. Pre-registration closes on February 10; on-site registration will be available but at a slightly higher rate.

Highlights include:

Thursday, February 25
1:30 – 3 PM: Opening Plenary Address: William Noel (Kislak Center for Special Collec-tions, University of Pennsylvania), “It is in Your Hands:

The Future of Medieval Manuscript Studies” [Grand Ballroom]

5:15 – 7 PM: Opening Reception [Ballroom Foyer]

7 PM: Graduate Student Reception [Dedham Room, 4th Floor]

Friday, February 26
8:30 – 10 AM: CARA Plenary Session: “The Parameters of PreModern Magic” [Grand Ballroom]

1 – 2 PM: Medieval Academy Business Meeting/Awards Ceremony [Grand Ballroom]

6:15 – 7:30 PM: Reception [Ballroom Foyer]

7:30 PM: Banquet [Grand Ballroom]

Saturday, February 27
10:45 AM – 12:15 PM: Awarding of Publication Prizes; Presidential Address: Barbara Newman (Northwestern University), “Annihilation and Authorship: Three Women Mystics of the 1290s” [Grand Ballroom]

3:45 – 5:45 PM: Induction of Fellows; Fellows’ Plenary Address: Robin Fleming (Boston College), “Vanishing Plants, Animals, and Places: Britain’s Transformation from Roman to Medieval” [Grand Ballroom]

6:30 – 8:30 PM: Closing Reception, Isabella Stewart Gardner Museum

Sunday, February 28
8:30 AM – noon: CARA Meeting [Hyatt Regency, Duxbury Room]

More information and online registration are available here.

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MAA News – Upcoming Deadlines: MAA Grants and Awards

MAA Dissertation Grants (deadline 15 February):
The nine annual Medieval Academy Dissertation Grants support advanced graduate students who are writing Ph.D. dissertations on medieval topics. The $2,000 grants help defray research expenses.  Click here for more information.

Schallek Awards (deadline 15 February):
The five annual Schallek awards support graduate students conducting doctoral research in any relevant discipline dealing with late-medieval Britain (ca. 1350-1500). The $2,000 awards help defray research expenses.  Click here for more information.

MAA/GSC Grant for Innovation in Community-Building and Professionalization (deadline 15 February):
MAA/GSC Grants will be awarded to an individual or graduate student group from one or more universities. The purpose of this grant is to stimulate new and innovative efforts that support pre-professionalization, encourage communication and collaboration across diverse groups of graduate students, and build communities among graduate student medievalists. Click here for more information.

Olivia Remie Constable Award (deadline 15 February):
Four Olivia Remie Constable Awards of $1,500 each will be granted to emerging junior faculty, adjunct, or unaffiliated scholars (broadly understood: post-doctoral, pre-tenure) for research and travel.   Click here for more information.

Applicants for these and other MAA programs must be members in good standing of the Medieval Academy. Please contact the Executive Director for more information about these and other MAA programs.

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MAA News – Medieval Academy Books Call for Submissions

shieldThe Medieval Academy of America is actively soliciting monograph submissions for publication in the Medieval Academy Books series, in partnership with the University of Toronto Press. To submit a manuscript for consideration by the MAA Publications Advisory Board, email your submission to Director of Publications Sarah Spence at sspence@themedievalacademy.org.

Since 1925, the Medieval Academy of America has published more than 150 monographs in several series. These are available in multiple formats:

* Forty volumes are available as print-on-demand books at Amazon.com;

* Three dozen volumes are available as freely accessible PDF and/or HTML files on the Medieval Academy website;

* Twenty-seven volumes are available as eBooks through the American Council of Learned Society’s Humanities eBook Library (available to members at a discounted subscription rate);

* Many volumes of the Medieval Academy Reprints for Teaching (MART) series as well as the most recent Medieval Academy Books monographs can be purchased through our publishing partner, University of Toronto Press;

* Fifty-one out-of-print volumes are available for sale through the Academy website.

The entire library of Medieval Academy monographs is listed on our website.

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MAA News – Book Subvention Program

The Medieval Academy Book Subvention Program provides grants of up to $2,500 to university or other non-profit scholarly presses to support the publication of first books by Medieval Academy members. The deadline for proposals is 1 May 2016. Click here for more information.  The library of monographs subvented by the Medieval Academy of America is listed here.

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Call for Papers – Othello’s Island 2017

Othello’s Island 2017
The 5th annual multidisciplinary conference
on medieval and renaissance studies
and their later legacies

Venue: Centre for Visual Arts and Research (CVAR)
Nicosia, Cyprus, 6 to 8 April 2017
with optional historic-site visits on 9 April

Advance Notice

CALL FOR PAPERS a collaborative event organised by academics from Sheffield Hallam University, SOAS University of London University of Kent, University of Sheffield and the University of Leeds:

www.tiny.cc/othello2017

Convenors

  • Emeritus Professor James Fitzmaurice, Northern Arizona University (USA)
  • Professor Lisa Hopkins, Sheffield Hallam University (UK)
  • Dr Sarah James, University of Kent at Canterbury (UK)
  • Dr Michael Paraskos, SOAS University of London (UK)
  • Benedict Read FSA, University of Leeds (UK)
  • Dr Rita Severis, CVAR (Cyprus)

We welcome applications from researchers to present papers at the 2017 edition of Othello’s Island.

First held in 2013, Othello’s Island now a well established annual meeting of academics, students and members of the public interested in medieval and renaissance art, literature, history and culture. 

Othello’s Island is growing in size and stature every year. In 2016 over seventy academics from across the world presented papers at the conference, whilst also experiencing the medieval and renaissance art, architecture and historical sites of Cyprus. 

This experience ranged from the island’s material culture, such as the French gothic cathedral of Nicosia, through to the remarkable living culture of the island that is still deeply affected by its medieval and renaissance past.

In 2017 we are interested in hearing papers on diverse aspects of medieval and renaissance literature, art, history, society and other culture.

Papers do not have to be specifically related to Cyprus or the Mediterranean region and do not have to be connected to Shakespeare.

It is worth looking at the range of papers from past conferences to see that previous speakers have covered topics ranging from slavery in medieval Cyprus and Malta, to the impact of Italian Renaissance art on Cypriot Byzantine painting, to the Anglo-Saxon epic Beowulf and Margaret Cavendish.

That said, given our location, Cyprus, the Levant and the Mediterranean do impact on the conference. In part this is because Cyprus is a real gem for anyone interested in medieval and renaissance history. Experience from the conference over the past four years shows that for researchers interested in placing their text-based research in a material context, visiting the island adds a new dimension to their studies. This comes in part from the conference itself, but also from the rich treasury of architectural and other material culture relating to the period that is available on Cyprus.

Othello’s Island itself has developed a reputation as one of the friendliest medieval and renaissance studies conferences in the world today, and it is also genuinely interdisciplinary. In part this is due to the relatively small size of the event, which generates a true sense of community during the conference.

For more informaton and submission deadlines please visit

www.tiny.cc/othello2017

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Call for Applications – Dante and the Visual Arts Summer Symposium at UCLA and the J. Paul Getty Museum

Call for Applications

Dante and the Visual Arts Summer Symposium at UCLA and the J. Paul Getty Museum
August 22–24, 2016

The UCLA Center for Medieval and Renaissance Studies (CMRS) invites applications from graduate students and post-doctoral scholars to attend the Dante and the Visual Arts Summer Symposium.  The symposium, organized by CMRS and the journal Dante e l’Arte in conjunction with the J. Paul Getty Museum, will take place August 22–24, 2016 in Los Angeles with sessions at UCLA and at the Getty Center.

The symposium is part of the larger research project Envisioning the Word: Dante and the Visual Arts 1300-1500 which is an ongoing collaboration between the UCLA Center for Medieval and Renaissance Studies and the Institut d’Estudis Medievals at the Universitat Autònoma de Barcelona. The project’s goal is to demonstrate and document how Dante’s imagery, particularly that associated with the Divine Comedy, draws upon the visual traditions of Dante’s own time and gives them a new form. It also examines the way that the Dante’s Comedy influenced the visual arts of the fourteenth and fifteenth centuries and the culture of early modern print.

The Dante and the Visual Arts Summer Symposium will consist of a day at the Getty Museum focusing on manuscripts and printed books of the fourteenth through the sixteenth centuries, concentrating on the long visual tradition associated with Dante and his milieu. Participants will also learn how books and manuscripts were made, illuminated, and illustrated. The symposium will then move to UCLA for two days of presentations and discussions focusing on the most important editions of Dante’s Comedy analyzing such factors as the relationship between text and image, the hermeneutic importance of the image, and the criteria by which a particular description in the text has been selected to be represented visually. An exhibit of early books and manuscripts will be on display in UCLA Library Special Collections in conjunction with the symposium.

ELIGIBILITY — Applicants must be graduate students or post-doctoral scholars who are doing research or specializing in some aspect of Dante studies. An ability to speak and to understand spoken Italian is preferred, but not required. Please note: Applicants who are not US citizens will be responsible for obtaining the appropriate visa if required. If selected for the award, the UCLA-CMRS staff will assist with this process.

AWARD — A total of 12 applicants will be selected to attend the symposium. Six of these applicants will be chosen from the southern Californian region. An additional six from outside the greater Los Angeles area will be selected to receive funding in the form of roundtrip, economy class travel to/from Los Angeles (i.e., airfare and ground transportation) and 5 nights lodging.

APPLICATION PROCEDURE — There is no application form. An application consists of these items:

1.  A cover letter with the following information: Name, mailing address, email address, telephone number, affiliation and status (school you attend or graduated from; highest academic degree and date awarded), and citizenship status. Please address the cover letter to Professor Massimo Ciavolella.

2. A short description (500 words) of your academic or research interests and an explanation of how the Dante and the Visual Arts Summer Symposium will help you achieve your academic goals. Please describe your fluency with the Italian language.

3.  Curriculum vitae.

4.  Transcript(s) from all colleges or universities attended.

5. Two letters of recommendation from faculty or scholars familiar with your academic work.

SUBMISSION GUIDELINES — Submit application items 1-4 by email attachment to cmrs@humnet.ucla.edu; please use the subject line “Dante Application.” PDF format is preferred. Letters of recommendation should also be submitted by the recommender to the same email address. All applications and letters will receive an email confirmation of receipt.

APPLICATION DEADLINE — April 15, 2016.

If you need more information about the symposium or the application process, please contact Karen Burgess (UCLA-CMRS Assistant Director) at kburgess@ucla.edu .

Click here to go to the page on the UCLA-CMRS website for an overview of the project.

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Call for Papers – New Approaches to Early Modern Literature and Culture

NEW SCHOLARS SERIES AT BATES COLLEGE
NEW APPROACHES TO EARLY MODERN LITERATURE AND CULTURE
A SYMPOSIUM
26 September 2016

The Department of English at Bates College invites papers on any topic related to new approaches to Early Modern Literature and Culture, for a day-long symposium showcasing the work of emerging scholars (recent PhD or ABD) from historically underrepresented groups.

The symposium will showcase new work by individuals from underrepresented groups in the professoriate, specifically defined as including African Americans, Alaska Natives, Arab Americans, Asian Americans, Latinas/os, Native Americans, Native Hawaiians, and other Pacific Islanders.

We are particularly interested in questions that contest the boundaries of Early Modern English Literature, including (but not limited to) considerations of ethnography, genre, and geography; that interrogate its received forms, including material cultural and / or theoretical perspectives—including philosophies of race, gender, or sexuality—germane to emerging national literatures; and that broach its very definition as a period, arguably from 1500 to 1750, including points of contact with or reference to notions of the medieval and / or modern.

Invited speakers will have their travel expenses covered and will be guests of the College from the evening of 9/25 through breakfast on 9/27, with all paper presentations to occur on 9/26. Twenty-minute papers will be grouped into thematic panels, with additional roundtable and Q&A formats running throughout the day. We aim to create an intellectually enriching experience for all interlocutors, including the selected speakers and the faculty and students of Bates College.

What to Submit:

  • A 300-word abstract describing the paper’s argument, critical context, and significance
    • A current cv
    • A 1-page cover letter describing your interest in participating in the symposium

Where to Submit:

Abstract, cv, and statement should be submitted in PDF format by email to NewScholars2016@bates.edu by 15 May 2016. Speakers will be notified of acceptance by 30 June 2016.

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