Author’s Response to Speculum Review

A response to: Robert, Aurélien. Review of Richard de Mediavilla, Questions disputées, tome VI, Questions 38–45, ed. and trans. Alain Boureau.

Speculum 91/1 [2016]:248–50; doi:10.1086/684468.

Author’s Response (Alain Boureau, École des hautes études en sciences sociales)

  • En premier lieu, le compte-rendu n’expose pas l’entreprise: six volumes formant 2539 pages pour un texte inédit et important.
  • En deuxième lieu: le 9 mai 2013, j‘avais expédié à l’auteur par mail la totalité du texte de ce tome VI en lui signalant que le texte, qui a paru un an plus tard, n’avait pas été revu dans le détail, ce qui impliquait une possibilité de discussion. Ce discussion a deroulé à l’occasion d’une journée de débats sur Richard de Mediavilla et Dietrich de Freiberg le 8 juin 2013. L’auteur y a parlé, en présentant précisément le tome VI de Mediavilla.
  • En troisième lieu, le désaccord porte sur la notion de L’auteur a qualifié ma position de “terrible misunderstanding” [p. 249 of the review]. Or, cette position, je l’ai exprimée clairement et longuement dans un article des Archives d’Histoire Doctrinale et Littéraire du Moyen Âge, tome 77, 2010, p. 157-191, “Un débat sur l’inné et l’acquis dans l’intellect des anges: La question disputée 12 de Richard de Mediavilla.” Cette position, réitérée dans l’introduction du tome VI, est présentée au lecteur de la recension comme une faute de traduction. Il en va de même pour les mots virtus, spiritus, et subiectum, tous glosés et analysés. Je l’ai toujours dit: l’avantage d’une édition bilingue est de permettre des traductions qui osent des choix, par ailleurs expliqués, qui sont interdits aux traductions qui ne proposent pas le texte en regard.
  • En quatrième lieu, l’auteur a prétendu que mes principes d’édition “are not clearly expressed: the choice of the manuscripts and their respective values are not explained with a stemma codicum” [p. 248]. Cela a été fait au tome I en sept pages de l’introduction (p. XXIV-XXXI): j’y indiquais l’utilisation de 16 manuscrits. J’ai raffiné cette comparaison et ce stemma des manuscrits au tome III (p. X-XIII) et au tome V (p. XII-XIII). Il est vrai que je suis prudent sur la notion, par ailleurs contestable de stemma, en raison du système franciscain de reproduction des manuscrits par ce que j’appelle la pecia gratuite des franciscains (voir mon article “Un scribe philologue: La détection erronée de fautes par homéotéleutes dans le Ms. 82 d’Assise,” Scriptorium 65, 2011, p. 348-351). De même sont mentionnées, dans les 568 pages du volume, une faute graphique (le æ classique pour le e médiéval) et une absence de référence en note, présentées comme de simples exemples d’un problème generalisé. La rectification en note d’une référence erronée de Mediavilla est donnée comme une substitution [p. 248].

Reviewer’s Response: It is Speculum’s policy to print letters from authors of reviewed books together with a response from the reviewer. In this case, the reviewer (Aurélien Robert, Centre d’Études Supérieures de la Renaissance-CNRS) chose not to respond.

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Call for Papers – 2016 New England Medieval Conference

The organizers of the annual New England Medieval Conference, to be hosted by Dartmouth College on Saturday 19 November 2016, invite papers that address the 2016 theme “Lives and Afterlives in the Middle Ages.” Whether one studies historical figures, relics, art, literature, theology, music or myriad other topics, the notion of “life and afterlife” serves as an almost universal conceit through which to interpret the Middle Ages. Some of the questions that might be addressed by speakers at the conference include: how did the awareness of mortality condition medieval beings? How did time change the appearance, reception and meaning of events or artifacts?  Why and how did medieval works endure and remain relevant in cultural contexts far removed from that in which they first existed? The advantages to framing the Middle Ages in this fashion include the ability to ponder biography and hagiography; the value of life and the matter of death; the promise of paradise and the specter of damnation. Likewise, from the perspective of a cultural historian, this year’s theme encourages synchronic and diachronic approaches that might address the making and reception of cultural artifacts or other key moments in an artifact’s life-history. Paper proposals of c. 400 words should be sent by June 15th to NEMC.2016@dartmouth.edu.

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Call for Sessions: Mary Jaharis Center Sponsored Panel, 52nd International Congress on Medieval Studies

As part of its ongoing commitment to Byzantine studies, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 52nd International Congress on Medieval Studies, Western Michigan University, Kalamazoo, May 11–14, 2017. We invite session proposals on any topic relevant to Byzantine studies.

Session proposals must be submitted through the Mary Jaharis Center website (http://www.maryjahariscenter.org/sponsored-sessions/52nd-international-congress-on-medieval-studies). The deadline for submission is April 25, 2016. Proposals should include:

*Title
*Session abstract (300 words)
*Intellectual justification for the proposed session (300 words)
*Proposed list of session participants (presenters and session presider)
*CV

The session organizer may act as the presider or present a paper.

Successful applicants will be notified by May 6, 2016, if their proposal has been selected for submission to the International Medieval Congress.

If the proposed session is approved, the Mary Jaharis Center will reimburse session participants (presenters and presider) up to $600 maximum for North American residents and up to $1200 maximum for those coming abroad. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.

Please contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.

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Lecture: “Medieval Manuscripts in the Library of Congress”

“Medieval Manuscripts in the Library of Congress”

 with Kluge Fellow Ilya Dines

Thursday, March 31, 2016, 4:00 p.m.
Room LJ-119, First floor, Thomas Jefferson Building

Kluge Fellow Ilya Dines discusses his current project to catalogue 150 medieval manuscripts and fragments held by the Library of Congress. In his presentation, Dines will analyze in detail the importance of the Library’s medieval manuscript collection and outline the role it could play in expanding and deepening understandings of the medieval era.

For more information: http://www.loc.gov/loc/kluge/news/index.html#Mar-31  

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Save the date: “What Is Islam?” symposium, 29 April

Dear colleagues,

You are invited to join us on the afternoon of Friday, 29 April for “What is Islam? A Symposium in Memory of Shahab Ahmed.” This symposium, which will begin with lunch from noon to 1 pm and continue with presentations until 6 pm or so, honors the memory of our friend, colleague, and teacher Shahab Ahmed. While Shahab’s too-early death robbed all of us of a brilliant scholar, the publication of his groundbreaking and challenging book What Is Islam? The Importance of Being Islamic (Princeton University Press) offers a wonderful opportunity to consider his intellectual legacy from a variety of disciplinary perspectives. Those who will reflect on Shahab’s book and its impact include Michael Cook, Noah Feldman, Cemal Kafadar, Gülru Necipoğlu, Parimal Patil, and Nicholas Watson. We are waiting for final confirmation of the symposium’s location on the Harvard campus, and will send out this information under separate cover in the next week or so. In the meantime, please mark your calendars for this important event, which is sponsored by the Standing Committee on Medieval Studies, the Mahindra Humanities Center, the Center for Middle Eastern Studies, the Aga Khan Program for Islamic Architecture, the Committee on the Study of Religion, with support of the Rabbi Joseph S. Shubow Memorial Fund, the South Asia Initiative, the Department of Near Eastern Languages and Civilizations, the Prince Alwaleed bin Talal Islamic Studies Program, and the Islamic Legal Studies Program. Questions? Please contact Nora Lessersohn (noralessersohn@g.harvard.edu)

Yours,
Nicholas Watson, Nora Lessersohn, and Sean Gilsdorf, symposium co-organizers

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Harlaxton Medieval Symposium 2016: The Great Household, 1000-1500

Harlaxton Manor, Grantham, Lincolnshire. The theme of the 2016 Symposium is the medieval great household, from the eleventh to the early sixteenth century, with a focus on elite contexts in the British Isles. Papers will look at changing structures within the household; household membership, lords and their servants; domestic material culture; literature, music and entertainment in the household; the role of the household chapel; sensory environments, consumption and the routines of the household. Delegates will be given a guided tour of Harlaxton Manor (our own ‘Great Household’) and our afternoon outing will be to Gainsborough Old Hall, one of the finest and best-preserved fifteenth-century manor houses in England. Our conference banquet will feature food inspired by authentic medieval cuisine. Our keynote will be delivered by Chris Dyer (University of Leicester). Booking information can be found on our website (harlaxton.org)

We are pleased to offer two postgraduate scholarships in remembrance of our founder, Barrie Dobson. Further details can be found on our website (http://harlaxton.org.uk/the-barrie-dobson-scholarships)

Email: harlaxtonsymposium@gmail.com

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The Robert M. Durling Prize

The Robert M. Durling Prize

The DSA Council is pleased to welcome submissions for the first annual Durling Prize. Established in memory of our late colleague Robert M. Durling, this award will recognize excellence in the teaching of Dante’s life, time, and works by educators working in North American secondary schools (i.e., high school and middle school). The prizewinner will receive a monetary award in the amount of $1,000.

The Durling Prize will be awarded to an educator who demonstrates effective and innovative pedagogical approaches to teaching Dante, whether in a single unit, semester or year-long course. Submissions must include the following items: 1) a two-page resume that highlights the instructor’s involvement with Dante; 2) a description of the applicant’s involvement with Dante (between 500 and 1,000 words in length); 3) an annotated syllabus and detailed assignment descriptions; and 4) one letter of support from a former student or colleague involved with the project who is not the applicant (i.e., a peer observation). Applicants may (but are not required to) send in additional supplementary materials, such as: recordings of class instructions; examples of digital and other teaching aids used in the classroom; sample student work; student evaluations; or additional letters of support.

Nominations for the prize – either self-nominations or nominations submitted by someone who is not the applicant – must be received by July 1st of each year. Nominated parties will be contacted by The Dante Society of America and asked to submit a complete dossier by September 1st. All nominations and submissions must be sent as e-mail attachments to The Dante Society of America at dantesociety@gmail.com. Files should be saved as documents with either a .doc, .docx, or an .rtf extension. No hardcopy submissions will be accepted.

A special committee of the Society will judge the submissions. The announcement of the winners will be made in late autumn and published in the spring issue of the Society’s Newsletter; they will also appear in the Annual Report of the Society. Candidates not in receipt of the award remain eligible to participate in a future competition, for which submission guidelines must be followed.

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Apply Now for 2017 Winter Program in Paleography and Codicology

2017 WINTER PROGRAM

GREEK PALEOGRAPHY AND CODICOLOGY
Deadline for application: May 15, 2016

The AAR will offer its second winter program in Greek Paleography and Codicology in collaboration with the Vatican Library from 9 to 20 January 2017. The two-week course will introduce participants to various aspects of manuscript studies and offer an interactive dialogue between theory and practice. Applications from graduate and postgraduate students of Classics, History, Theology/Religious Studies, and Byzantine Studies are welcome to apply here.

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Morton W. Bloomfield Visiting Fellowship, Harvard University, 2016-2017

The Medieval Colloquium of the Department of English at Harvard University invites applications for the Morton W. Bloomfield Visiting Fellowship, a four-week residential fellowship that can be held at any time during the 2016-17 academic year (September through May).  Thanks to the generosity of the Morton W. Bloomfield Fund, established in the memory of one of Harvard’s most distinguished medievalists, we are able to provide up to $3500 towards travel, accommodation, and living costs.   We invite scholars at any stage of their postdoctoral career who could usefully spend a month at Harvard to apply.  In the past, some fellows with sabbatical leaves have elected to spend a semester with us.  Fellows are expected to attend the Medieval Colloquium and to give a paper on the subject of their research. They are also asked to meet with our graduate students, and they are welcome to attend other events at Harvard. We select fellows on the basis of the importance of their research and its interest to our intellectual community.

Applicants should send a brief letter of application, a curriculum vitae, and a two-page project description by email to Daniel Donoghue (ddonogh@fas.harvard.edu) no later than April 25, 2015. Please include details on when and for how long you would be able to be in residence.  The fellowship is not normally compatible with teaching commitments at a home institution. We hope to be able to congratulate the successful applicant by the middle of May.

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East of Byzantium Inaugural Events, April 13 & 14, 2016

East of Byzantium is a new partnership between the Arthur H. Dadian and Ara Oztemel Chair of Armenian Art at Tufts University and the Mary Jaharis Center for Byzantine Art and Culture at Hellenic College Holy Cross in Brookline, MA, that explores the cultures of the eastern frontier of the Byzantine empire in the late antique and medieval periods.

INAUGURAL EVENTS

Wednesday, April 13, 2016, 6:15 pm
Harvard Faculty Club, 20 Quincy Street, Cambridge, MA
East of Byzantium: Shifting Identities and New Approaches
Anthony Eastmond, The Courtauld Institute of Art
Anthony Kaldellis, The Ohio State University, Respondent

Thursday, April 14, 2016, 10:00 am–12:00 pm
Harvard Faculty Club, 20 Quincy Street, Cambridge, MA
Studying East of Byzantium
A workshop for students designed to introduce participants to the study of the Christian East. Led by Anthony Eastmond, The Courtauld Institute of Art.

RSVP required. Register at http://eastofbyzantium.org/events/studying-east-of-byzantium/studying-east-of-byzantium-registration/

For more information, please visit http://eastofbyzantium.org.

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