Call for Proposals: AHR Special Issue: Methods for Archival Silence in Early History

Call for Proposals
AHR Special Issue: Methods for Archival Silence in Early History
Due September 16, 2025

The American Historical Review seeks proposals for a special issue illustrating a range of methodological approaches to archival silence developed by scholars of early history. Articles may be grounded in any part of the world and address any topic as long as they are method-driven, focused on archival silence, and situated early within the periodization of your field.

About the Issue

What should historians do when our sources do not tell us what we want to know? Although this may be a universal experience of historical research, the problem arises in various forms. Some silences are intentional, others unintentional. Some sources are minimal, others extensive but off-topic. Some sources are inaccessible, some have not been preserved, some were never created. Sometimes we do not or cannot know whether our desired sources ever existed, or, if they did, what happened to them. Silences cluster around certain topics, places, and periods more than others.

Historians have articulated this problem in a variety of ways. This call uses the language of archival silence and silencing developed by Michel-Rolph Trouillard and Marisa Fuentes. It could have drawn on the concept of the subaltern (Ranajit Guha, Gayatri Spivak), strategically produced silence and plausible stories (Natalie Zemon Davis), records designed for jettison (Marina Rustow), hidden transcripts (James Scott), living oral traditions (Bethwell A. Ogot), or writing off the radar (James Lockhart), to name only a few.

Faced with archival silence, historians have developed a range of methods for working in, through, and around it. Some techniques and approaches have become characteristic of expertise in early periods. Others are applied by historians across specializations. These include but are not limited to reading against the grain; creative combination of well-known sources; creative use of unusual or little-known sources; oral and other forms of non-written record; technical skills in the so-called ancillary disciplines (numismatics, paleography, codicology, epigraphy, and more); interdisciplinary approaches to method (anthropology, archaeology, literature, linguistics, and more) and to what constitutes a source (climate data, aDNA, physical objects, art, and more); critical fabulation or disciplined imagination; and reframing our questions to build on our sources’ strengths.

Submitting a Proposal

Proposals should be submitted via Google Form bySeptember 16, 2025. Proposals should be no more than 800 words in length and should address the following questions:

  • What is your field of historical research? In the context of your field, why is your project considered early?
  • Briefly describe the archive(s) or bod(ies) of sources on which your project is based. In what sense are these sources silent?
  • Briefly describe the method(s) that you use to work with these sources. What methodological intervention does your project make, and why is it significant?
  • What form will your project take in the journal?

We invite projects in a wide variety of forms. They can include, but are not limited to:

  • Traditional research articles (no more than 8,000 words, excluding footnotes)
  • Image- or video-centered projects
  • Digital history/humanities projects
  • Public history projects or virtual exhibitions
  • Pedagogical projects that examine approaches to methodology and archival silence in the classroom

Decisions on proposals will be announced in November 2025. A positive decision does not guarantee publication in the journal but is rather an invitation to submit a full and complete version of the proposed project for peer review. The submission deadline for complete projects for peer review is May 1, 2026. We anticipate publication of the special issue in 2027.

Please contact the special issue editor, Hannah Barker (hannah.barker.1@asu.edu), with questions.

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Jobs For Medievalists

Applications are invited for an experienced multilingual Digital Humanities / Computer Science Postdoctoral Researcher to lead development, implementation and evaluation of digital tools and methodologies for the NorseMap project based in the School of English and Digital Humanities. NorseMap is a 5-year project funded by the European Research Council, using citizen science methodologies to gather data on the Viking legacy from across Europe and mapping the evolution of responses to the Viking past over time.

The ideal candidate will have undertaken at least one year of postdoctoral research, have experience with data visualisation, and be enthusiastic about engaging with different online communities to learn more about public uses of the past. They will play a key role in all aspects of the project from design and implementation of data collection methodologies – including advising on a dedicated app – to creation of deep maps and visualisations of the complex networks that the project uncovers. They will be expected to carry out high-level research related to the aims of the research project, submitting publications regularly to refereed journals and participating in national and international conferences. A particular responsibility will be investigating ways to visualise connections between complex networks of exchange and influence within the online space.

This is an exciting opportunity to join a team of Viking researchers in mapping the legacy of a cultural phenomenon and to play a leading role in the successful implementation of an ERC-funded project.

For more information, including salary and further particulars, see https://my.corehr.com/pls/uccrecruit/erq_jobspec_version_4.jobspec?p_id=085873

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Symposium, Tracing Jewish Histories: The Long Lives of Medieval Hebrew Manuscripts, Judaica, and Architecture

What: Symposium, Tracing Jewish Histories: The Long Lives of Medieval Hebrew Manuscripts, Judaica, and Architecture

When: 19-20 May 2025 (see program for details)

Where: In-person, The Courtauld Institute of Art, Vernon Square Campus, London, UK. Following the symposium, a recording of the talks will be made available online on The Courtauld’s website.

Co-Organizers: Reed O’Mara (Case Western Reserve University) and Laura Feigen (The Courtauld Institute of Art)

Registration and Program: https://tinyurl.com/2p8ycmvn

Short Description: Works of art and architecture made by or for Jewish communities in the medieval period are often examined through the lenses of persecution and expulsion, or are contrasted against Christian or Muslim “styles.” This symposium seeks to expand and nuance these narratives in order to highlight how works of art and architecture can uniquely trace the history of particular Jewish communities by mapping their movements and traditions across generations and geographies. Medieval Jewish objects and spaces can also serve as loci to examine ideas related to collective memory and cultural identity. To that end, the symposium seeks to open new dialogues regarding the “afterlives” of medieval Jewish art more broadly, initiating discussions regarding the ways in which works of art and architecture continued to bear witness to the richness of Jewish life and culture long after they were created.

Sponsors: We are grateful for the following institutions for lending their support of this symposium: Sam FOgg; the Mellon Foundation; the Department of Art History & Art at Case Western Reserve University; and the Medieval Academy of America Graduate Student Committee Grant for Innovation in Community Building and Professionalization

Attached: Save the date with registration as a JPEG and PDF

Please let us know if you require any further information, and thank you again for all your support.

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Transmitting and Preserving Languages in the Medieval and Early Modern Mediterranean

Transmitting and Preserving Languages in the Medieval and Early Modern Mediterranean

Date: 5th June 2025

Venue: Balliol College, Gillis Lecture Theatre and Massey Room (Oxford OX1 3BJ) & online

Convenors: Daniel Gallaher and Ugo Mondini (University of Oxford)

The workshop explores how and why languages were taught, learned, and sustained across the diverse and shifting socio-cultural landscapes of the late medieval and early modern Mediterranean. Integrating history with historical sociolinguistics and adopting a comparative and cross-disciplinary perspective, the workshop aims to identify shared trends, comparable elements, and distinctive features in language learning and transmission. This approach offers a renewed perspective on the interconnected Mediterranean world—a region where multilingualism, mobility, and intercultural exchange were and are central to daily life. The impact of these dynamics on language teaching, preservation, and use has often been underestimated.

The event will include dedicated time for discussion and reflection, allowing participants to engage in a broader conversation about language, identity, and cultural transmission. At its core, the project reimagines the medieval and early modern Mediterranean, not merely as a space of teaching, learning, and multilingual exchange.

Speakers: Speakers: Samet Budak (ANAMED Koç University); S. Peter Cowe (UCLA); Erica Field-Marchello (Exeter College, Oxford); Mark Janse (University of Cambridge); Michiel Leezenberg (University of Amsterdam); Giorgia Nicosia (Ghent University); Lucy Parker (University of Nottingham).

For more information about the programme and to register for online attendance, please contact Ugo Mondini at ugo.mondini@mod-langs.ox.ac.uk.

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Call for Sessions: Mary Jaharis Center Sponsored Panel, 61st International Congress on Medieval Studies

To encourage the integration of Byzantine studies within the scholarly community and medieval studies in particular, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 61st International Congress on Medieval Studies, Western Michigan University, Kalamazoo, May 14–16, 2026. We invite session proposals on any topic relevant to Byzantine studies.

Session proposals must be submitted through the Mary Jaharis Center website. The deadline for submission is May 12, 2025.

If the proposed session is approved, the Mary Jaharis Center will reimburse a maximum of 4 session participants (presenters and moderator) up to $800 maximum for scholars traveling from North America and up to $1400 maximum for those traveling from outside North America. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.

For further details and submission instructions, please visit https://maryjahariscenter.org/sponsored-sessions/61st-icms

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture, with any questions.

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Call for Sessions: Mary Jaharis Center Sponsored Panel, 8th Forum Medieval Art

To encourage the integration of Byzantine studies within the scholarly community and medieval studies in particular, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 8th Forum Medieval Art/Forum Kunst des Mittelalters, Bochum / Dortmund, September 23–26, 2026. The biannual colloquium is organized by the Deutsche Verein für Kunstwissenschaft e.V.

The theme for the 8th Forum Medieval Art is Work: Traces, Constellations, Valuations. From a region with a significant medieval character and a post-industrial present we want to address the question whether the term “work” could be of any benefit when applied to the practices of medieval art production and their social and economic context. At the latest with the development of urban culture in the 12th/13th century, the concept of a society based on the division of work began to replace traditional forms of social differentiation – a process that was theologically founded in the 12th century and accompanied by a revaluation of art, craft and creativity.

The Mary Jaharis Center invites session proposals that fit within the Work theme and are relevant to Byzantine studies.

Session proposals must be submitted through the Mary Jaharis Center website. The deadline for submission is May 8, 2025.

If the proposed session is approved, the Mary Jaharis Center will reimburse a maximum of 4 session participants (presenters and session chair) up to $500 maximum for participants traveling from locations in Germany, up to $800 maximum for participants traveling from the EU, and up to $1400 maximum for participants traveling from outside Europe. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.

For further details and submission instructions, please visit https://maryjahariscenter.org/sponsored-sessions/8th-forum-medieval-art

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture, with any questions.

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Opportunity for Graduate Students and ECRs: An Introduction to Network Analysis for Byzantinists

The Mary Jaharis Center for Byzantine Art and Culture and the Byzantine Studies Association of North America are pleased to offer a week-long introduction to network analysis workshop for graduate students and early career researchers in collaboration with Professor Alexander Brey of Wellesley College, Professor Dr. Zachary Chitwood of Ludwig Maximilian University of Munich, Dr. Ryan Horne of the University of California, Los Angeles, Professor Christian Raffensperger of Wittenberg University, and Dr. Katerina Ragkou of Philipps University of Marburg.

An Introduction to Network Analysis for Byzantinists, workshop by Alexander Brey (Wellesley College), Zachary Chitwood (University of Munich), Ryan Horne (UCLA), Christian Raffensperger (Wittenberg University), and Katerina Ragkou (University of Marburg), Zoom, May 12–16, 2025

Network analysis allows researchers to model and visualize the connections and interactions between different entities (e.g., people, places, objects) in their research data. This online workshop will offer Byzantinists an introduction to network analysis and its use in historical disciplines, with a focus on Byzantine and medieval studies. Participants will gain an understanding of the basic concepts of network theory and explore projects employing network analysis and the choices that lay the foundation for the projects, including data modeling, methodology, and tools. During practical sessions, participants will learn how to format their own data for network analysis, create a database in Neo4j and query their data, interface their Neo4j database with other tools, and publish their network analysis.

This workshop is intended for those who have very little or no experience with network analysis.

The workshop is limited to 15 participants. The time commitment for this workshop is 20.5 hours of instruction. Participants are expected to attend all sessions. Registration is first come, first served. All participants must be BSANA members. Graduate students and early career researchers (PhD received after May 2017) in the field of Byzantine studies. Students enrolled in graduate programs in North America and early career researchers working in North America will be given priority.

Registration closes Wednesday, May 1, 2025.

To read a full description of the workshop and register your interest, please visit https://maryjahariscenter.org/events/intro-to-network-analysis-for-byzantinists.

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture, with any questions.

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Online Lecture: The Malleability of Memory in Memorializing the Saints

The Mary Jaharis Center for Byzantine Art and Culture and the Mashtots Professor of Armenian Studies at Harvard University are pleased to announce the final lecture in the 2024–2025 East of Byzantium lecture series.

The Malleability of Memory in Memorializing the Saints
Tuesday, April 29, 2025 | 12:00 PM (EDT, UTC -4) | Zoom
Mary K. Farag, Princeton Theological Seminary

The ritual remembrance of holy ones in late antiquity sometimes had more to do with the intentional formation of the liturgical community than with the life of the holy one. Neither Pachomius, the early-fourth century leader of a monastic federation known as the Koinonia, nor Theophilus, the late-fourth and early-fifth century bishop of Alexandria, were even near contemporaries, but their characterizations were effectively exchanged. The aftermath of the first Origenist controversy rendered their memorialization distinctly malleable. Egypt would remember a Pachomian Theophilus, while Asia Minor would remember a Theophilan Pachomius. Pachomius would become the anti-Origenist that Theophilus was, while Theophilus would become the ascetic visionary that Pachomius was. Their remembrance in hagiographies and homilies was less about making the past present than about shaping the past for the present.

Mary K. Farag is Associate Professor of Early Christian Studies at Princeton Theological Seminary. She studies the history of late antiquity with a focus on Christianity in Egypt.

Advance registration required. Register: https://eastofbyzantium.org/upcoming-events/

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.

An East of Byzantium lecture. EAST OF BYZANTIUM is a partnership between the Mashtots Professor of Armenian Studies at Harvard University and the Mary Jaharis Center that explores the cultures of the eastern frontier of the Byzantine empire in the late antique and medieval periods.

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Online Lecture: “This Holy One is Mother, Father, and Sister to Me”: Gender and Beyond in Byzantine Hagiography

The Mary Jaharis Center for Byzantine Art and Culture is pleased to announce the final lecture in our 2024–2025 lecture series.

“This Holy One is Mother, Father, and Sister to Me”: Gender and Beyond in Byzantine Hagiography
Lucy Parker, University of Nottingham
April 24, 2025 | 12:00 PM (EDT, UTC -4) | Zoom

Gender has proved a powerful analytical framework for interpreting late antique and Byzantine hagiography. Historians have argued that male and female saints’ lives contained important differences, even perhaps forming different “subgenres” of hagiography. It has been suggested that, in contrast to male saints who fought external evil in cities or in the remote desert, female saints lived more cloistered lives and had to fight their own internal weaknesses. Some hagiographers emphasised that it was particularly impressive for women to achieve holiness given their innately weak and sinful nature. Female saints are often shown transcending their femininity, becoming “manly” as a necessary part of their journey to sanctity.

Yet this lecture will ask whether we have gone too far in drawing a clear distinction between the lives of female and male saints. It will explore some hagiographies of female saints (including the Life of Martha, mother of Symeon the Younger, the Life of Matrona of Perge, and the Life of Irene of Chrysobalanton) that do not fit neatly into the paradigms identified as characteristic of female lives. It will ask whether these unusual lives can be seen merely as exceptions to the general trend, or whether they force us to rethink our broader models, and to question how far a stark male-female gender binary determined understandings of holiness. Not all hagiographers were equally concerned with the differences between men and women, and not all female saints are presented as held back by, or needing to transcend, their femaleness. Rather than imposing a binary gender framework on hagiographic writing, we can instead explore variability in the use of gendered language and the gendering of holiness, and consider when and why gender and specific understandings thereof became particularly important in processes of sanctification.

Lucy Parker is an Assistant Professor of History at the University of Nottingham. Her first book, Symeon Stylites the Younger and Late Antique Antioch: From Hagiography to History, was published by Oxford University Press in 2022. As well as Byzantine hagiography, she also works on Syriac and Eastern Christianity in the Early Modern period.

(This lecture is rescheduled from November 2024.)

Advance registration required. Register: https://maryjahariscenter.org/events/gender-and-beyond-in-byzantine-hagiography

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture, with any questions.

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MAA News – From the Editor’s Desk (April 2025)

Greetings from the Editor’s desk at Speculum: A Journal of Medieval Studies. I write this column fresh from the Medieval Academy of America’s largest ever annual meeting at Harvard, in celebration of the centennial anniversary, where hundreds of medievalists from around the globe gathered to hear exciting new work, catch up with friends and colleagues, and of course, network and schmooze.

Though it might not be apparent to the casual observer, business occurs there as well, during the annual in-person meetings of the MAA Council and the journal’s Editorial Board. Among other things, the Council approved new appointees to the SPC Editorial and Book Review Boards. To the Editorial Board we welcome: Antoine Borrut, University of Maryland; Arthur Bahr, MIT; Gregor Kalas, University of Tennessee, Knoxville; and Charles Samuelson, University of Colorado, Boulder. As they rotate off the EB, my heartfelt thanks go to Mohamad Ballan, Caroline Goodson, Sierra Lomuto, and Samantha Katz Seal, as well as to Noah Guynn, who left the board last year. Their contributions to the journal have been invaluable.

To the Review Board we welcome Isabelle Cochelin, University of Toronto; Joshua Easterling, Murray State University; Deborah Hayden, Maynooth University; Andrew Hicks, Cornell University; Fontini Kondyli, University of Virginia, Charlottesville; David Lummus, Independent Scholar; Areli Marina, University of Kansas; Daniela Mairhofer, Princeton University; Laura Morreale, Independent Scholar; Jonathan Morton, Tulane University; Uri Zvi Shachar, Ben Gurion University; and Daniel Ziemann, Central European University. We are grateful to Nicolino Applauso, Roland Betancourt, Jessalyn Bird, Julia Burkhardt, Daisy Delogu, James Harr, Wan-Chuan Kao, Marcia Kupfer, Sara Powell, Michelle Sauer, Patrick Wadden, and Anna Zayaruznaya for their service to the book review section of the journal.

The Annual Meeting is also where prizes are awarded, and I am delighted to report that articles published in Speculum won the MAA’s two article prizes. Mohamad Ballan’s “Borderland Anxieties: Lisān al-Dīn ibn al-Khat ̣īb (d. 1374) and the Politics of Genealogy in Late Medieval Granada,” Speculum 98/2 (2023), was awarded the 2025 Article Prize in Critical Race Studies. You can read the full citation here. And “Fraudulent Counsel: Legal Temporality and the Poetics of Liability in Dante’s Inferno, Boniface VIII’s Liber Sextus, and Gratian’s De penitentia,” Speculum 98/3 (2023), by Grace Delmolino, has won the 2025 Van Courtlandt Elliott Prize.  The full citation can be found here.

My hunch is that we have an issue full of prizewinners in the article lineup for April, now available online. Though it doesn’t technically constitute a cluster, three of the five articles treat early medieval topics. A multiauthored article by Janet E. Kay, István Koncz, Jordan Wilson, Rachel Singer, Timothy P. Newfield, Lee Mordechai, and Merle Eisenberg, “Burial Archaeology and the First Plague Pandemic,” opens the issue and argues the case that burial archaeology must be brought to bear on First Plague Pandemic studies (alongside cutting-edge scientific methodologies) to understand plague’s impact on individuals and communities. Kay, Wilson, and Singer discuss the article and its implications—past and present—with Reed O’Mara, the host of our latest episode of the Speculum Spotlight podcast. Sinéad Christine O’Sullivan’s “Book as Bibliotheca: The Emergence of the Commented Edition” moves us into the Carolingian world. She argues that the arrangement of commentary on a central text in a columnar format was an innovation of the Carolingian period.  Valerie L. Garver examines another type of material artefact of the period in “‘Accomplished in the Art of Athena’: Carolingian Queens, Textiles, and the Politics of Clothing in the Ninth Century,” demonstrating how control over clothing and textile manufacture allowed queens to enter the political sphere. With Barbara Newman’s “Vrouwen lop: Of ‘Hermaphrodites,’ Alchemists, and Pregnant Ladies,” we leave the early medieval period behind and enter the world of Middle High German poetry. The article analyzes the Minneleich by the poet Frauenlob (d. 1318) and includes the first full translation of it. (It should be noted that this article was accepted before the search for the editorship of this journal was even announced. That being said, let’s consider it Barbara’s “inaugural.”)  The article section concludes with “Unsettling Orientalism: Toward a New History of European Representations of Muslims and Islam, c. 1200–1450” by Marcel Elias, which traces the shifting representations of Muslims and the Islamicate world in later European crusade literature.

In addition to these five multidisciplinary articles that move us from Britain to the Holy Land and across time from the fifth century to the fifteenth century, we have a full slate of book reviews. Among many excellent reviews, I would like to highlight one: Speculum’s first digital humanities (DH) review. In this case, Samantha Seal reviews Adrienne Williams Boyarin’s groundbreaking DH project, Medieval Anglo-Jewish Women, 1154–1307. This first DH review constitutes the journal’s commitment to review DH projects, and toward that end, the Editorial Board has drafted guidelines, which are now posted on our website. We encourage colleagues to reach out to Associate Editor, Carol Anderson, if there is a DH project they are interested in reviewing or having reviewed.

This is my last column as Editor of Speculum as Barbara Newman will take the tiller on 1 July. Though my name is at the top of the masthead, look just beneath it and you will see many people whose invisible work has kept this ship on course and navigating into the future. My unbounded gratitude goes to our editorial team, led by Taylor McCall and Carol Anderson, and including Esther Jermann, Jane Maschue, Yunji Li, Dave Wilton, Jennifer Ottman, and Chris Cole. I am also grateful to our contributors, peer and book reviewers, the podcasting crew at the Multicultural Middle Ages, and the University of Chicago Press.  They have been a dream team.

It has been my honor and privilege to serve the journal, the Medieval Academy of America, and our vibrant community of medieval scholars.

Thank you.

Katherine L. Jansen
Editor

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