The TORCH Network Poetry in the Medieval World is starting its activities at the University of Oxford

Poetry in the Medieval World explores premodern literature from a global perspective, it is an infrastructure for learning and dialoguing on medieval poetry through a cross-disciplinary approach.

As one of our first activities, we are delighted to introduce “Projecting Poetry”, an initiative designed to promote cross-disciplinary discussion, foster collaboration, and provide a platform for DPhil/PhD students at an early stage of their programs, who are engaged in research across various fields and working on medieval poetry. The goal is to create an opportunity to present ongoing research to a diverse audience of fellow students and seniors.

For further information and submission guidelines, see: https://torch.ox.ac.uk/event/call-for-papers-doctoral-seminar-projecting-poetry.For more information about the network, see https://torch.ox.ac.uk/poetry-in-the-medieval-world or contact Ugo Mondini (ugo.mondini@mod-langs.ox.ac.uk). We also have a mailing list: send a blank email to poetrymedievalworld-subscribe@maillist.ox.ac.uk (now working!).

Posted in Announcements | Leave a comment

Medieval Offerings at Rare Book School

Greetings from Rare Book School!

Expand your understanding of book history during a Rare Book School course this summer! Our five-day intensive courses on the history of manuscript, print, and digital materials will be offered online and in person at the University of Virginia and other partner institutions. 

Among our forty-two courses, we are pleased to offer several pertinent to those involved in medieval studies. The following is a sample of the breadth of the RBS offerings: 

H-25: “Fifteenth-Century Books in Print & Manuscript,” taught by Paul Needham (Retired Scheide Librarian, Princeton University), Will Noel, and Eric White (both of Princeton University) 

L-145: “Medieval Manuscript Fragments: Cataloging & Discoverability,” taught by Lisa Fagin Davis (of the Medieval Academy of America) 

M-20: “Seminar in Western Codicology,” taught by M. Michèle Mulchahey (Leonard E. Boyle Chair in Manuscript Studies at the Pontifical Institute of Medieval Studies) 

—  M-85: “Introduction to Islamicate Manuscripts,” taught by Marianna Shreve Simpson (former Visiting Scholar at the University of Pennsylvania) and Kelly Tuttle (of the Editorial Board for Manuscript Studies

— M-105v: “Using Digitized Manuscripts,” taught by Dot Porter (of the Schoenberg Institute for Manuscript Studies)

To be considered in the first round of admissions decisions, course applications should be submitted no later than February 19. Applications received after that date will be reviewed on a rolling basis. Visit our website at www.rarebookschool.org for course details, instructions for applying, and evaluations by past students. Contact us at rbsprograms@virginia.edu with questions. 

Please share this information with colleagues, students, and friends.  

We hope to see you at Rare Book School soon! 

With kindest regards,
The RBS Programs Team

Posted in Announcements | Leave a comment

Online Summer Skills Seminar: Mediterranean Art: An Introduction

“Mediterranean Art History: An Introduction” 17—20 June  2024,
led by Dr. Karen Rose Mathews, University of Miami

This online Summer Skills Seminar provides participants with an overview of key concepts and methodologies in the study of Mediterranean art history. The course will address the themes of mobility, connectivity, and encounter in relation to the visual culture of peoples and territories across the sea. Participants will acquire an art historical tool kit to assist them in conducting their own research on the visual culture and artistic production of the medieval Mediterranean.

Proposed Program

Monday, 17 June 2024: Who?—People
10am—noon & 1—3pm
1.  Patrons, artists, merchants, and producers
2. Patronage, production, dissemination of artworks, and reception theory

Tuesday, 18 June 2024: What?—Things
10am—noon & 1—3pm
1.    Materials, aesthetics, and symbolism
2.   Theoretical approaches to objects and things

Wednesday, 19 June 2024: Where?—Places
10am—noon & 1—3pm
1.     Sense of place and space in the Mediterranean
2.     Mediterranean spaces: Case studies

Thursday, 20 June 2024: How?—Routes, Vectors, and Means of Communication
10am—noon & 1—3pm
1.     Mediterranean environment: Motivations and vectors of exchange
2.     Approaches to medieval Mediterranean visual culture

For more information, please see the link below:

https://www.mediterraneanseminar.org/overview-mediterranean-art-2024

Posted in Summer Programs | Leave a comment

Call for Papers – Marked With the Wounds of Christ

“Marked With the Wounds of Christ”
An Academic Conference on the Stigmatization of St. Francis
Franciscan University of Steubenville
Steubenville, OH
September 12-14, 2024

CALL FOR PAPERS

In celebration of the eighth centenary of St. Francis of Assisi’s reception of the stigmata on Mount La Verna, Franciscan University of Steubenville and Saint Francis University will host a weekend-long academic conference on the topic of this historic event. All those interested in the life of St. Francis and the legacy of his stigmatization from every discipline and field are invited to submit paper proposals. Suggestions for paper topics include but are not limited to:

  • Francis’s stigmata in the early Franciscan sources
  • Theology of St. Francis’ stigmata / theology of Christ’s Passion
  • Franciscan spirituality and mysticism
  • Implications of St. Francis’s stigmata for Christian ethics / professional ethics
  • Depictions of the stigmata in art and culture
  • Science of stigmata
  • Other examples of stigmata in history
  • Legacy of St. Francis’ stigmata in the life of the Church

If interested, please send a 400-word proposal and a one-page CV to: jmatenaer@franciscan.edu

Deadline: March 1, 2024

Posted in Call for Papers | Leave a comment

2024 CARA Prizes

We are very pleased to announce the winners of the 2024 CARA Prizes:

The 2024 CARA Award for Excellence in Teaching has been awarded to Angela Mariani (Texas Tech Univ.).

The 2024 Robert L. Kindrick–CARA Award for Outstanding Service to Medieval Studies has been awarded to two scholars: Marjorie Harrington (Western Michigan Univ.) and Geraldine Heng (Univ. of Texas at Austin).

These prizes will be presented during the CARA Plenary Session at the upcoming Annual Meeting of the Medieval Academy on Friday, 15 March, at 10:30 AM. Please join us as we honor these medievalists for their teaching and service.

For more information about the MAA Committee for Centers and Regional Associations (CARA), please visit our website

Posted in Grants & Prizes | Leave a comment

Call for Applications – Rediscovering the Cultural Heritage of Upper Svaneti, Georgia

REDISCOVERING THE CULTURAL HERITAGE
OF UPPER SVANETI, GEORGIA
International Cultural Workshop

Date: 26 July – 4 August 2024

Destination: Mestia, Svaneti

Deadline for applications: 15 March 2024

Description

This project takes place in Upper Svaneti, the spectacular mountainous region of Western Georgia, which not only has an abundance and variety of cultural heritage, but also a unique way of life. Even today, the local population preserves various pre-Christian beliefs and rituals. In Upper Svaneti, medieval churches and residences with defense towers have been preserved in their original forms. Almost all these churches are decorated with paintings, and  original treasuries are kept in most of them: medieval painted and revetted icons, crosses, ecclesiastic vessels created in local workshops or many other regions of the Christian East and the West. Exposure to this extraordinary material will provide all students of medieval art with an entirely new perspective on their field.

The ten-day workshop will enable ten PhD and MA students to visit significant monuments of cultural heritage in Upper Svaneti, to take part in discussions on-site, and to engage in various field activities.

The workshop will be held in English.

The International Cultural Workshop is organized by the Institute of Art History and Theory at Ivane Javakhishvili Tbilisi State University, in cooperation with the College of Arts & Sciences at Syracuse University and the Art History Department at Rutgers, the State University of New Jersey. The project partner is the Svaneti Museum of History and-Ethnography.

The International Cultural Workshop (RCHUS) is funded under the US Embassy Georgia Cultural Small Grants Program.\

Application period
22 January to 15 March 2024 (00:00/Georgian Time Zone: UTC + 4)
The selection results will be announced on 8 April.

Eligibility
Applicants of any nationality must currently be enrolled in an MA or PhD program in Medieval or Byzantine art history or a related field.

Documents to be submitted:

Application form with other three documents:

– Curriculum vitae (with list of publications/presentations, maximum 3 pages)

– Cover letter outlining interest in the program (maximum 300 words)

– Recommendation letter

 

The application must be in English.

See here for Application form: https://forms.gle/GLAacswWY5VBHDrk7

Fees and Funding

The International Cultural Workshop (RCHUS) is free of charge: will cover travel from Tbilisi to Mestia, field trips, hotel accommodation and meals in Upper Svaneti.

The workshop participants must cover their own international flights to and from Georgia, and hotel accommodation in Tbilisi. However, there are limited funds for participating students in the project budget for partial covering the international transportation and accommodation in Tbilisi. Please clarify your need for funding on your Application form.

For further information, please contact: svaneti.workshop@gmail.com

Posted in Call for Papers | Leave a comment

Kao Book Webinar

Zoom Webinar 

January 25, 2024, 5:00–6:30 pm EST 

Please join us for the book launch of Wan-Chuan Kao’s White before Whiteness in the Late Middle Ages (Manchester University Press, 2024).

This book is supported by the Medieval Academy Inclusivity and Diversity Book Subvention award.

What difference does temporality make in the recognition politics of whiteness? If whiteness has hardened into a modern identity politics defined by skin tone, it has not always been so. 

Resisting a reflexive, biopolitical understanding of whiteness, White before Whiteness interrogates how whiteness as a representational trope produces and delimits a range of medieval ideological regimes: love, aesthetics, subjectivity, salvation, chivalry, labour, materiality and sociality. The book analyses works such as Chaucer’s Book of the Duchess, Pearl, The King of Tars and others, rethinking premodern whiteness as operations of fragility, precarity and racialicity across bodily and nonbodily figurations. 

Deploying diverse methodologies, this ground-breaking book offers a series of provocative diagnoses and original readings that reconceive whiteness as a systemic edge, generating operative differences that are never transparent, stable or permanent.

Speakers:

Nancy Coleman (Washington and Lee University)
Lisa H. Cooper (University of Wisconsin–Madison)
Sarah Friedman (University of Wisconsin–Madison)
Carissa Harris (Temple University)
Mike Hill (University at Albany, SUNY)
Elliot Kendall (University of Exeter)
Mariah Min (Brown University)
Susie Phillips (Northwestern University)

Register for Zoom webinar at whiteb4whiteness@gmail.com by January 24, 2024.

Participants will receive limited-time e-access to the Introduction and a discount code.

Sponsored by Washington and Lee University Library and The Medieval Studies Program, University of Wisconsin–Madison

Posted in Announcements | Leave a comment

GSC’s Digital Humanities Showcase

Join the Medieval Academy of America’s Graduate Student Committee for the second edition of Digital Humanities Showcase over Zoom on 30th January, 2024. This virtual gathering is a forum for scholars, both emerging and established, to gather and learn about, as well as celebrate, their achievements and work in the digital humanities, broadly conceived.

Click here to register.

Posted in Webinars | Leave a comment

2024 Medieval Academy of America Publication Prizes

We are very pleased to announce the winners of the 2024 Medieval Academy of America Publication Prizes:

The Haskins Medal
Leah DeVun, The Shape of Sex: Nonbinary Gender from Genesis to the Renaissance (Columbia University Press, 2021)

The John Nicholas Brown Prize

Andrew Kraebel, Biblical Commentary and Translation in Later Medieval England: Experiments in Interpretation (Cambridge: Cambridge University Press, 2020)

The Article Prize in Critical Race Studies

Mariah Junglan Min, “Preaching to the Choir Fantastic: Conversion and Racial Liminality in Elene, ” Exemplaria 34 (2022), 274-295

The Digital Humanities and Multimedia Studies Prize

Andrea Nanetti, Fra Mauro’s Map <https://engineeringhistoricalmemory.com/FraMauro.php>

The Van Courtlandt Elliott Prize

Jake A. Stattel, “Legal Culture in the Danelaw: A Study of III Aethelred,” Anglo-Saxon England 48 (2019 (appeared in 2022)), 163-203

The Karen Gould Prize in Art History

Alison Perchuk, The Medieval Monastery of Saint Elijah: A History in Paint and Stone (Brepols, 2021)

The Monica H. Green Prize

Amanda Luyster, Bringing the Holy Land Home <https://chertseytiles.holycross.edu/>

The Jerome E. Singerman Prize

Roland Betancourt, Byzantine Intersectionality: Sexuality, Gender & Race in the Middle Ages (Princeton University Press, 2020)
Jamie Kreiner, Legions of Pigs in the Early Medieval West (Yale University Press, 2020)

These prizes will be awarded at the upcoming Annual Meeting during the Presidential Plenary session on Saturday, 16 March, at 10:30 AM. Please join us as we honor these scholars and their important work.

Posted in Announcements, Grants & Prizes | Leave a comment

Rare Book School is now accepting applications for its summer 2024 courses.

To apply to courses and learn more about the application process, please visit https://rarebookschool.org/summer-2024-course…/.

For the best chance of being admitted, please submit your application(s) by the first-round deadline on 19 February. Applications received after that date will be reviewed on a rolling basis until all available seats have filled, but many of the classes will fill in the first round of admissions decisions.

This summer’s course schedule (https://rarebookschool.org/schedule/) features 42 classes, including online and in-person offerings at RBS’s new home in the University of Virginia’s recently renovated main library in Charlottesville. Other in-person courses will run at our partner institutions in Chicago; New Haven, Connecticut; New York City; Philadelphia; Princeton, New Jersey; and Upperville, Virginia.

We look forward to welcoming you to an RBS course this summer!

Posted in Uncategorized | Leave a comment