Continuing Blog Post Series: Medievalists Beyond the Tenure Track – A Medievalist in the Stacks

Dr. Matthew Z. Heintzelman is the Curator of Western European Collections & Special Collections at the Hill Museum and Manuscript Library, a position he has held since 2004. He was awarded a MA and PhD from the University of Chicago, in Germanic Studies and later earned a MLIS from the University of Iowa, Iowa City. He has presented and published widely and has curated more than nine exhibitions for HMML since 2015.

A Medievalist in the Stacks

Finding your path

Father Oliver Kapsner, OSB, the founding director of the Hill Museum & Manuscript Library (HMML) once described his initiation to library work as follows: “The career began one month after completing the novitiate in July 1923 when Abbot Alcuin Deutsch, like myself, out for a morning stroll after breakfast, called me: ‘Father Oliver, come here.  I want you to work in the library.’”

Father Oliver went on to spend more than four decades working in libraries, both at Saint John’s University and elsewhere, capping this with several years leading HMML’s microfilming project in Austria (1965-1972).

For most of us—who are not members of a monastic community—such clear-cut occupational direction is an extremely rare commodity. In my own case, a path through medieval studies only converged with librarianship after several years of educational and professional twists and turns. The following account—somewhat unremarkable in itself—relates only one path to alternative careers for medievalists. There are countless more.

Upon entering college in the mid-1970s, I needed to discern a major field of study. Being a rather practical person, I decided on German, which I had just begun to learn, after four years of learning Spanish in high school. While not the most promising major from the standpoint of earning an income, language studies did offer a means to nourish secondary interests in history and cultural exchange. But what does one do as a language major?

Teach or translate

Over the course of my undergraduate years, I frequently heard the assertion that language majors had two professional options: teach or translate. You either studied to become the eventual replacements for your own teachers, or you toiled in the free-lance world of translation, primarily business translation. During the time I was in college, it happened that a large German pharmaceutical corporation bought out a local company, which led to an alternative suggestion that I should take courses in business German and pursue a lucrative position in private industry.

After some consideration, I recognized that one of my fatal flaws was a lack of interest in corporate profit and business practices. It was apparent to me that my motivation lay more in learning about cultural history than selling product. Of course, had I opted for a career with a German corporation, I would likely be wealthier now and probably retired.

Suffice it to say that upon graduation from college, I was still unclear what one does with a major in German language and literature. So, of course, I entered graduate school in German studies at the University of Chicago.

Becoming a “medievalist”

Given the opportunity at Chicago to focus my attention on German, my research interests soon settled on medieval German literature: Wolfram von Eschenbach, Gottfried von Strassburg, Walther von der Vogelweide, the Nibelungenlied, and especially religious drama.

During my many years in graduate school, I did have the opportunity to try both teaching (English in Vienna and German in Chicago) and translation (with a computer-aided translation company). There were many things about each that I found exciting and frustrating.

After taking two years off to teach English in Austria (where I visited many medieval sites, including libraries, churches and monasteries), I returned to graduate school. Taking time away from studies to earn a living became a pattern that prolonged my graduate studies in the 1980s and 1990s.

During my second, longer break from studies (mid 1980s), I worked in a translation bureau where I gained some initial experience with computers (anyone remember DOS?). Unfortunately, the (mis)management at this company dampened any enthusiasm for the business world.

Returning to graduate school in the late 1980s, I soon found I still needed an outside income and accepted a low-level, part-time position at the University of Chicago library. This proved to be a critical moment in my search for direction as a German major with a focus on medieval studies. Over the course of eight years at the library, I held four different positions. Each new job brought higher pay, more responsibility, and new learning opportunities. The last of these positions was overseeing the rare-book office in the special collections department. With this, I had embarked on a professional path that I found exciting and which appealed to my innate curiosity.

Moving on

After serving in special collections for about one and a half years, I had to give up my position at the library to follow my wife’s job. We moved to another state, where I spent three years as a stay-at-home dad, while completing my PhD dissertation and investigating library science programs. My hope was to solidify my knowledge of how libraries function, cataloging unusual materials, and supporting the study of rare books and manuscripts.

In 2000, I completed my dissertation on late-medieval German religious drama and after graduating that June, I applied to the University of Iowa to pursue the MLIS (Master of Library and Information Science). I imagined myself moving into a role as subject-area specialist in a college or university library.

A few months later, in January 2001, I was officially received into the MLIS program. About that same time, I was approached by a fellow student from the library school, who was about to graduate. In conducting his own job search, he happened upon a posting for a position in Minnesota that called for

  • Fluency in German
  • A degree in medieval studies
  • Experience with rare books and manuscripts
  • Emphasis on service in a library (i.e., not a teaching situation)

His comment to me was that he could not think of anyone else who matched this description, except me.

I was a bit flabbergasted, as my thoughts in 2001 were centered on finishing library school (which I had barely begun) and I was not actively searching for a job. In the end, however, I did apply for this opening at the HMML, was hired, and moved to Minnesota in July of that year.

Results

The past 19 years at HMML have not always been smooth, but I cannot imagine any other job—whether in teaching or library work—could have matched my interests so closely. In my work as a curator for western manuscripts, I support scholars in their use of nearly 50,000 medieval and early modern manuscripts on microfilm from Austria, Germany, and Switzerland. In curating the library’s own collections, I have cataloged about 9,000 rare printed books (15th-20th century) and provide access to a very wide range of fascinating materials from around the world.

Other perks of the job have included the opportunity to meet with classes, curate exhibitions, represent the library at major conferences on medieval studies, and much more. Working in a multicultural collection like that at HMML has enabled me to learn about manuscripts and books from traditions I had never encountered previously.

In sum, it still amazes me that my path contains so many elements that other medievalists would share—interest in other languages, computer skills, search for knowledge, etc. In that sense, my path has been somewhat unremarkable. And yet, at every stage of my studies, I have been able to acquire skills and knowledge that directly supported the next advance in my work.

Matthew Z. Heintzelman, Hill Museum and Manuscript Library

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Call for Papers – Cultures of Travel: Tourism, Pilgrimage, Migration

The Fifteenth International Conference of the Taiwan Association
of Classical, Medieval and Renaissance Studies (TACMRS)
22–23 October 2021
National Taiwan Normal University
Taipei (Taiwan)

Call for Papers
Cultures of Travel: Tourism, Pilgrimage, Migration
Traveling has become a natural part of modern life. As a result of the world­wide crisis caused by the COVID-19 epidemic in 2020, however, it is no longer a self-evident right to move from one country to the other or even to travel within national boundaries. The conference intends to offer an opportunity to reflect critically upon the history and nature of human mobility, exploring physical and intellectual traveling as ways of investigating unknown territories, cultural exchange, and spiritual or religious experience.

Human migration, whether by choice or involuntarily, is as old as humankind itself. Since time immemorial, epic records of various cultures explored the reasons and effects of migratory movements in history, myth, and religion, from the impacts of the sack of Troy in Greco-Roman literature to the events recorded in the Book of Exodus.

Dating back to antiquity, the positively connoted act of cultural traveling reached its first zenith during the Renaissance and Enlightenment. Albrecht Dürer’s traveling across the Alps, motivated by both artistic curiosity and economic interests, signifies the exceptional cross-fertilization of ideas between Northern and Southern Europe. Young members of the British upper class used later to undertake the legendary Grand Tour to the Continent in order to widen their horizon, to acquire manners and language skills. Unlike any other area in Europe, it was Italy that—due to its abundant cultural remains and delightful landscapes—attracted artists and literati. The travelers benefited from the infrastructures of the land and sea routes that were customarily used by merchants for transferring essential trade goods between the countries.

When understood in a figurative sense, traveling could also be substituted by a journey of the mind or soul. This phenomenon was a widespread practice from antiquity to pre-modernity and beyond, whether the spiritual journeys of the Jewish and Christian apocalypses, of Dante and Milton, or the travels of the imagination by the likes Cervantes and Ariosto. Pilgrimages too are celebrated, whether in Jacopo da Voragine’s the Golden Legend, where he describes in detail such journeys in the mind—mentales diaetae—to the tomb of Saint Peter Martyr in Milan with their healing effect for both the pilgrim’s mind and body or the tales of Chaucer.

The conference calls for research from the fields of art history, history, literary history, cultural studies, religious studies, philosophy, classical studies, archaeology, anthropology, geography, social sciences, and beyond. Special attention might be given to the cultural dialogue between East and West. We especially welcome the scholarly exchange between Asian and Western experts. We would also particularly appreciate papers that mark the 700th anniversary of the death of the great Italian poet Dante Alighieri (c. 1265–1321).
Areas of interest may include, but are not limited to the following topics:

The act of traveling and its representation in the arts

The act of traveling and its representation in literature
Cultural travel and tourism
The Grand Tour
Traveling artists
Pilgrimage, physical and spiritual, religious and secular
Pilgrim paths
Travel narrative: travelogues, diaries, travel memoirs, guide books
Illustrations of travel books
Traveling between reality and imagination
Substitutes of traveling: Traveling and pilgrimage in the mind
Traveling in the armchair and its narrative
Traveling between Asia and the West
Travel record literature from Asia
Comparative perspectives on traveling in the East and West
Traveling from and to the Near East
Traveling and pilgrimage in Islamic culture
Women and traveling
Traveling and trade
Discovery of the world: Exploration of foreign countries, cosmography and chorography
Measuring the world: Maps and atlases
Traveling and (early) colonialism
Journeys on health grounds
Forced traveling: Flight, persecution, migration
Traveling and epidemics
We encourage the submission of panel proposals for groups of 3–4 speakers.

Please send a title and abstract of your proposed paper (around 300 words) along with a brief CV to TACMRS.NTNU@gmail.com by 17 January 2021.

There is no registration fee for the conference. Presenters residing in Taiwan should be members of TACMRS. The membership application form can be downloaded from the TACMRS website or can be obtained via email upon request.

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ASCSA Program for Study in Greece

ASCSA PROGRAM FOR STUDY IN GREECE

The American School of Classical Studies at Athens offers incomparable opportunities and programs for graduate students enrolled in US and Canadian institutions to research, travel, and excavate in Greece. Facilities include three major libraries, a scientific laboratory, extensive archives, two excavation study centers at the Athenian Agora and Corinth, and a residence hall in central Athens providing room and board.

The ASCSA accepts and provides fellowships to two categories of students: Regular Members who participate in the full academic year program and Associate Members who pursue independent research.

REGULAR MEMBERS

Application Deadline: January 15, 2021

Eligibility: Students preparing for an advanced degree in classical and ancient Mediterranean studies, post-classical Greek studies, or a related field. Well-qualified students with a B.A. will be considered for admission and fellowships, although preference is given to those who have completed at least one year of graduate study.

Program: The Regular Program runs from early September to late May. The program requires participation in the School’s fall and winter trips, covering much of the Greek mainland and Crete. During the winter, visits to sites in Attica and Euboea, museum visits, and seminars in Athens are required, with some additional trips. In the spring, members may participate in the School’s excavations at Corinth, pursue independent research, and/or participate in optional trips. Regular Members are expected to be in residence at the School throughout the academic year. Please note that applicants accepted for the cancelled 2020-21 program are deferred to the 2021-22 program; this means there is a maximum of six open spaces in the 2021-22 program.

For more information link to: https://www.ascsa.edu.gr/programs/regular-member-program

Fellowships: Fellows receive a cash stipend of $11,500, plus room and board in Athens, and waiver of School fees. Room, board, and other expenses on field trips outside Athens are paid out of the stipend. They are awarded on the basis of transcripts, recommendations and examinations.

Application: An online application and three letters of recommendation must be submitted. Applicants are required to submit pdf scans of academic transcripts as part of the online application. Scans of official transcripts are required. Applicants must also take the qualifying examination. Examinations in ancient Greek translation, history, literature, and archaeology (two of four are required) are held on the first Saturday in February. Information about the application and exams are available at: https://www.ascsa.edu.gr/apply/apply-for-regular-membership

Applications and fellowship information are available online after September 1.
Web site: www.ascsa.edu.gr or https://www.ascsa.edu.gr/programs/regular-member-program
E-mail: application@ascsa.org
Applicants will be notified by mid-March.

ASSOCIATE MEMBERSHIP

Application Deadline: Various and Rolling

Eligibility: Advanced graduate students in classical and ancient Mediterranean studies, postclassical Greek studies, or related fields who have a specific project that requires extended residence in Greece. Candidates for Associate Membership should clearly state their specific reasons for seeking to work at the School.

Program: Generally, Student Associate Members pursue independent research although they may also participate in the activities of the Regular Program when space allows.

Fellowships: Information is available at: https://www.ascsa.edu.gr/apply/fellowships-and-grants. Review and follow the guidelines and deadlines for each specific fellowship application. Only returning or former ASCSA members are eligible for the Advanced Fellowships. Advanced Fellows are expected to share the results of their research in a formal public presentation at the School or elsewhere in Greece.

For first time applicants not applying for a fellowship: An application consists of an application form, letters of recommendation, and a detailed statement of the project to be pursued in Greece submitted online. Applicants are required to submit pdf scans of academic transcripts as part of the online application. For more information about the application, visit the ASCSA web site at: https://www.ascsa.edu.gr/apply/types-of-membership-1.

Applications and fellowship information are available online.
Web site: www.ascsa.edu.gr or https://www.ascsa.edu.gr/apply
E-mail: application@ascsa.org
Applicants for fellowships will be notified by mid-March.

The ASCSA is open generally to qualified students and scholars at colleges or universities in the U.S. or Canada; restrictions may apply for specific programs and fellowships. The ASCSA does not discriminate on the basis of race, age, sex, sexual orientation, color, religion, ethnic origin, or disability when considering admission to any form of  membership or application for employment.

We invite applications to the following program. The specific implementation of all ASCSA programs will depend on all relevant public health advisories.

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Online Dante’s Inferno Course Offered to the Public

You are invited to embark in an extraordinary journey.  This virtual course focuses on one of the most important Italian masterpieces of all time: Dante’s Divine Comedy. By reading the original medieval text (alongside with modern Italian and English translations), students will deepen their understanding of the Inferno by appreciating its moral construction and satirical tradition as well as learning how Dante’s work connects to contemporary morality, literature, music, art, and cinema.

Dr. Nicolino Applauso will teach this 12-weeks course in Italian, which is open to the public, and will start on December 8th, and it will be geared toward the intermediate and advanced students of Italian (of all ages).

More information on the course is here:
https://www.applausoitaliancenter.com/dantes-divine-comedy.html

If interested, please contact applausoitalian@gmail.com

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Petition on behalf of the Istituto Storico Italiano

To the Members of the Medieval Academy of America:

Italy’s premier scholarly institute for the study of the Middle Ages, the Istituto Storico Italiano per il Medio Evo, has received an eviction order from the mayor of Rome that would effectively destroy this 138-year old institution—including its specialized library open to the public, funded research projects, editorial and publishing operations, and its national school for the study of the Middle Ages—by forcing it out its center on Piazza d’Orologio in Rome within 90 days. The Istituto has resided at Piazza d’Orologio 4 for close to a century. The reasons given for the eviction are patently false.

Most medievalists know the Istituto through its organization, funding, and publication of several important series of critical editions and studies, chief among them the Fonti per la storia d’Italia Medievale. But the ISIME’s library in the heart of Rome, open to all researchers, is also an essential resource for research on the Middle Ages.

We urge members to sign the petition posted by the Institute’s secretary and available at this link.

The Presidential Officers of the Medieval Academy of America have written directly to Professor Massimo Miglio, President of the Istituto, to express their support. Their letter will be forwarded to the appropriate officials of the comune.

Here is an English translation of the petition:

The Municipality of Rome (letter dated 9/11/2020, received on 16/11/2020) has evicted the Istituto storico italiano per il medioevo from its premises, which the institute has occupied since 1923 by decision of the then Minister Pietro Fedele. The Municipality has requested to “willingly release the premises, to free it from people and things, within 90 days from receipt of this letter…”. The Municipality further threatens the “forced reacquisition of the property” on the false grounds that the Institute owes 24,437.88 Euros, affirming that the premises are required for the Archivio storico capitolino, which had been placed in the Borrominian building by Fedele himself. This claim comes as a surprise, since in 2006 the same Municipality restored large spaces on the second and third floors of the same building on the Capitoline Hill, which are still completely unused.

The reasons for this eviction, which would deprive Rome of an institution that boasts worldwide recognition and intense cultural and editorial activity, are beyond belief.

We will oppose the request in every possible way and ask for the widest possible solidarity.

Istituto storico italiano per il medioevo
segreteria@isime.it

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Call for Papers: Power, Patronage and Production: Book Arts from Central Europe (ca. 800–1500) in American Collections

Call for Conference Papers

Power, Patronage and Production: Book Arts from Central Europe (ca. 800–1500) in American Collections

On January 13–15, 2022, the Index of Medieval Art (Princeton University), the Pierpont Morgan Library & Museum (New York), and the Department of Art and Archaeology at Princeton University will host a conference to accompany the exhibition, “Imperial Splendor: The Art of the Book in the Holy Roman Empire, 800–1500,” presented at the Morgan Library from October 15, 2021 to January 23, 2022. The conference will include two days of papers as well as a study day at the Morgan Library. For each paper, 30 minutes of speaking time, followed by 15 minutes of discussion, will be allotted. In addition to a viewing of the exhibition, the study day will include an opportunity to view other, unexhibited materials in the Morgan’s collections.

Despite its scope, the exhibition cannot comprehend all the relevant material in American collections. Nor can the accompanying book treat all the exhibited items in depth. With this in mind, we solicit proposals for papers. Pending the usual peer-review process, the contributions will be published.

Paper proposals, no more than one page in length, should fall into one of the following categories or address one of the following topics:

– in-depth monographic discussion of a single manuscript in an American collection, whether or not it is included in the exhibition. Please contact Joshua O’Driscoll (jodriscoll@themorgan.org) for a list of objects that will be discussed in the book accompanying the exhibition (many but not all of which will be exhibited) and a list of all relevant materials in the Morgan Library’s collections. More information on many of these manuscripts, also those in other American collections, can be found at Digital Scriptorium: https://digital-scriptorium.org/.

– thematic treatment of one of a number of broader issues relevant to the exhibition’s concerns; these include but are by no means limited to the following:

Art & the politics of empire

Art & reform/Reformation

Borders of empire

Cosmopolitan contacts and exchanges

Geographic foci (e.g., Helmarshausen, Prague, Salzburg, Weingarten)

Humanism in Central Europe

Imperial patronage

Monastic networks

Manuscript illumination and the other arts

Paper, parchment & pen-drawing/production techniques

Patrician patronage in imperial cities

Panel painting

Psalters

Reception/collecting of German medieval art in the United States

Urbanism & the art of the book

Visualization & the vernacular

Proposals should be submitted to Prof. Jeffrey F. Hamburger, Harvard University (jhamburg@fas.harvard.edu) by February 1, 2021. A response indicating whether or not any given proposal has been accepted will be forthcoming by April 1, 2021. Finalized abstracts, which will be circulated to all participants, would then be due by August 1, 2021. The organizers will do their best to accommodate all relevant proposals within the confines of the program, the scope and format of which will be determined by the funding available and the current public health situation. In the event that an in-person meeting is feasible, speakers’ costs for travel and accommodation in Princeton and New York will be covered. Colleagues submitting proposals are asked to indicate their interest in presenting a paper by video call, should travel not be possible.

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Kress Publication Fellowships

KRESS PUBLICATION FELLOWSHIPS
Deadline: January 15, 2021

The American School of Classical Studies at Athens is pleased to announce the second year of a five-year program of fellowships funded by the Samuel H. Kress Foundation. The Samuel H. Kress Foundation devotes its resources to advancing the history, conservation, and enjoyment of the vast heritage of European art, architecture, and archaeology from antiquity to the early 19th century.

Eligibility: Senior (post-doctoral) scholars working on a publication assignment from Corinth, the Athenian Agora, Lerna or from an affiliated project of the School are eligible to apply. Current staff of the School are not eligible.

Terms: The School awards up to three grants each year. Stipends are for a minimum of three months (up to $10,000) to a maximum of nine months (up to $30,000) during the ASCSA fiscal year (July 1, 2021 – June 30, 2022). School fees, travel costs, housing, board, residence permits (if applicable), and other living expenses are to be paid out of the stipend by the recipient. Fellowship stipend cannot be used towards salary replacement. A final report and budget are due at the end of the award period, and the ASCSA expects that copies of all publications that result from research conducted as a Fellow of the ASCSA be contributed to the Blegen Library or another relevant library of the School.

Application: Submit an online application; curriculum vitae; proposal (maximum of 5 pages, single-spaced, including project outline, explanation of goals, statement of the significance of the project, work completed to date, schedule for completion, and budget); letter of support from the appropriate excavation director; and two letters of recommendation. Applicants are encouraged to include costs for the preparation of illustrations in their budgets. For more information about the application, see: https://www.ascsa.edu.gr/apply/fellowships-andgrants/postdoctoral-and-senior-scholars

Web site: www.ascsa.edu.gr or https://www.ascsa.edu.gr/apply/fellowships-andgrants/postdoctoral-and-senior-scholars

E-mail: application@ascsa.org

The award will be announced March 15.

The American School of Classical Studies at Athens does not discriminate on the basis of race, age, sex, sexual orientation, color, religion, ethnic origin, or disability when considering admission to any form of membership or application for employment.

We invite applications to the following program. The specific implementation of all ASCSA programs will depend on all relevant public health advisories.

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Apply to join the MAA’s Graduate Student Committee!

The Medieval Academy of America is currently accepting self-nominations for vacancies opening up on the Graduate Student Committee (GSC) for the 2020-2022 term. The GSC comprises six members appointed for a two-year term on a rotating basis. There are three openings to be filled. Self-nominations are open to all graduate students, worldwide, who are members of the MAA and have at least two years remaining in their program of study.

The GSC represents and promotes the participation of graduate student medievalists within the MAA and the broader academic community. In addition to fostering international and interdisciplinary exchange, the GSC is dedicated to providing guidance on research, teaching, publishing, professionalization, funding, and employment, as well as offering a forum for the expression of the concerns and interests of our colleagues. Our responsibilities, thus, include organizing pre-professionalizing panels and social events annually at ICMS Kalamazoo, the MAA Annual Meeting, and IMC Leeds. We also run a successful and popular Mentorship Program that pairs graduate students with faculty to discuss any aspect of our profession such as teaching, publishing, finding a successful work/life balance, maneuvering the job market, and more. In addition, we seek to bring together graduate students through virtual communities such as the growing Graduate Student Group on the MAA website, Facebook, Twitter, the med-grad listserv, and a regular newsletter.

GSC members are asked to attend the Committee’s annual business meeting at Kalamazoo (either in person or virtually) for the duration of their term and to communicate regularly with the group via email and virtually. Ideal applicants are expected to work well both independently and as part of a team in a collaborative environment. Previous experience with organizing conference panels and social events, as well as facility with social and digital media are not required, but may be a benefit.

Interested applicants should submit the following by January 15, 2021:

The Self-Nomination Form;
– A brief CV (2 pages maximum) uploaded as part of the Nomination Form;
– A recommendation letter from your faculty advisor, sent to the Executive Director of the Medieval Academy by mail or (preferably) as a PDF attachment (on letterhead with signature), to LFD@TheMedievalAcademy.org.

New members will be selected by the MAA’s Committee on Committees (in consultation with the current GSC) and confirmed by the Council of the Medieval Academy at the (virtual) 2021 Annual Meeting hosted by Indiana University, Bloomington, 15-18 April. If you have any questions, please contact us at gsc@themedievalacademy.org.

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Jacob Hirsch Fellowship for Research in Greece

THE JACOB HIRSCH FELLOWSHIP
Deadline: January 15, 2021
Field of Study:  Archaeology
Eligibility:  U.S. or Israeli citizens who are either Ph.D. candidates writing their dissertations in archaeology, or early-career scholars (Ph.D. earned within the last five years) completing a project, such as the revision of a dissertation for publication, which requires a lengthy residence in Greece.

Terms:  Stipend of $11,500 plus room, board, and waiver of School fees. A final report is due at the end of the award period, and the ASCSA expects that copies of all publications that result from research conducted as a Fellow of the ASCSA be contributed to the relevant library of the School.

Duration:  Commensurate with the School’s academic year, from early September to June 1.

Application: Submit online application form for “Associate Membership with Fellowship”, curriculum vitae, a detailed description of the project to be pursued in Greece (250-word abstract and a statement up to three pages, single spaced). Arrange for three letters of recommendation. Student applicants are required to submit scans of official academic transcripts as part of the online application. For more information about the application, visit the ASCSA web site at https://www.ascsa.edu.gr/apply/fellowships-and-grants/graduate-and-postdoctoral.

Web site: https://www.ascsa.edu.gr/apply or https://www.ascsa.edu.gr/apply/fellowships-and-grants/graduate-and-postdoctoral

E-mailapplication@ascsa.org

The award will be announced March 15.

The American School of Classical Studies at Athens does not discriminate on the basis of race, age, sex, sexual orientation, color, religion, ethnic origin, or disability when considering admission to any form of membership or application for employment.

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Conference – The Total Library: Aspirations for Complete Knowledge in the Middle Ages and Renaissance

The Medieval and Renaissance Studies Program at Barnard College is pleased to announce the following conference:

The Total Library: Aspirations for Complete Knowledge in the Middle Ages and Renaissance
Saturday, December 5, 2020

Plenary speakers:
Elias Muhanna, Brown University
Ann Blair, Harvard University

REGISTRATION AND FULL SCHEDULE CAN BE FOUND HERE:
https://medren.barnard.edu/2020-total-library

According to Borges, “The fancy or the imagination or the utopia of the Total Library has certain characteristics that are easily confused with virtues.” This one-day conference will explore the aspiration for complete knowledge in the Middle Ages and Renaissance, an aspiration expressed in atlases, herbals, encyclopedias that were meant to mirror and maybe tame the diversity of the earth by including in their pages everything. Whether virtuous or problematic, the fantasy of the complete mastery of knowledge created utopias of learning. In our current moment when the value of knowledge is under question, we invite you to join scholars of multiple disciplines to raise questions about the technologies, social structures, and modes of thought that shape what knowledge means at a given moment.

Please note that registration is free but required. All those who register will receive, in early December, links to attend the Zoom sessions.

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