I colori del tempo. L’arte della miniatura nel quattrocento aquilano

L’Aquila, Archivio di Stato, 17.IV. – 11.V.2012 : I colori del tempo. L’arte della miniatura nel quattrocento aquilano. – http://www.beniculturali.it/mibac/export/MiBAC/sito-MiBAC/Contenuti/MibacUnif/Eventi/visualizza_asset.html_1737281185.html

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2013 MAA Annual Meeting Call for Papers Deadline Extended

The deadline for the Call for Papers for the 2013 Medieval Academy Annual Meeting (Knoxville, TN, 4-6 April), has been extended to 1 June 2012. Please click here for the complete CPF.

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Documenti altomedievali di Lucca ‘Memoria del Mondo’

Il 28 aprile 2012, presso il Salone del Palazzo Arcivescovile di Lucca, alle ore 17.30 si terrà la cerimonia celebrativa per l’iscrizione dei documenti altomedievali dell’Archivio Arcivescovile nel Registro ‘Memoria del Mondo’ dell’UNESCO.

http://www.diocesilucca.it/pagine/unesco28aprile.pdf

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Call for Papers: Voice and Voicelessness in Medieval Europe and Beyond

Voice and Voicelessness in Medieval Europe and Beyond
An interdisciplinary conference to be held at Boston University (USA)
February 28-March 2, 2013

Contributions from prospective participants are invited for an interdisciplinary conference examining the practices and values attached to the human voice in medieval cultures.  An edited volume is planned.

The question of “voice and voicelessness” engages with several important trends in medieval studies today, including issues of law and representation; theology and embodiment; historicist models of subjectivity; the poetics and esthetics of marginality; and the linguistic dynamics of intercultural encounter. The first goal of the project is to examine the axis proposed by the conference title as approached by scholars working on medieval literatures, theology, law, art history, history, philosophy, and musicology. The project’s second, methodological goal is to seek a common ground of interdisciplinary engagement by examining how distinct areas of scholarly endeavor approach a problem of universal resonance but elusive definition.  This pursuit will be further enriched by the conference’s international composition, so that disciplinary, methodological, and national habits of thought and argument will be brought into dialogue.  The topic of voice and voicelessness engages with questions related to the expression of self and respect for an other, and so lends itself particularly well to this multi-level encounter. Contributions that are transnational or transdisciplinary in nature, or which interrogate the relations between contemporary and medieval thought will be especially appreciated.

Prospective contributors are invited to send 500-word abstracts to kleiman@bu.edu no later July 15, 2012, using the keyword “Voice” in the message title.  Please include a recent CV with your submission. Papers as delivered should be 30 minutes in length. The language of the conference and publication is English.  Selected participants will be notified no later than July 30, 2012.

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Summer school Internazionale in Studi Sul Libro Antico

Cari amici e colleghi,
il CRELEB (Centro di Ricerca Europeo Libro Editoria Biblioteca) dell’Università Cattolica è lieto di presentarvi la prima edizione della Summer school internazionale in studi sul libro antico che si terrà a Venezia, presso la Fondazione Giorgio Cini, dal 5 al 14 giugno prossimi. Maggiori informazioni e il programma definitivo sono disponibili alla pagina web: http://centridiricerca.unicatt.it/creleb_2010.html
Si tratta di un’iniziativa di grande respiro internazionale che può vantare, oltre a una location prestigiosa, anche un importante gruppo di relatori. Il corso, che si rivolge a studenti, laureati, dottorandi di ricerca, studiosi, bibliotecari, collezionisti e a tutti coloro che, a vario titolo, si occupano di libri antichi, è organizzato in collaborazione con la Fondazione Cini di Venezia. Partner ufficiali dell’iniziativa sono la rivista “La Bibliofilia” e la Casa Editrice Leo S. Olschki, l’AIB, sezione Veneto, l’Associazione Librai Antiquari Italiani e la Società Bibliografica Toscana.

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Manuscripts on My Mind

Dear Colleagues and Manuscript Lovers,

How the time has passed swiftly, from non-winter to early spring! The next issue of Manuscripts on My Mind is scheduled for May, 2012, so it is time for me to ask you to send me news on all possible manuscript-related topics: exhibitions, conferences, events; queries, discoveries, new publications, and the like. As I wrote in the previous letter, if you have attended any especially interesting manuscript activities in the past four months and would like to share your impressions with others, please feel free to submit a report or review.

With regard to our Thirty-Ninth Annual Saint Louis Conference on Manuscript Studies, coming up on October 12-13, 2012, there are three sessions that each lack a third presenter; please submit a proposal or write me with any questions if you would like to complete one of them:

Writing the Scribe:
The scribe has been variously assessed as a stenographer, historian, copier, visual programmer, and creative compiler of new texts. Papers will examine scribes as they pursue their trade within regions, scriptoria,or courts, or in facing unique problems of format or organization. Particularly welcome will be investigations of scribal challenges and solutions within specific time periods, geographical locations, or in response to the demands of patrons.

Theophilus Revisited:
Theophilus addressed the science of book production in the well-known On Divers Arts. Adding to the CFP in issue 4 of the Newsletter, this session welcomes papers that discuss the physical elements that enter into the process of making a manuscript: parchment, inks, paints, writing and drawing tools, chemical processes. What can we add to Theophilus’s rules for the preparation of materials; what have we learned about their durability or deterioration over time?

Fragments and the Fragmenting of Manuscripts:
Along the history of manuscript production there is a parallel history of manuscript plunder: the excision of initials, miniatures, bas-de-page decorations—or entire leaves—by individuals bent on profit or the creative re-use of these elements. Additionally, scraps of discarded manuscripts are used to reinforce bindings, serve as shopping lists, or to mend torn or missing sections of a variety of objects. Papers will discuss examples of fragmentation, and/or their perpetrators, and what we can learn from the surviving fragments.

Yours in manuscript studies,
Susan L’Engle

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Colloque: Comment le Livre s’est fait livre. La fabrication des manuscrits bibliques

Université de Namur (FUNDP), 23-25 mai 2012
Colloque international
Comment le Livre s’est fait livre. La fabrication des manuscrits bibliques (IVe-XVe siècles): bilan, résultats, perspectives de recherche.
http://agenda.fundp.ac.be/upevent.2012-03-26.3367576771
Programme: http://www.fundp.ac.be/lettres/histoire/nouvelles/depliant_colloque_bible_vsm.pdf/view

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Cataluña 1400. El gótico internacional

Barcelona, Museo Nacional de Arte de Cataluña, 29.III -15.VII.2012 : Cataluña 1400. El gótico internacional. – http://www.españaescultura.es/eventos/barcelona/expo_cataluna1400_gotico_internacional.html

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Gertrude of Helfta Brief life of a female visionary: 1256-c. 1302

An Article by Caroline Bynum in Harvard Magazine:

Saint Gertrude of helfta, known as “The Great,” was given to the German convent of Helfta as a child of five to be reared as a nun, received her first vision of Christ’s “divine sweetness” in 1281 when she was 25, and became a spiritual counselor to whom people flocked for advice. But she was little remembered after her death until the Latin edition of her work was published in 1536 and she began to gain the extraordinary fame in Catholic religious circles that she enjoys to this day. Isidoro Arredondo’s late seventeenth-century painting (opposite) faithfully represents the widely diffused stereotype of Gertrude as an isolated figure pleading in eroticized ecstasy before the flaming heart of Jesus offered to her by a male mediator (possibly Saint Augustine).

This image of Gertrude the swooning mystic has been both propagated and criticized for centuries. To early twentieth-century students of the psychology of religion, Gertrude’s “absurd and puerile” visions were an example of what William James called “theopathic saintliness.” Protestant historians and some recent feminists have either condemned her for the implausibility of such visionary experiences as her alleged exchange of hearts with Jesus, or lauded her for an individualism that claimed direct access to divine grace, bypassing the clergy. Catholic writers have regularly seen in Gertrude and her sister nun Mechtild of Hackeborn the origins of the cult of the Sacred Heart of Jesus that became a popular Catholic devotion only in the seventeenth century.

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MAA News – Birgit Baldwin and Schallek Fellowship Winners

Nathan Melson of Fordham University has been awarded the Medieval Academy’s 2012 Birgit Baldwin Fellowship in French Medieval History. His dissertation, which he is writing under the direction of Dr. Richard Gyug, is entitled, “Franciscan Identity and Saintly Economy in Late Medieval Marseille, 1248-1483.” The Baldwin Committee for 2012 included Adam Davis, Denison University; Constance B. Bouchard, University of Akron; and Barbara H. Rosenwein, Chair, Loyola University Chicago. John W. Baldwin and Jenny Jochens established this fellowship in memory of their daughter Birgit. It is endowed through the generosity of her family.

 Kristi Bain of Northwestern University has been awarded the 2012 Schallek Fellowship by the Medieval Academy, in collaboration with the Richard III Society-American Branch, to support Ph.D. dissertation research in late-medieval Britain (c.1350-1500). Her dissertation, which she is writing under the direction of Richard Kieckhefer, is entitled, “From Community Conflict to Collective Memory: Lived Religion and the Late Medieval Parish Church.” The 2012 Schallek Committee included Leigh Ann Craig, Virginia Commonwealth University; Nancy Warren, Texas A&M University; and Karen Winstead, Ohio State University. Joel Rosenthal, SUNY Stony Brook, chaired the committee.

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