Monarchy and the Book of Common Prayer

MONARCHY AND THE BOOK OF COMMON PRAYER

Tuesday 1 May- Saturday 14 July 2012

15 February 2012 To mark a visit by HRH Queen Elizabeth II to Lambeth Palace for an inter-faith meeting lead by the Archbishop of Canterbury, tickets for Royal Devotion: Monarchy and the Book of Common Prayer, will today go on sale.

A celebration of the Diamond Jubilee and the 350th anniversary of the Book of Common Prayer, the exhibition is the first to bring together the Palace Library’s collections of items of royal provenance.  Curated by Brian Cummings, Professor of English at the University of Sussex and Hugh Cahill, Deputy Librarian, Lambeth Palace Library, the exhibition will give a unique insight in to the relationship between royalty and religion, from medieval times up until the present day.

For three hundred years, from the Restoration of Charles II in 1662 to the accession of Elizabeth II in 1952, the Book of Common Prayer embodied the religious life of the nation. Kings and Queens were baptised, married and buried to its words. During that same period, more people heard Morning Prayer and Evening Prayer in weekly services in the words of this book, than listened to the soliloquies of Shakespeare.

Visitors will be able to see up close a range of stunning books and artefacts, many owned or marked in the margins by monarchs, and some never seen in public before. At the centre of the exhibition is the 1662 edition of the Book of Common Prayer. Also on show are medieval manuscripts, Thomas Cranmer’s first edition of the Book of Common Prayer in 1549, prayers revised in the handwriting of Charles I, the prayer books used at the wedding of Queen Victoria and the coronation of Elizabeth II, and books owned by Richard III and Henry VIII.

The exhibition will also show how this history has been controversial and sometimes violent: religion has been at the centre of political debate and sometimes monarchs have been put to death in its name; and the Book of Common Prayer, as well as bringing the nation together, has seen rebellion, civil war, and itself been banned and burned.

The Archbishop of Canterbury, Dr Rowan Williams commented:

“We are delighted to be able to commemorate the Diamond Jubilee year with this special exhibition looking at the close relationship between the monarchy and the Church. We hope that visitors to Lambeth Palace this summer will come away with a deeper understanding of this shared inheritance and connection, told through a series of exquisite and culturally significant artefacts held by the Library on behalf of the nation since 1610.”

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For more information please contact:

Eleanor Hutchins or Tom Ville at Four Communications

Firstname.surname@fourcommunications.com or 44+ (0) 870 626 9000

 

NOTES TO EDITORS

Lambeth Palace Library is the historic library and record office of the Archbishops of Canterbury and the principal repository of the documentary history of the Church of England. Its collections have been freely available for research since 1610.

The records held here date from the 9th century to the present day, and their broad scope reflects the office of Archbishop as head of the Province of Canterbury, his national and international roles in leading the Church of England and the Anglican Communion worldwide, and the wealth and power of Archbishops in past centuries which enabled them to collect books and manuscripts of the highest quality and significance.

James I described the Library as ‘a monument of fame’ in his kingdom. Peter the Great, who visited in 1698, is recorded as saying that nothing in England astonished him as much as Lambeth Palace Library; he had never thought there were so many books in all the world.

In 2006 the collections held in Lambeth Palace Library were awarded Designated status under the Museums, Libraries and Archives Council’s Designation Scheme, in recognition of their  national and international importance.

Booking information:

  • Tickets cost £12 Adults, £10 Concessions (over 60s, student and unemployed), under 17s free
  • Price includes printed exhibition guide

Opening times:

  • Tuesday- Friday 11.00-13.30 and 14.00- 17.00 (last entry 16.00)
    • Saturdays and Bank Holidays- 11.00-16.00 (last entry 15.00)
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Symposium Notice

SOCIAL RELATIONS & CROSS-CULTURAL COMMUNICATION 

IN THE MEDIEVAL AND EARLY MODERN WORLD

SYMPOSIUM IN HONOR OF DIANE OWEN HUGHES

THE UNIVERSITY OF MICHIGAN

MARCH 16-17, 2012

FREE AND OPEN TO THE PUBLIC

Full program available at www.dianehughessymposium.wordpress.com.

This symposium features former students of Diane Owen Hughes at the University of Michigan and exposes Professor Hughes’ wide-ranging impact by exploring a variety of topics from Late Antiquity to Modernity; from Europe to East Asia; from law to art.

Coordinators: Stefan Stantchev (ASU, stefan.stantchev@asu.edu) and Paolo Squatriti (U of M).

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Applications for the 2012-2013 MA in Medieval and Renaissance Studies

Applications are now being accepted for Columbia University’s new MA in Medieval and Renaissance Studies. The deadline is March 15, 2012. For more information, visit http://blogs.cuit.columbia.edu/medren/.

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Medieval manuscripts : from the Stark collections

Orange (TX), Stark Museum of Art, 19.XI.2011 – 25.II.2012 : Medieval manuscripts : from the Stark collections. – http://www.starkmuseum.org/Exhibitions/Exhibitions/Medieval-Manuscripts.aspx

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QM Seminar Series: Medieval and Early Modern Texts and Contexts

Tuesday 20 March 2012, 5-6.30pm, in Arts 2, room 3.20

Special Delivery: Performing Model Letters in Medieval English Classrooms

Professor Martin Camargo (Professor of English, Medieval Studies, and Classics, University of Illinois at Urbana-Champaign)

The talk will be followed by questions and discussion, and an informal wine reception in Arts Two, room 3.17.

QM contacts:
Professor Julia Boffey, English (j.boffey@qmul.ac.uk)
Professor Miri Rubin, History (m.e.rubin@qmul.ac.uk)

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Studieren im Rom der Renaissance

Studieren im Rom der Renaissance. Studientag / Studiare nella Roma del Rinascimento. Giornata di studi (Roma, Deutsches Historisches Institut). – http://www.dhi-roma.it/fileadmin/user_upload/pdf-dateien/Veranstaltungsprogramme/2012/programma_2012_02_23.pdf

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Call For Papers: Borderlines XVI Site & Sound

‘Borderlines’ is an annual postgraduate conference in medieval and early modern studies, which aims to bring together researchers in a variety of disciplines, at MA, PhD and postdoctoral level, from across Ireland, Britain, Europe and around the world. The theme of this year’s conference will be ‘Site & Sound’. Amongst our many inheritances from the medieval and early modern ages, perhaps the most apparent and accessible are the streets, churches and landscapes we share with our ancestors. Along with these sites we have inherited a host of cultural assumptions about our spaces – big and small – from the home, through the city and the country, to our nations and the wider world around us.

While echoes persist in the spaces we inhabit, the languages we speak and the music we enjoy today, the sounds of the medieval and early modern ages are often obscured by the signal to noise ratio of the past to the present. In this conference, we hope to explore the sites and sounds of the past as the framework for an open and interdisciplinary consideration of current research in medieval and early modern studies. We welcome papers from researchers in the fields of Anthropology, Archaeology, Codicology, Drama, Film Studies, Folklore, Geography, History, History of Art, Languages, Literature, Music, Paleography, Philosophy and Theology. Topics may include (but are not limited to):
– Architecture and landscapes in the past and through time.
– Spatial dichotomies: urban/rural, public/private, male/female.
– The acoustics of space.
– The archaeological site and the idea(s) of excavation.
– The space of the page, the painting or the statue.
– The spaces and sounds of the text.
– Oral tradition.
– Drama on the stage and the page. Its spaces, sounds and spectacles.
– Art music, popular music and folkmusic in the past and in modern revivals.
– Music and space in the past and the present.
– Religious spaces, sounds and silences.
– Space, sound and the senses.
– (Re)creations of medieval and early modern spaces and sounds in film and television.

Please submit proposals of 250 words to borderlinesxvi@gmail.com by 1st March 2012.

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Call for Papers: On the Edge: Medieval Margins and the Margins of Academic Life

On the Edge: Medieval Margins and the Margins of Academic Life

Symposium, Wednesday May 9th, 2012
University of Chicago, Chicago, IL
Deadline: March 12th, 2012

The On the Edge committee seeks papers for a symposium accompanying the May 9th preview of the exhibit On the Edge: Medieval Margins and the Margins of Academic Life. We invite papers from graduate students and faculty that consider questions and problems related to the margins, either medieval or modern. Lucy Freeman Sandler, Professor of Art History Emerita, New York University will be the keynote speaker for the symposium.

Honoring the twentieth anniversary of Michael Camille’s Image on the Edge: The Margins of Medieval Art, the On the Edge exhibit will pair marginalia in illuminated manuscripts with photographs of life at the University of Chicago.  Camille’s groundbreaking work brought light to the confluence of the serious and the playful, the sacred and the profane in medieval manuscripts and architecture. The serious and the playful also converge at the university.  University life is defined not only by cutting edge research, but also by superstitions, protests, scavenger hunts, streakers in sneakers, social groups, and dance marathons. The On the Edge exhibit and symposium will explore the symmetry between the margins of academic life and medieval margins.

Possible topics include but are not limited to:

Architecture
Alterity
Center and periphery
The betwixt
Manuscripts: marginal imagery, textual emendations and notes
Margins of the university
Marginalized academic disciplines
Parody and play
Queering the middle ages

Please submit an abstract of no more than 300 words for a 20 minute talk to kLwood@uchicago.edu by March 12th, 2012 if you are interested in presenting at the symposium. Attending ICMS the next day? Kalamazoo is just a short train ride from Chicago.

On the Edge will be on view from May 19 – August 10, 2012 at the Special Collections Research Center Exhibition Gallery.

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Call for Papers: Medieval Imaginaries of History, Alterity and Empire

Medieval Section within the GNEL/ASNEL Annual Conference, Berne, May 18 – 20, 2012, on “Post-Empire Imaginaries?  Anglophone Literature, History and the Demise of Empires” (http://www.gnel2012.ens.unibe.ch)

Call for Papers
In the past decade, postcolonial theory has increasingly been applied to studies of
the Middle Ages, re-examining a range of canonical works, such as Chaucer’s
Canterbury Tales, and rethinking the hitherto clearly demarcated temporal
boundaries between the modern and the medieval. While the first momentum of what
has become postcolonial medievalism struggled with questions of anachronism,
scholars like Jeffrey Jerome Cohen have since shown that rather than being
inherently different and having become obsolete, the very mediacy of the Middle
Ages makes room for transhistorical intersections between the medieval and the
modern.

Within the context of the GNEL/ASNEL conference on post-empire imaginaries, we
invite papers on all aspects of medieval literature and culture that revolve around
premodern imaginations of both a distant other and/or a local self. In a world in which
there are vast areas of terra incognita, imaginaries step in to fill the void of the
unknown. Medieval histories, chronicles and stories of pilgrimage and peregrination
shape and negotiate fictions of alterity just as they create ideas of sameness and
identity. History here does not merely form the backdrop against which these stories
are told but it is part of the meaning they construct. The historicity of both ideological
and geographical mapping of familiar and alien spaces, therefore, will form a
common ground for discussion, linking our section on the Middle Ages to the wider
framework of the conference as a whole. By investigating both cross-cultural and –
temporal imaginaries, we will be looking beyond traditionally demarcated boundaries
of empire(s) and re-examine Medieval Europe as pre- and post-empire at the same
time. Medieval fictions of alterity and sameness not only gave rise to modern notions
of empire but were already concerned with a certain post-empire nostalgia expressed
in such works as Gildas’s Concerning the Ruin of Britain.

Topics for papers may include, but are not limited to:
* premodern colonialism/imperialism
* medieval Orientalism
* geographical/ideological mapping
* medieval Christianity and Islam
* translating culture
* Anglo-Saxon England as postcolony of the Roman Empire
* medieval (literary) hybridity and alterity
* medievalism and historical trauma

Confirmed keynote speaker:
Alfred Hiatt, Reader in Medieval Literature and Culture, Queen Mary, University of London, U.K.

Papers are restricted to 20 mins. Please submit your abstract (max 200 words) and a short bio before 1 March 2012 to:

Prof. Dr. Annette Kern-Stähler
Chair of Medieval English Studies
English Department
University of Bern
Länggass-Strasse 49
CH-3012 Bern
Switzerland
annette.kern-staehler@ens.unibe.ch
Conference Website: http://www.gnel2012.ens.unibe.ch

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Call For Applications: Distinguished International Visiting Fellowships Program

As part of its international research collaboration, ARC Centre of Excellence in the History of Emotions (Europe 1100-1800) (CHE) will fund outstanding international scholars in the field to visit Australian universities and to work with members of the Centre on a research program of their choice.

Visiting fellowships normally last between four weeks and three months. The Distinguished Visiting Fellow will be based at one of the five Australian universities hosting nodes of the Centre (University of Western Australia, University of Adelaide, Melbourne University, Sydney University and University of Queensland), but will normally visit other nodes of the Centre in the course of their stay.

Since the object of the Visiting Fellowships is primarily to promote collaborative research, the Visiting Fellows will not be required to undertake any undergraduate teaching, but will
be required to deliver at least one paper or lecture, and might run graduate masterclasses, attend seminars and symposia or deliver other papers.

The Fellowship will fund the Visiting Fellow’s return airfare to Australia, accommodation in Australia, and travel between Australian nodes of the Centre. Some living expenses may be negotiated.

CHE is now issuing a call for applications for Distinguished international Visiting Fellowships, to be taken over the period 1 January 2013 to December 2014.

Applicants should provide:

1. An up-to-date academic CV.

2. A description, no longer than one A4 page, of the proposed research to be undertaken during the Fellowship, including a statement of how the research relates to the Centre’s overall research into the history of emotions in Europe 1100-1800, and the proposed outcomes of the research (eg., part of a monograph draft, draft of an article jointly authored with one or more CHE member(s), development of further research interchange
and collaboration programs, and so on). Note: it is expected that ARCCHE support would be acknowledged in any publication deriving from the Fellowship.

3. The name(s) of CHE staff with whom the applicant wishes to collaborate, the preferred dates of the fellowship, and the preferred ‘home’ university for the duration of the visit.

For further information on the Centre’s research programs and projects, see: http://www.emotions.uwa.edu.au/research, or contact the Centre Director: Professor Philippa Maddern (philippa.maddern@uwa.edu.au).

Applications should be sent via email to:

Dr. Tanya Tuffrey,
Centre Manager, ARC CoE for the History of Emotions (Europe
1100-1800)
M201, Faculty of Arts
University of Western Australia,
CRAWLEY, 6009

Email: tanya.tuffrey@uwa.edu.au

Closing date: 14 March 2012

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