Medieval Association of the Midwest Announcement

MAM’s 29th annual conference will be held September 26-28, 2013 at Indiana State University, Terre Haute, Indiana.  Plenary speakers are Ralph Hanna and Richard Firth-Green.  The conference theme is “A sense of place” but papers on all topics relating to medieval studies are welcome; abstracts should be submitted by August 1.  For additional information, contact Harriet Hudson at harriet.hudson@indstate.edu.

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Call For Papers – Debating and Disputing: Muslim-Christian-Jewish Relations

The Mediterranean Seminar/UCMRP is proposing two sessions for the 128th Annual Meeting of the American Historical Association to be held in Washington DC, 2-5 January 2014.

The theme of the Meeting is “Disagreement, Debate, Discussion”.

The first session: “Debating Muslim-Christian-Jewish Relations in the Medieval Mediterranean” will focus on the various scholarly interpretations of the nature of such inter-communal relations. Were these relations characterized by convivencia or a “clash of civilizations”? Or are there better paradigms for accounting for such interaction? How did contemporaries see such relationships… as problematic, or paradoxical?

The second session: “Muslims, Christians and Jews Disputing in the Medieval Mediterranean” will look at disputations and debates that were carried out at the time by members of different faiths. This may include formal verbal disputations, polemical writing and correspondence, ideological trends (eg.: crusade, and Jihad), missionizing, and other forms of debates, dialogues and discussions.

Scholars interested in presenting in either of these sessions should submit:
– a 200 wd abstract
– a 200 wd biographical statement
– a 2-3 page CV
– complete contact information (including phone number)
– a request for AV equipment (if necessary)
– and confirmation that the paper will be presented in person, with a length of no more than 20 minutes.

All of this should be submitted in Word (doc) format (not pdf, please) to:
Brian Catlos and Alex Novikoff
by 7 February 2013.

Faculty and scholars of the University of California who present in these sessions will be eligible to apply for travel support through the Mediterranean Seminar.

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Call for Papers – “Says who? Contested Spaces, Voices, and Texts”

University of California, Santa Barbara Medieval Studies
Annual Graduate Student Conference

May 18, 2013
University of California, Santa Barbara

Call for Papers: “Says who? Contested Spaces, Voices, and Texts”
Keynote Speaker: Professor Steven Justice, Department of English, UC Berkeley

Since Henri Lefebvre’s 1958 The Social Production of Space, medieval scholars have increasingly been interested in the interplay between the political, the economic, and the cultural with the concept of physical space. How is space constructed by social forces, and how is society influenced by either physical or ideological spaces? More specifically among these social forces, our conference focuses on the concept of authority: who gets to say how political, cultural, and economic processes take place within a specific space, and how they are spoken of, written of, and remembered? Conversely, how might speaking itself be a form of resistance against authority? We encourage interdisciplinary discourse around the theme of authority in any aspect(s) of law, culture, and society in the Middle Ages. For example, how do kings maintain authority over their subjects, and how is this authority constructed or contested? How do writers establish the authority of their texts, and why do they even need to? How was God’s authority sometimes challenged or undermined? Or was it?

Possible topics include but are not limited to:
•    war as a means of contesting spaces or territories
•    winners and losers: who gets to tell the story?
•    public versus private space: who controls and defines these spaces and how?
•    God as the ultimate authority: religious discourses and conflicts
•    establishing authorship, auctoritas, and differing roles in the creation of oral narratives, manuscripts, or printed editions
•    alteration of texts (by scribes, commentators, or translators, for example) as a means of contesting authority and asserting one’s power
•    linguistics: code-switching or language use as contesting authority or asserting one’s power or independence
•    process and performance of speech as constructing or resisting authority (such as in court culture, pageantry, or parliament)
•    use of heraldic motifs (how were they used or changed?) in books
•    patronage as a form of contestation or affirmation of one’s power
•    gendered spaces and voices: women patrons, women’s vs. men’s roles
•    the creation, use, and transformation of urban spaces

The conference is open to graduate students studying the Middle Ages (300-1500) in all disciplines, geographical regions, and stages of research.

We welcome 250- to 300-word abstracts for presentations 20 minutes in length. Please submit your name, email, university, and departmental affiliation with your abstract to Anneliese Pollock (anneliese_pollock@umail.ucsb.edu) by February 15, 2013.

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The Play of Daniel

The Play of Daniel
January 18, 19 and 20, 2013
The Fuentiduena Chapel at The Cloisters, Fort Tryon Park
Metropolitan Museum of Art
Drew Minter, Stage Director
Mary Anne Ballard, Music Director

Heralding in its seventy-fifth anniversary year, The Cloisters reprises the critically acclaimed production of Ludus Danielis commissioned and presented by Concerts at The Cloisters in 2008. The mystery play was written in Beauvais, France, in the twelfth century to celebrate the Feast of Fools, traditionally held around the new year. Combining chanted drama, lively music on medieval instruments, dance, and sung processions, the story of the prophet Daniel interpreting the handwriting on the wall and his miraculous delivery from the lion’s den appeals to young and old alike.

Seating is limited for this staged presentation.

http://metmuseum.org/events/programs/concerts-and-performances/the-play-of-daniel-l?eid=3911

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Resounding Images Conference Program

Resounding Images: Medieval Intersections of Art, Music, and Sound
A Conference of the University Seminar on Medieval Studies
Faculty House, Columbia University, May 3, 2013
Program (Click here for link to the program)

9AM Welcome (Susan Boynton, Columbia University/Diane Reilly, Indiana University)

9:15-11 AM (Chair: Holger Klein, Columbia University)

Roland Betancourt, Yale University
Fulfillment and the Medium: The Image-Text in Byzantine Gospel Lectionaries of the Late Eleventh Century

Henry Schilb, Index of Christian Art, Princeton University
Singing, Shouting, Crying, and Saying: Embroidered Veils and the Sounds of the Byzantine Rite

Nancy P. Ševčenko, Independent Scholar
Written Voices. The Spoken Word in Byzantine Monumental Painting

11-11:15  break

11:15-12:45pm (Chair: Vivian Mann, Jewish Theological Seminary)

Elizabeth Valdez del Álamo, Montclair State University
Hearing the Image at Santo Domingo de Silos

Tom Nickson, Courtauld Institute of Art
Vox Domini Sonat: Conquest, Change and Continuity in Medieval Iberia

Matthew G. Shoaf, Ursinus College
The Voice in Relief: Sculpture and Vocal Surplus at the Rise of Naturalism

12:45-2:00 pm Lunch, Faculty House

2:00-3:30pm (Chair: Kathryn Smith, New York University)

Margot Fassler, University of Notre Dame, and Jeffrey Hamburger, Harvard University
John the Baptist at Paradies bei Soest: A Newly-Discovered Office and Its Visual Program

Isabelle Marchesin, Université de Poitiers
The musica of the Jongleur in the Rhetorical Strategies of Medieval Texts and Images

Sébastien Biay, Université de Poitiers
Building a Church with Music: The Plainchant Capitals at Cluny, c. 1100

3:00-3:30 break

3:30-4:45pm  (Chair: Nancy Wu, The Cloisters at The Metropolitan Museum of Art)

Sheila Bonde, Brown University, and Clark Maines, Wesleyan University
Sounds and Silences in the Medieval and Early Modern Cloister: the Example of Augustinian Saint-Jean-des-Vignes

Stephen Murray, Columbia University
The Voice of the Interlocutor in the Cathedral

5:00 pm: Discussion of all the papers

6 pm Dinner, Faculty House

This conference is sponsored by the University Seminar on Medieval Studies, Medieval and Renaissance Studies, the Department of Art History and Archeology, the Department of Music, and the Axion Estin Foundation.

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Call for Papers – Canada Chaucer Seminar

The fifth annual Canada Chaucer Seminar will be held at the University of Toronto on Saturday, April 27th, 2013. The aim of the seminar is to provide a one-day forum that will bring together scholars, from Canada and elsewhere, working on Chaucer and on late medieval literature and culture.

The 2013 gathering will include plenary papers by Ardis Butterfield (Yale) and James Weldon (Wilfrid Laurier), several sessions of conference papers, and a concluding roundtable.

Proposals are invited for 20-minute conference papers on any aspect late medieval English literary culture.  Submit one-page abstracts by 15 January 2013 to:

william.robins@utoronto.ca

and

gisellegos@fas.harvard.edu

William Robins
Associate Professor of English and Medieval Studies University of
Toronto
416-585-4432
william.robins@utoronto.ca

Dr. Giselle Gos
Post-doctoral Fellow
Department of English
Harvard University
gisellegos@fas.harvard.edu

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Medievalia 15 (2012) is On-Line Now

The publication  Medievalia 15 (2012),  is on-line now:

http://revistes.uab.cat/medievalia/issue/current

Medievalia is the journal published by the Institute of Medieval Studies(IEM)  of the Universitat Autònoma de Barcelona. Founded in 1980, its main purpose is to become a means of spreading research and ground-breaking ideas about the Middle Ages, from an interdisciplinary perspective. It also publishes the proceedings of symposia and round tables yearly organized by the IEM, a wide range of critical reviews of the most recent bibliography, as well as the studies and seminars by the research groups linked to the IEM.

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MAA Executive Committee Decisions 11/17/2012

1. The Executive Committee strongly endorses the CARA proposal to combine their annual meeting with the MAA Annual Meeting.

2. The Executive Committee instructs Committee on Professional Development to reevaluate the summer scholarship program based on information that would be gathered by the Executive Director on the number of CARA Summer Programs.

3. The Executive Committee accepted the general principle of a confidentiality policy — pending revision of the document presented and additions required according to appropriate laws — for final wording to be approved at the January meeting.

4. The Executive Committee agreed to publish its resolutions on the blog and under the governance tab on the MAA website in a timely manner.

5. The Executive Committee approved the proposed 2013 budget.

6. The Executive Committee agreed to incorporate the Graduate Student Handbook into the Administrative Handbook.

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Applications are now being accepted for Columbia’s new MA in Medieval and Renaissance Studies.

The MA in Medieval and Renaissance Studies provides the opportunity to undertake graduate level work in any relevant field of interest. The program is appropriate for students who will go on to apply to PhD programs as well as for those who wish to complete a terminal MA. Students choose from a wide range of courses, develop their skills in relevant languages, and are introduced to the study of manuscripts and early printed books. The MA culminates in a final thesis in which students develop an original research project.

For more information, visit: medren.columbia.edu  or contact: medren@columbia.edu

Description of Program

The curriculum requires coursework totaling 30 points (credits), including an MA thesis. Students generally take four courses each semester, one of which is a language course. In the second semester, one of the three non-language courses will involve preparation of the MA thesis (G6999), which will likely be completed over the summer. The program requires one elective course focusing on the study of manuscripts, documents, or early printed books (a list of approved courses will be provided at the beginning of each term). The program’s flexible structure enables students (in consultation with their academic advisors) to design a course of study that meets their goals.

Although most MA students attend full-time, they may also obtain the MA through part-time study during the academic year; they can also enroll during the summer. But it is a requirement of the program that part-time students complete the degree in no more than 4 years, and that they be continuously registered.

Requirements

  1. Language study. Two semesters of a language relevant to the study of the medieval and/or Renaissance period at the 4000 level or higher, appropriate for the student’s particular needs and interests; one semester of the course must be taken in the fall and one in the spring. Medieval and Renaissance Philology (G6020) counts toward this requirement.
  2. Manuscript/Print Culture. One one-semester course involving the study of original manuscripts, documents, or early printed books (selected from a list established each year by the Director of the MA program).
  3. Four semesters of elective courses at the 4000 level or higher, selected from a list established each year by the Director of the MA program, and approved by the student’s appointed advisor.
  4. Two semesters of registration in MA Thesis (G6999).
  5. Courses may be taken for R-credit or Pass/Fail, but these courses do not count toward the degree.
  6. No advanced standing or transfer credit is granted for courses taken outside of Columbia University.

Note: All courses will be at the 4000 level and above. The MA thesis course (G6999) is pursued as an independent study with an advisor or advisors.

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Call For Papers – Corpus: the Body in the Middle Ages and Renaissance

The Marco Institute for Medieval and Renaissance Studies is pleased to announce its Third Annual Undergraduate Conference entitled “Corpus: the Body in the Middle Ages and Renaissance.”  The conference will take place on April 19, 2013 at the University of Tennessee, Knoxville.  They are currently calling for abstracts from interested undergraduates.

Medieval and Renaissance views of the body have come to us from a rich trove of sources, from poetic portrayals in texts to mappae mundi to figures sculpted from stone.   This conference seeks to address the numerous and changing depictions of bodies during the early periods from a range of disciplinary and interdisciplinary perspectives.   Some potential topics include holy and unholy bodies, the body as metaphor, theatrical portrayals of bodies, the body in music, medieval medicine and the advent of anatomy, the body in pain and at play, superstitions and the gendered body, Byzantine, Islamic and Jewish perspectives on bodies, depictions of bodies in art and print, bodies bound by canon and secular law, and monstrous races.

All submitters should send an abstract of no more than 250 words, including their name and college affiliation (if applicable), to mylitalo@utk.edu by no later than February 4, 2013. Notification of acceptance will be sent by February 19.   Additionally, the Marco Institute plans to award seven $100 travel grants to non-UT students on a competitive basis.   A $250 prize funded by Keith Taylor will be awarded to the best paper presentation. A $15 registration fee will be collected on the day of the conference.

The plenary speaker is Elina Gertsman, Assistant Professor of Medieval Art at Case Western Reserve University.  She is the author of The Dance of Death in the Middle Ages: Image, Text, Performance (2010) and the editor of Visualizing Medieval Performance: Perspectives, Histories, Contexts (2010), Crying in the Middle Ages: Tears of History (2011) and Thresholds of Medieval Visual Culture: Liminal Spaces (2012).

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