Jobs for Medievalists

The NYAM Center for the History of Medicine and Public Health is looking for an innovative and energetic curator.

The curator will be a key member of the Center team, and will work closely with colleagues in the acquisition, intellectual management, and use of the rare book collections, and will develop physical and online exhibitions, web resources, programming, and events in the history of medicine, public health, and the book. The curator will also take a leading role in establishing the Center’s activities and profile within the scholarly community and broader public audiences, and in connecting its work to NYAM priorities. This position is an outstanding opportunity for a proactive individual to develop knowledge and skills, working with a world-class collection in the history of medicine and public health, at a leading institution in New York City, found at the top of the “Museum Mile” along Fifth Avenue.

For further information, see

http://www.nyam.org/about-us/careers/curator-rare-books-and.html

The ideal candidate will have both library credentials and a background in the history of medicine. Applications will be evaluated on a rolling basis.

Minimum salary $65,000.

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Summer Latin Program

In 2014, the Centre for Medieval Studies at the University of Toronto will offer the following courses in Medieval Latin:

Beginning Latin (8 hours of instruction weekly, 20 May to 11 July 2014, with an optional three-week reading course thereafter).  Textbook: Moreland and Fleischer, Latin: an Intensive Course.

Level One Medieval Latin (7.5 hours weekly, 26 May to 4 July 2014, with an optional two-week grammar review before the course).

Level Two Medieval Latin (7.5 hours weekly, 7 July to 15 August 2014).

Enrolment in the Level One and Level Two courses will be restricted and will depend on performance in the April Level One Latin examination.  Information on the examinations and the summer program is available on line (medieval.utoronto.ca).

The fee for each course is $1,000 (Can) for Canadian residents, or its equivalent in US dollars for non-Canadian residents.  The deadline to apply for all courses is 1 May 2014.  Enrolment in each course is limited.

Two students at the Level One and Level Two will be awarded full tuition scholarships funded by the Medieval Academy through the Committee on Centers and Regional Associations (CARA).  To apply for the CARA scholarships, send a transcript and a brief personal statement indicating your interests and the value of the summer program for your studies and arrange for a letter of reference to be mailed separately to Medieval Latin Program, Centre for Medieval Studies, University of Toronto, 125 Queen’s Park, 3rd Floor, Toronto, Ontario, M5S 2C7.  The deadline for the CARA scholarship applications is 15 March 2014.

ASSESSMENT IN MEDIEVAL LATIN

The Centre for Medieval Studies in Toronto continues to offer its Level One and Level Two Medieval Latin examinations to external students.  Examinations will be as follows: Level One, 14 April 2014 and 3 September 2014; Level Two, 16 April 2014 and 5 September 2014.  Fee for examinations: $50 (US) for non-Canadians, $50 (Can.) for Canadians.  For details and application forms, please visit the Centre’s website: medieval.utoronto.ca.  Note that admission into the Summer Medieval Latin Level One and Level Two courses will be decided on the basis of the April Level One Latin examination.

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Global Digital Library Symposium @ UVA, Oct. 31-Nov. 1

http://www.rarebookschool.org/globaldigitallibraries/

Global Digital Libraries

A symposium sponsored by Rare Book School, the Scholars’ Lab, and the Buckner W. Clay Endowment for the Humanities at the Institute of the Humanities & Global Culture

University libraries and humanities centers are shifting many resources toward the development of digital libraries and archives, intended to foster scholarly research in networks that span both national and financial borders. Large-scale projects along these lines, such as Europeana and the Digital Public Library of America, have developed out of academic discussions and endeavors initiated by professors and librarians. At the same time, large-scale, international, collaborative initiatives present new organizational challenges for humanities departments and research libraries alike. This symposium will explore and critique the kinds of models that have emerged for building global digital libraries, and the kinds of comparative research that have been made possible through them.

The symposium is intended for digital humanists from departments throughout the UVA community and beyond, and is designed to contribute to UVA’s strategic planning and development of ongoing and emerging global projects to digitize and interpret collections. The symposium will also foster collaborative relationships among UVA and other research centers that are helping to form global digital libraries.

Events

Wednesday, 30 October

10:00–11:00 am | Public lecture by Dot Porter. Scholars’ Lab, 421 Alderman Library.

Thursday, 31 October

12:00–1:30 pm | Luncheon and round-table discussion moderated by Will Noel and Michael F. Suarez, S.J. Limited to 24 participants. Rare Book School, 112 Alderman Library.

5:30 pm | Public lecture by Will Noel: “Global Digital Libraries: Some Principles and an Idea.” This lecture will question the notion of digital surrogacy, discuss best practices for the presentation of digital information on books, and look at exploiting digital technologies to further the study of book archaeology. Auditorium of the Harrison Institute and Albert and Shirley Small Special Collections Library. Reception to follow at Rare Book School, 112 Alderman Library.

Friday, 1 November

2:00–4:00 pm | Workshop led by Will Noel and Dot Porter: “Disbinding All the Books in the World.” Using the combined skill sets of Rare Book School, The Schoenberg Institute for Manuscript Studies, and the Scholars Lab, this workshop will sketch out what needs to be done to enable the virtual disbinding of all digitized books openly available in standard formats. The takeaway will be a blueprint for building such a tool. Limited to 24 participants. Rare Book School, 112 Alderman Library.

Registration

To register for the luncheon and/or symposium workshop, please fill out the registration form. Registration for the luncheon and workshop is limited, so don’t delay: http://www.surveymonkey.com/s/T6CCKZ2

Symposium Presenters

Will Noel is Director of the Kislak Center for Special Collections, Rare Books and Manuscripts, and Director of the Schoenberg Institute for Manuscript Studies at the University of Pennsylvania, before which he worked at The Walters Art Museum as Curator of Manuscripts and Rare Books. Among his books are The Harley Psalter (1995), The Oxford Bible Pictures (2005), and The Archimedes Codex (2007). An advocate for open manuscript data, during his tenure the Walters began to release full digital surrogates of its illuminated medieval manuscripts under a creative commons license. Will was a 2012 TED speaker, and in 2013 was honored as a White House Open Science Champion for Change. He has been a member of the Rare Book School faculty since 2005.

Dot Porter is the Curator of Digital Research Services in the Schoenberg Institute for Manuscript Studies, Kislak Center for Special Collections, University of Pennsylvania. Dot holds Masters degrees in medieval studies and library science, and started her career working on image-based digital editions of medieval manuscripts. She has worked on a variety of projects, focusing on materials as diverse as ancient texts and Russian religious folklore, providing both technical support and scholarly expertise. Her research focuses on medievalists’ use of digital resources. At Penn, she both provides general digital humanities support for faculty and graduate students, and plays with digitized medieval manuscripts.

Michael F. Suarez, S.J. is the Director of Rare Book School, and a University Professor with a separate appointment as Professor in UVA’s English department. In addition, he serves as Honorary Curator of UVA’s Albert and Shirley Small Special Collections department. Suarez’s most recent publication is The Book: A Global History (forthcoming from Oxford University Press, 2013). He is co-Editor (with H. R. Woudhuysen) of The Oxford Companion to the Book (Oxford University Press, 2010), and co-General Editor of The Collected Works of Gerard Manley Hopkins Internationally known for his work on both printed and digital materials, he is Editor-in-Chief of Oxford Scholarly Editions Online, a major digital undertaking (2010–2020) of Oxford University Press.​

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Conferences – The Blood Conference

Registration is now open for The Blood Conference, an interdisciplinary forum to discuss early modern and medieval theories of blood.

Wednesday 8th to Friday 10th January 2014

St Anne’s College, Oxford

Find out more and book in for the conference: www.thebloodproject.net

Join the conversation on Twitter: @bloodproject

Between the 14th and 17th centuries, debates about the nature and function of blood raised questions about the limits of identity, God’s will, science’s encounter with the self, and the structure of families and communities. A substance defined diversely by theologians, medics, satirists, and dramatists, blood was much more than the red fluid running in human veins. It was matter, text, waste, cure, soul, God, and the means by which relationships were defined, sacramentalised, and destroyed.

The conference includes plenary addresses by Frances Dolan (UC Davis), Elisabeth Dutton (Fribourg), Helen Barr (Oxford), and Patricia Parker (Stanford); nine exciting panels with internationally-acclaimed speakers; a session by David Fuller (Durham), exploring Eucharistic theories with readings and performances of music and poetry; a production of the Croxton Play of the Sacrament; a panel discussion with leading blood transfusion and hematology experts; a session on treasures from the Wellcome Trust archives; and an exhibition by artist, Zachary Beer.

Download the conference programme

Download the poster

(See our calendar for more conferences)

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Jobs for Medievalists

Assistant Professor of Medieval Literature and Culture

Job Description:
Tenure track position, beginning September 1, 2014, for a specialist in Medieval Literature and Culture.  Strong candidates will possess a background in the history of the English language, global/comparative studies, history of the book, and/or digital humanities. Please describe secondary and interdisciplinary areas of research and teaching expertise in your letter of application.  The position carries a 2/2 teaching load, which includes general education courses, English major courses—both large lecture classes and discussion-based classes—and graduate seminars.  UMass Boston is a lively urban research university with a large and dynamic undergraduate English major, over 100 English master’s students, an MFA program for fiction and poetry, and the most diverse student body in New England.

Requirements:
Minimum Requirements: Ph.D. in English or related field (candidates must have Ph.D. in hand by August 2014).


Additional Information:
UMass Boston is an Affirmative Action, Equal Opportunity, Title IX employer.


Application Instructions:
Applications must be received by November 15.  Submit a cover letter, CV, letters of recommendation, and a writing sample of no more than 20 pages online.  Dossiers of letters of recommendation must be emailed directly to english.recruitment@umb.edu to the attention of Prof. Cheryl Nixon, Chair, Department of English.

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New England Medieval Conference

A reminder that this year’s New England Medieval Conference will take place on Saturday, 9 November. All events will take place in the Michael P. Metcalf Auditorium of the Chace Center, Rhode Island School of Design, 20 North Main Street in Providence. This year’s meeting, dedicated to the memory of our colleague David Warner of RISD, addresses the theme of “Emphathy, Antipathy, and Love: Emotions in the Middle Ages”. Speakers include David Konstan (NYU), Joseph Pucci (Brown), Peter Travis (Dartmouth), David Areford (UMass Boston), Anne Clark (University of Vermont), and Jacqueline Jung (Yale), with a keynote address by Barbara Rosenwein (Loyola University Chicago). For a complete program and registration information, please visit the conference website.

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2014 Bibliographical Society of America Fellowships

2014 Fellowship Program Announcement

Application Deadline: December 15, 2013

The BSA invites applications for its seventh annual Katharine Pantzer Senior Fellowship in Bibliography and the British Book Trades as well as its annual short-term fellowship program, all of which support bibliographical inquiry and research in the history of the book trades and in publishing history. Eligible topics may concentrate on books and documents in any field, but should focus on the book or manuscript (the physical object) as historical evidence. Such topics may include establishing a text or studying the history of book production, publication, distribution, collecting, or reading. Thanks to the generosity of donors, certain special fellowships support research in particular areas of study. Applicants should therefore read the fellowship titles and guidelines here to determine project eligibility and fit. Please note: these fellowships do not support enumerative bibliography (i.e. the preparation of lists). Individuals who have not received support in the previous five years will be given preference. All fellowships require a project report within one year of receipt of the award, and a copy of any subsequent publications resulting from the project, to be sent to the BSA.

Fellowships:

The Senior Katharine Pantzer Fellowship ($6,000); Supports research in topics relating to book production and distribution in Britain during the hand-press period as well as studies of authorship, reading and collecting based on the examination of British books published in that period, with a special emphasis on descriptive bibliography.

The BSA-ASECS Fellowship for Bibliographical Studies in the Eighteenth Century ($3,000); Recipients must be a member of the American Society for Eighteenth-Century Studies at the time of the award.

The BSA Fellowship in Cartographical Bibliography ($3,000); Supports projects dealing with all aspects of the history, presentation, printing, design, distribution and reception of cartographical documents from Renaissance times to the present, with a special emphasis on eighteenth-century cartography.

The BSA-Mercantile Library Fellowship in North American Bibliography ($2,000). Supports scholarship in North American Bibliography, including studies in the North American book trade, production and distribution of North American books, North American book illustration and design, North American collecting and connoisseurship and North American bibliographical history in general.

The Folter Fellowship in the History of Bibliography ($2,000); Supports projects in the history and development of bibliography and/or the book trade before 1900.

The Katharine Pantzer Fellowship in the British Book Trades ($2,000); Supports bibliographical inquiry as well as research in the history of the book trades and publishing history in Britain.

The McCorison Fellowship for the History and Bibliography of Printing in Canada and the United States: the Gift of Donald Oresman($2,000).

The Reese Fellowship for American Bibliography and the History of the Book in the Americas ($2,000).

BSA General Fellowships ($2,000); The Society also offers a number of unnamed fellowships supporting bibliographical research as described above.

For full details, see: http://bibsocamer.org/fellows.htm

NOTE: This year the Society has introduced an on-line application form as a simpler alternative to e-mail or postal submission:

 http://www.bsafellowships.org/bsa/application_form.php.

This page features fill-in fields for all the information contained in the traditional application form as well as buttons for electronically submitting curriculum vitae and Project Description files.

For more information, contact the Society Secretary at fellowships@bibsocamer.org

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Dante’s Immortal Remains: From Florentine Martyr to Global Icon

The Newberry Center for Renaissance Studies presents:

Friday, November 15, 2:00 pm
Dante Lecture
Guy Raffa, University of Texas at Austin
Dante’s Immortal Remains: From Florentine Martyr to Global Icon

http://www.newberry.org/11152013-guy-raffa

A reception will follow the lecture.

This program is free and open to the public, but space is limited and registration in advance is required by 10 am Thursday, November 14.

Keep up with the Center for Renaissance Studies by following our blog: http://www.newberry.org/center-renaissance-studies-blog

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Jobs For Medievalists

RESEARCHER. Cataloguer for rare book company located in New York City.  Excellent writing, communication and organizational skills, proficiency in multiple languages essential (esp German, French and some Latin). Advanced academic degree and experience with rare books and background in history of science a plus. This is a part-time job which could eventually become full-time. PT salary based on an annual FT salary of between $40 – $50,000. to start. Send cover letter and resume to resumes@martayanlan.com or fax it to 212 308 0074.

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Jobs For Medievalists

Assistant Professor of Art History, Before 1750 (Position Number: 00053519)

The Department of Art History, Meadows School of the Arts at SMU, invites
applications for an endowed faculty chair specializing in cultural production and the built
environment with any geographic and historical focus before the mid-eighteenth century.
While an appointment at the rank of assistant professor tenure track is anticipated,
extraordinary candidates at the associate level will be considered.

The successful candidate will demonstrate a commitment to interdisciplinarity, strong
visual analytic skills, theoretical fluency, and research interests that do not duplicate but
complement current faculty strengths in the Americas and Western Europe, including
north Africa, west or south Asia, northern Europe (but not excluding other areas).
Possible research interests might include issues of material exchange across cultures;
visual aspects of political diplomacy or subversion and of religious conviction,
conversion or apostasy; technologies of personal or communal identities; interwoven
histories of exploration, collecting, and surveillance; concerns raised by patronage;
formal languages of artistic world-making; sacred/political landscapes. We encourage
candidates whose teaching would engage the resources and programs of area cultural
institutions, including SMU’s Meadows Museum, the Dallas Museum of Art, and the
Kimbell Museum.

Minimum Qualifications: ABD, with completed degree expected no later than spring
2015; demonstrated potential in teaching and scholarship; expertise to teach courses for
undergraduate majors and non-majors and graduate students in the candidate’s area of
specialization.

Preferred Qualifications: completed PhD strongly preferred; preference will be given to those scholars with demonstrated excellence in teaching and publications, as appropriate
to their experience.

The successful candidate will participate actively in shaping the future of research,
curriculum, and pedagogy in SMU Art History’s vibrant interdisciplinary degree
program, RASC/a: Rhetorics of Art Space and Culture. The candidate will develop
courses for undergraduate and graduate students, from general surveys to focused
research seminars; mentor students at all levels; supervise MA theses and PhD
dissertations; and contribute to the overall vitality of the university through engagement
with interdisciplinary programs within the Meadows School of the Arts and across
campus.

Faculty in the Department of Art History receive leaves, as well as research and travel
support. In general the teaching load is 2/2.

Proposed starting date: August 2014.

Application:
Applicants should submit a detailed letter of application, CV, samples of publications or
dissertation chapters, and evidence of teaching experience. Please request three letters of
recommendation be sent directly to: Pamela Patton, Chair of Division of Art History,
Southern Methodist University, Meadows School of the Arts, PO Box 750356, Dallas,
TX 75275-0356. Inquiries may be directed to Rosa Reifsnyder (rreifsnyder@smu.edu) or
214.768.1222.

We encourage digital applications: E-mailed files should be saved to smallest size. To
retain font and formatting integrity, save documents in .pdf format. Letters of
recommendation may be scanned and sent as .jpg files. All digital material must be fully
functioning on both PC and Mac platforms. Send digital applications to Rosa Reifsnyder
at rreifsnyde@smu.edu

To ensure full consideration for the position, the application must be postmarked by
January 4, 2014, but the committee will continue to accept applications until the
position is filled. The committee will notify applicants of its employment decisions after
the position is filled.

SMU:
SMU is a private university of 11,000 undergraduate and graduate students, located in
north Dallas. Established in 1911, SMU offers an intellectually diverse, nondenominational
campus environment dedicated to the University’s founding principles of
education in the liberal arts.

SMU will not discriminate on the basis of race, color, religion, national origin, sex,
age, disability, genetic information, or veteran status. SMU’s commitment to equal
opportunity includes nondiscrimination on the basis of sexual orientation and gender
identity and expression. Hiring is contingent upon the successful completion of a
background check.

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