Call for Papers – Musiconis Conference

Musiconis Conference, 11, 12, and 13 June 2015 in Chartres

Since 2011, the Musiconis group has been studying the representation of sound, as a symbol in the visual arts and in its literal depiction in images of vocal, instrumental, and choreographic performance in the Middle Ages. Over the past three years many scholars have presented their research on this subject; descriptions of these lectures are posted in the Musiconis blog.

The group’s work began with the indexing of images that are described and analyzed in an iconographic metabase, that will continue to grow; this metabase can be consulted along with a general bibliography and a trilingual lexicon.

The group’s activities have focused on the processes of the emission, audition, diffusion, association of sound, as well as on the musical, ontological, esthetic and effective qualities of potentially audible sounds that function as such within iconographic systems.

The Musiconis conference seeks to expand the central questions of the project both chronologically, by encompassing the period from classical antiquity to the Renaissance, and theoretically, by taking into account the conveyance of sound through all types of visual representation, whether figurative, mathematical, graphic, calligraphic, epigraphic, coloristic, ornamental, compositional, substantive or other means. The conference presentations may address all visual media, from monumental art to objects and manuscript illumination.

To propose a paper, send an abstract of no more than 3000 characters to Frédéric Billiet(frederic.billiet@gmail.com) and Isabelle Marchesin(isabelle.marchesin@gmail.com) by January 31, 2015.

Accepted papers will be presented in French or in English on the 11, 12, and 13 of June in the auditorium of the Hôtellerie Saint-Yves near the Cathedral of Chartres. Papers will be 20 minutes long. The acts of the conference will be published.

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The Mary Jaharis Center for Byzantine Art and Culture Lecture

The Mary Jaharis Center for Byzantine Art and Culture is pleased to announce the final lecture in its 2014-2015 lecture series.

On December 1, 2014, at 6:15 pm at the Harvard Faculty Club, Dr. Warren Woodfin (Queens College, City University of New York) will present “Transfiguration and Transformation: Thoughts on the Vatican Sakkos and Byzantine Hesychasm.” Dr. Woodfin will discuss the Vatican sakkos, one of the three surviving late Byzantine episcopal sakkoi with figural embroidery, within the context of the spiritual movements of the fourteenth century, in particular the complex of devotional and theological developments known as Hesychasm. The lecture is co-sponsored by the Harvard University Standing Committee on Medieval Studies.

Please join us for a reception following the lecture.

Monday, December 1, 2014, at 6:15 pm
Harvard Faculty Club
20 Quincy Street
Cambridge, MA 02138

The lecture is free and open to the public.

Please visit www.maryjahariscenter.org or contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture, for additional information.​

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Jobs for Medievalists

http://www.carli.illinois.edu/head-university-archives-special-collections-illinois-institute-technology

Reporting to the Dean of Libraries, the Head of UASC leads all aspects related to the creation, planning, development, and management of the University’s institutional archives and special collections. The Head of the UASC supports digital initiatives across campus, demonstrating an understanding of digital records and objects and emerging technologies, as well as knowledge of technological applications in digital library development as related to special collections and archives.

The Head of UASC defines and inaugurates expanded services and promotes innovative approaches for digital scholarship, working closely with other units throughout the Libraries to integrate the rich assets of the UASC as an integral component of IIT Libraries’ support for teaching, learning, and research at the University.

The Head of UASC articulates a vision and a strategic direction that promotes the visibility, accessibility, and impact of a nationally and internationally recognized primary research collection, facilitates collaboration and participation in relevant initiatives and programs, and develops fundraising strategies. The Head of the UASC represents IIT Libraries in local, regional and national professional organizations.

In collaboration with the Digital Initiatives Librarian and other library departments, the Head of UASC participates in grant writing activities and initiates and manages a variety of educational programs and services that showcase, sustain, and grow the UASC. The Head of the UASC also identifies, cultivates, and provides stewardship of donors and for the acquisition of special collections in support of university curricula.

The Head of UASC oversees the compilation of statistics and develops narrative and statistical reports on activities and programs; works with the Assistant Dean for Assessment and Scholarly Communication to analyze usage and documentation; and prepares annual and other reports on the operation of the UASC as requested.

Required Qualifications:
A Master’s degree in Library Information Science or a graduate degree in a
relevant discipline with a minimum of three years of progressively
responsible management experience in archival or special collections
services and operations. An additional degree or certification in a
relevant discipline is preferred.

Superior leadership skills including demonstrated management and
supervisory experience with success in leading, guiding, and fostering a
dynamic workplace environment. Demonstrated strong commitment to quality
patron services, student-centered philosophy, and public service
orientation. Excellent oral, written, and interpersonal communication
skills. Working knowledge and demonstrated ability in addressing the
processing, curatorial, and conservation issues associated with archives
and special collections, and demonstrated understanding of research
usage. Understanding of emerging technologies, and key issues and trends in
archives and special collections.

Desired Qualifications:

Experience with or demonstrated knowledge of digital collections, social
media tools, and digital humanities concepts, tools, and techniques.
Ability to articulate a vision, set direction, and accomplish initiatives
in changing environments. Experience in exhibit curation.

About IIT:
Founded in 1890, IIT is a private, Ph.D.-granting university that awards
degrees in engineering, the sciences, architecture, law, design,
psychology, humanities, and business. The Main Campus is located minutes
from downtown Chicago and its beautiful lakefront, and was designed by
Ludwig Mies van der Rohe, one of the 20th century’s most influential
architects. Visit www.iit.edu for more information.

Competitive benefits including tuition remission for employee/dependents.
Free shuttle to and from Union/Ogilvie stations. Easy access to campus by
CTA.

To Apply:
To obtain additional position details or to apply online, please visit the Illinois Institute of Technology web site.

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Folger/Penn Early Modern Transcribe-a-thon in Philadelphia, December 4th

On December 4th, staff from the Folger Shakespeare Library’s Early Modern Manuscripts Online (EMMO) Project (http://collation.folger.edu/2013/11/emmo-early-modern-manuscripts-online/) and the University of Pennsylvania Library’s Kislak Center for Special Collections, Rare Books and Manuscripts (www.library.upenn.edu/kislak/) will be on hand to introduce participants (and anyone who happens to wander by) to the art of transcribing English manuscripts from the sixteenth and seventeenth centuries. The Transcribathon will take place in the Class of 1978 Orrery Pavillion in the Kislak Center on the 6th floor of Penn’s Van Pelt Library, 3420 Walnut St., Philadelphia, PA.

Transcribathon website: http://sceti.library.upenn.edu/Transcribathon/

If you like puzzles and/or are interested in the early modern period then you should consider joining the transcribathon! Work by yourself or with friends. You might stay for just a few lines, or get hooked and transcribe an entire piece.

Early Modern Manuscripts Online, or EMMO, is an IMLS-funded three-year project that will ultimately provide scholars and the general public with convenient web access to a searchable database of transcriptions and digital images of a substantial number of the Folger Shakespeare Library’s English manuscripts from the sixteenth and seventeenth centuries: letters, diaries, wills, coats of arms, literary works, recipe books, miscellanies, and more. The first phase of the project consists of creating and gathering transcriptions, in order to create a corpus that is then vetted for accuracy and consistency.

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Call for Papers – Concilium Lateranense IV. Commemorating the Octocentenary of the Fourth Lateran Council of 1215

Concilium Lateranense IV. Commemorating the Octocentenary of the Fourth Lateran Council of 1215″ – Conference description and call for papers

Rome, 25-29 November 2015

Committee: Peter Clarke, (Southampton) Chair; Danica Summerlin (München) Secretary; Brenda Bolton (London); Barbara Bombi (Kent); Maureen Boulton (Notre Dame); Christoph Egger (Wien); Damian Smith (Saint Louis); Lila Yawn (Rome)

On Monday 30 November 1215 in the Basilica of St John Lateran, Innocent III brought the first assembly of the whole Church since the Council of Chalcedon (451) to a rousing finale by summoning all the delegates to unite in faith and by issuing Ad Liberandam, an encyclical calling for a crusade to liberate the Holy Land. This Council, fourth in the Lateran series but the twelfth ecumenical gathering of the Church in the Western tradition, included the five patriarchs or their representatives, together with more than one thousand bishops, abbots and other dignitaries, both ecclesiastical and secular. At each of the three plenary sessions held on 11, 20 and 30 November respectively, Innocent preached a set-piece sermon whilst, behind the scenes, delegates debated such major issues as who was more worthy to lead the Empire and how to contain the Albigensian heresy.
The accounts of eyewitnesses reveal that Innocent’s consecration of Santa Maria in Trastevere and celebrations for the anniversary of the dedication of the Vatican Basilica served not only to emphasize the history, majesty and ritual of the Church but also offered a welcome respite from the intensive discussions in the Lateran Palace. The Fathers of the Council promulgated seventy decrees, covering topics as diverse as heresy, Jewish-Christian relations, pastoral care and Trinitarian theology as well as ecclesiastical governance. Monks and secular clergy were to be reformed, the nascent mendicant orders welcomed to the Church and diocesan bishops instructed to implement far-reaching conciliar decisions across Christendom.

Eight hundred years on, Lateran IV still stands as the high-water mark of the medieval papacy, its political and ecclesiastical decisions enduring down to the Council of Trent whilst modern historiography has deemed it the most significant papal assembly of the Later Middle Ages. In November 2015, we have a unique opportunity to re-evaluate the role of this Council in the reform of the universal Church. Taking an inter-disciplinary approach, we shall investigate how its decisions affected the intellectual, cultural, social and religious life of the medieval world. We particularly encourage individual papers from disciplines such as art history, theology, canon law, crusade studies, literature and from those who work on relations between Jews and Christians, which we hope will broaden current interpretations of the events of the Council, their subsequent importance and long-term impact. Alternatively, three-paper session proposals on a common theme will also be most welcome.

 

Proposing a paper:

Papers may be delivered in English, French, German, Italian or Spanish but must be limited to 30 minutes. Abstracts of no more than 200 words with all the necessary contact details should be submitted no later than 30 November 2014 through the conference website:  LateranIV.com  Please direct any questions to fourthlateranat800@gmail.com

Locations:
The conference will move to different locations on different days, in part as a tribute to the movement of clerics around Rome as part of the many events surrounding the council.

On Wednesday 25 and Friday 27 November, it will be based on the Janiculum Hill and in Trastevere, whose winding streets sit directly south of the Vatican, nestled beneath the Janiculum and home to the church of Santa Maria in Trastevere, consecrated by Innocent as part of the conciliar celebrations. Our hosts, the American Academy in Rome (Wednesday 25) and John Cabot University, Rome (Friday 27) are both based in this area: the American Academy in Rome sits on atop the Janiculum but on the city-side of the hill, and John Cabot University is in the centre of Trastevere, by the Villa Farnesina.

On Thursday – Thanksgiving in the United States – it will be in the Pontifical Gregorian University, in central Rome near to the Trevi fountain and the Quirinal Palace.

On Saturday 28 and Sunday 29, the conference will gather in the Rome campus of the University of Notre Dame. The campus, near to the Colosseum, is only a few hundred metres from the Lateran basilica and also from the churches of Santi Quattro Coronati and S. Clemente, both of which are of interest in their own right.

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The Bonnie Wheeler Fellowship Fund

The Bonnie Wheeler Fellowship Fund of The Dallas Foundation announces its Summer Research Fellowship for 2015, designed to support the research of women medievalists below the rank of full professor. The $10,000 award is to be used during the period of June 1–December 31, 2015. Deadline for applications is January 31st, 2015.

Go to http://bonniewheelerfund.org/ for full details and how to apply.

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Greeks, Latins, and the Musical Culture of Late Byzantium, November 14

Friday, November 14 at 2:00pm on the campus of Hellenic College Holy Cross (50 Goddard Avenue, Brookline, MA), Dr. Alexander Lingas (City University London & EHRC, Oxford) will deliver his lecture, “Greeks, Latins, and the Musical Culture of Late Byzantium.” His lecture is part of the second Boston Byzantine Music Festival.

Performances by Cappella Romana, the Greek Orthodox Archdiocesan Choir, and DÜNYA

Second lecture by Dr. Mehmet Ali Sanlıkol (Reform and Notation in Early Nineteenth-Century Istanbul)

Workshops on Byzantine, Ottoman, and traditional Greek music given by festival performers

Information, a full schedule, and tickets at www.BostonByzantineMusic.org

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Latin/Greek Institute Summer 2015 Programs

The Latin/Greek Institute, a joint collaboration of Brooklyn College and the Graduate Center of the City University of New York, is pleased to announce its programs for Summer 2015. For over forty years, the LGI has offered “beyond-the-intensive” courses that allow motivated students to learn to read Latin and Greek with grammatical rigor and confidence. Once again we will offer ten-week basic programs in Latin and Greek (June 8-August 18), which cover over four semesters of regular coursework. All classes are team-taught, and the faculty is available 24 hours a day for help. Classes meet all day, five days a week at the Graduate Center in midtown Manhattan.

The first half of each basic program is devoted to intensive study of morphology and syntax. The second half offers students an unparalleled opportunity to see the rewards of what they have just learned through extensive close reading, at an advanced level, of original texts: in Latin, Cicero’s First Catilinarian Oration, Vergil’s Aeneid Book 4, and selections from Sallust, Horace, Livy, Tacitus, and other authors; in Greek, Plato’s Ion, extensive selections from Euripides’ Medea, and selections from a variety of authors including Homer, Solon, Sappho, Lysias, Thucydides, and Isocrates. Graduates typically return to their home institutions prepared to thrive in advanced reading courses or pass graduate language exams. The courses offer twelve undergraduate credits and are open to graduate students.

We will also offer the upper-level program in Greek (June 8-July 28), which offers qualified students the opportunity to read a substantial body of literature (200 or more lines per night) at a high level of grammatical precision. The anticipated syllabus consists of Lysias’ On the Murder of Eratosthenes, Plato’s Phaedrus, Aristophanes’ Clouds, and substantial selections from Thucydides.

Throughout the upper level program, there is an emphasis on aspects of criticism that derive from a linguistic analysis of a text that cannot be appreciated from a translation. As in the basic program, the course is team-taught, with the faculty available at all times to help. Daily quizzes, frequent drills, and prose composition are included. Prerequisites: 2 years of college-level Greek or the equivalent. The upper level program offers eight undergraduate credits, and is open to undergraduate and graduate students.

Thanks to the generosity and friends of the Institute, partial scholarships are available to help cover the cost of tuition. We are especially grateful for the support of the Samuel H. Kress Foundation, through which we offer scholarships each summer to new graduate students in art history.

For further information and an application form, please go to www.brooklyn.cuny.edu/latingreek or email the director, Prof. Katherine Lu Hsu (katherine@brooklyn.cuny.edu).

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CARA Awards Deadline Approaching

To the Members of the Medieval Academy:

We invite you to submit nominations for the prizes offered by the Academy and its Committee on Centers and Regional Associations (CARA) for excellence in teaching and superior commitment to medieval studies through service:

The CARA Award for Excellence in Teaching

The Robert L. Kindrick-CARA Award for Outstanding Service to Medieval Studies

Nominations must be submitted by 15 November. Follow the links above for further information.

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Jobs for Medievalists

The College and Graduate School of Arts and Sciences of the University of Virginia invites applications for a full-time, tenure-track position at the rank of Assistant Professor from scholars with a research focus on connective cultures in the post-Classical Mediterranean (4th to 10th century).

Possible areas of study might include: the interaction of knowledge, people and practices; the social, political and/or cultural history of one or more connective Mediterranean cultures or communities; minority, diasporic or vocationally distinct social groups (e.g., merchants, scholars of science and medicine); interstitial and nomadic polities and cultures; translation; reappropriation of earlier cultural forms, materials or technologies.

Candidates must demonstrate excellence in scholarly research and an ongoing program of publication. They must also be committed to outstanding teaching at the undergraduate and graduate levels. PhD must be in hand by August 15, 2015.

Possible home departments include, but are not limited to: Art, Classics, History or Religious Studies. The appointee will also hold an initial two-year Mellon Fellowship in ‘Comparative Cultures of the Pre-Modern World’ at the University’s interdisciplinary Institute of Humanities and Global Cultures.

Review of applications will begin on December 5, 2014. The position will remain open until filled. To apply, candidates must create a Candidate Profile through Jobs@UVA (https://jobs.virginia.edu) and submit the following electronically: a cover letter addressing research agenda and teaching interests, a C.V., a writing sample not exceeding 60 pages, and names and contact information for three references. Search on posting number 0615096.

Questions regarding the application process for Jobs@UVa should be directed to: L. Kent Merritt, History Administrative Supervisor, Corcoran Department of History, lkm6h@virginia.edu.

For additional information on this position contact: Paul J.E. Kershaw, Chair, Search Committee, pjk3p@virginia.edu.

The University will perform background checks including receipt of official transcripts from the institution granting the highest degree for all new faculty hires prior to making a final offer of employment.

The University of Virginia is an Equal Opportunity/Affirmative Action Employer. Women, minorities, veterans and persons with disabilities are encouraged to apply.

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