Call for Submissions for an Edited Volume

Title: ‘His brest tobrosten’: Wounds and Wound Repair in Medieval Culture
Editors: Kelly DeVries and Larissa Tracy

In The Knight’s Tale, Chaucer’s Knight describes the shafts of spears shivering to pieces
on thick shields, the ‘helmes they tohewen and toshrede;/ Out brest the blood with stierne
stremes rede;/ With myghty maces the bones they tobreste’ (lines 2609–11). Yet, for all
this bloodshed no one dies, and the only malice and hatred is between the two rivals who
hunt each other down and with ‘jelous strokes on hir helmes byte;/ Out rennet blood on
bothe hir sydes rede’ (lines 2634–5). Even in the final tally after Arcite’s fall, ‘Al were
they soore yhurt, and namely oon, that with a spere was thirled his brest boon’ (lines
2709–10); some have broken bones, some apply salves and medicines, and some drink
sage to save their limbs. The Knight’s description of Arcite’s injuries is far more graphic
than the scenes of battle. When Arcite falls he lies as if dead, ‘His brest tobrosten with his
sadel-bowe./ As blak he lay as any cole or crowe,/ So was the blood yronned in his face’
(lines 2691–3). The clotted blood, despite the efforts of leechcraft, decays and cannot be
drained through any medical techniques, and the poison cannot be expelled: ‘The pipes of
his longes gonne to swelle,/ And every lacerte in his brest adoun/ Is shent with venym
and corrupcioun’ (lines 2752–4). It is a gruesome and painful death, fraught with lurid
detail lacking in the earlier scenes of battle.

The spectacle of the wounded body figured prominently in the Middle Ages, from
images of Christ’s wounds on the cross, to the ripped and torn bodies of tortured saints
who miraculously heal through divine intervention, to graphic accounts of battlefield and
tournament wounds and literary episodes of fatal or not so fatal wounds. This volume
seeks to bring together essays devoted to the idea of either causing wounds, wounds
and/or wound repair from a wide range of sources and disciplines including arms and
armaments, military history, medical history, literature, art history, hagiography, and
archaeology across medieval and early modern Europe.

*Please submit abstracts of 250 words by May 20, 2012 to either Larissa Tracy
(kattracy@comcast.net or tracylc@longwood.edu) or Kelly DeVries
(KDeVries@loyola.edu).

*Please include your affiliation and brief bio with your abstract.

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Houghton Workshops

The Standing Committee on Medieval Studies is pleased to announce two events for the spring term.

On Monday, March 5th, 5:30 p.m., Ken Pennington, Catholic University of America, will lecture in the Forum Room, Lamont Library. Professor Pennington’s topic will be:

“Reading the Ius Commune: The Secrets of Roman and Canon Law Manuscripts”

Professor Pennington’s lecture will explore the study and use of medieval legal manuscripts.  The lecture will be followed by a reception in the Richardson Room, Houghton Library.

Ken Pennington is Kelly-Quinn Professor of Ecclesiastical and Legal History, School of Canon Law and Columbus School of Law, The Catholic University of America, Washington, D.C.  His most recent publications include: The History of Byzantine and Eastern Canon Lawto 1500, edited with Wilfried Hartmann (2012); Law as Profession and Practice in Medieval Europe: Essays in Honor of James A. Brundage, edited with Melanie Harris Eichbauer (2011) and The History of Medieval Canon Law in the Classical Period, 1140-1234: From Gratian to the Decrees of Pope Gregory IX, edited with Wilfried Hartmann (2008).

On Wednesday, March 7th, 2:00-4:00 pm or Thursday, March 8th, 10:00 am-Noon in the Caspersen Room, Langdell Hall, Harvard Law School, Professor Pennington will conduct a workshop on reading and navigating medieval legal manuscripts using examples from Harvard special collections.

This workshop is one in a continuing series intended to provide students an opportunity to work closely with outstanding originals from Harvard special collections under the direction of a renowned specialist, in this case, Ken Pennington. Space in the workshop is limited and priority will be given to Harvard University students. If you would like to attend a workshop, please contact Monique Duhaime (duhaime@fas.harvard.edu) to reserve a morning or afternoon seat.

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Séminaire “Paris au moyen Âge” – 17 Février 2012

Le prochain séminaire sur Paris au moyen Âge se tiendra le vendredi 17 février 2012 à 14h30, à l’I.R.H.T., 40 avenue d’Iéna, 75116 Paris  (Métro Iéna)

Au programme :
Benoît GRÉVIN (LAMOP) et Sébastien BARRET (IRHT), La rédaction des préambules des actes des rois de France au XIVe siècle : une culture de l’écrit pragmatique ?

Boris BOVE (univ. Paris 8 et IRHT), Questions autour du Livre

vert de Saint Denis (1411)

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Monarchy and the Book of Common Prayer

MONARCHY AND THE BOOK OF COMMON PRAYER

Tuesday 1 May- Saturday 14 July 2012

15 February 2012 To mark a visit by HRH Queen Elizabeth II to Lambeth Palace for an inter-faith meeting lead by the Archbishop of Canterbury, tickets for Royal Devotion: Monarchy and the Book of Common Prayer, will today go on sale.

A celebration of the Diamond Jubilee and the 350th anniversary of the Book of Common Prayer, the exhibition is the first to bring together the Palace Library’s collections of items of royal provenance.  Curated by Brian Cummings, Professor of English at the University of Sussex and Hugh Cahill, Deputy Librarian, Lambeth Palace Library, the exhibition will give a unique insight in to the relationship between royalty and religion, from medieval times up until the present day.

For three hundred years, from the Restoration of Charles II in 1662 to the accession of Elizabeth II in 1952, the Book of Common Prayer embodied the religious life of the nation. Kings and Queens were baptised, married and buried to its words. During that same period, more people heard Morning Prayer and Evening Prayer in weekly services in the words of this book, than listened to the soliloquies of Shakespeare.

Visitors will be able to see up close a range of stunning books and artefacts, many owned or marked in the margins by monarchs, and some never seen in public before. At the centre of the exhibition is the 1662 edition of the Book of Common Prayer. Also on show are medieval manuscripts, Thomas Cranmer’s first edition of the Book of Common Prayer in 1549, prayers revised in the handwriting of Charles I, the prayer books used at the wedding of Queen Victoria and the coronation of Elizabeth II, and books owned by Richard III and Henry VIII.

The exhibition will also show how this history has been controversial and sometimes violent: religion has been at the centre of political debate and sometimes monarchs have been put to death in its name; and the Book of Common Prayer, as well as bringing the nation together, has seen rebellion, civil war, and itself been banned and burned.

The Archbishop of Canterbury, Dr Rowan Williams commented:

“We are delighted to be able to commemorate the Diamond Jubilee year with this special exhibition looking at the close relationship between the monarchy and the Church. We hope that visitors to Lambeth Palace this summer will come away with a deeper understanding of this shared inheritance and connection, told through a series of exquisite and culturally significant artefacts held by the Library on behalf of the nation since 1610.”

-ends-

For more information please contact:

Eleanor Hutchins or Tom Ville at Four Communications

Firstname.surname@fourcommunications.com or 44+ (0) 870 626 9000

 

NOTES TO EDITORS

Lambeth Palace Library is the historic library and record office of the Archbishops of Canterbury and the principal repository of the documentary history of the Church of England. Its collections have been freely available for research since 1610.

The records held here date from the 9th century to the present day, and their broad scope reflects the office of Archbishop as head of the Province of Canterbury, his national and international roles in leading the Church of England and the Anglican Communion worldwide, and the wealth and power of Archbishops in past centuries which enabled them to collect books and manuscripts of the highest quality and significance.

James I described the Library as ‘a monument of fame’ in his kingdom. Peter the Great, who visited in 1698, is recorded as saying that nothing in England astonished him as much as Lambeth Palace Library; he had never thought there were so many books in all the world.

In 2006 the collections held in Lambeth Palace Library were awarded Designated status under the Museums, Libraries and Archives Council’s Designation Scheme, in recognition of their  national and international importance.

Booking information:

  • Tickets cost £12 Adults, £10 Concessions (over 60s, student and unemployed), under 17s free
  • Price includes printed exhibition guide

Opening times:

  • Tuesday- Friday 11.00-13.30 and 14.00- 17.00 (last entry 16.00)
    • Saturdays and Bank Holidays- 11.00-16.00 (last entry 15.00)
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Symposium Notice

SOCIAL RELATIONS & CROSS-CULTURAL COMMUNICATION 

IN THE MEDIEVAL AND EARLY MODERN WORLD

SYMPOSIUM IN HONOR OF DIANE OWEN HUGHES

THE UNIVERSITY OF MICHIGAN

MARCH 16-17, 2012

FREE AND OPEN TO THE PUBLIC

Full program available at www.dianehughessymposium.wordpress.com.

This symposium features former students of Diane Owen Hughes at the University of Michigan and exposes Professor Hughes’ wide-ranging impact by exploring a variety of topics from Late Antiquity to Modernity; from Europe to East Asia; from law to art.

Coordinators: Stefan Stantchev (ASU, stefan.stantchev@asu.edu) and Paolo Squatriti (U of M).

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Applications for the 2012-2013 MA in Medieval and Renaissance Studies

Applications are now being accepted for Columbia University’s new MA in Medieval and Renaissance Studies. The deadline is March 15, 2012. For more information, visit http://blogs.cuit.columbia.edu/medren/.

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Medieval manuscripts : from the Stark collections

Orange (TX), Stark Museum of Art, 19.XI.2011 – 25.II.2012 : Medieval manuscripts : from the Stark collections. – http://www.starkmuseum.org/Exhibitions/Exhibitions/Medieval-Manuscripts.aspx

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QM Seminar Series: Medieval and Early Modern Texts and Contexts

Tuesday 20 March 2012, 5-6.30pm, in Arts 2, room 3.20

Special Delivery: Performing Model Letters in Medieval English Classrooms

Professor Martin Camargo (Professor of English, Medieval Studies, and Classics, University of Illinois at Urbana-Champaign)

The talk will be followed by questions and discussion, and an informal wine reception in Arts Two, room 3.17.

QM contacts:
Professor Julia Boffey, English (j.boffey@qmul.ac.uk)
Professor Miri Rubin, History (m.e.rubin@qmul.ac.uk)

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Studieren im Rom der Renaissance

Studieren im Rom der Renaissance. Studientag / Studiare nella Roma del Rinascimento. Giornata di studi (Roma, Deutsches Historisches Institut). – http://www.dhi-roma.it/fileadmin/user_upload/pdf-dateien/Veranstaltungsprogramme/2012/programma_2012_02_23.pdf

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Call For Papers: Borderlines XVI Site & Sound

‘Borderlines’ is an annual postgraduate conference in medieval and early modern studies, which aims to bring together researchers in a variety of disciplines, at MA, PhD and postdoctoral level, from across Ireland, Britain, Europe and around the world. The theme of this year’s conference will be ‘Site & Sound’. Amongst our many inheritances from the medieval and early modern ages, perhaps the most apparent and accessible are the streets, churches and landscapes we share with our ancestors. Along with these sites we have inherited a host of cultural assumptions about our spaces – big and small – from the home, through the city and the country, to our nations and the wider world around us.

While echoes persist in the spaces we inhabit, the languages we speak and the music we enjoy today, the sounds of the medieval and early modern ages are often obscured by the signal to noise ratio of the past to the present. In this conference, we hope to explore the sites and sounds of the past as the framework for an open and interdisciplinary consideration of current research in medieval and early modern studies. We welcome papers from researchers in the fields of Anthropology, Archaeology, Codicology, Drama, Film Studies, Folklore, Geography, History, History of Art, Languages, Literature, Music, Paleography, Philosophy and Theology. Topics may include (but are not limited to):
– Architecture and landscapes in the past and through time.
– Spatial dichotomies: urban/rural, public/private, male/female.
– The acoustics of space.
– The archaeological site and the idea(s) of excavation.
– The space of the page, the painting or the statue.
– The spaces and sounds of the text.
– Oral tradition.
– Drama on the stage and the page. Its spaces, sounds and spectacles.
– Art music, popular music and folkmusic in the past and in modern revivals.
– Music and space in the past and the present.
– Religious spaces, sounds and silences.
– Space, sound and the senses.
– (Re)creations of medieval and early modern spaces and sounds in film and television.

Please submit proposals of 250 words to borderlinesxvi@gmail.com by 1st March 2012.

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