Call for Papers for ICMS Kalamazoo 2022

Call for Papers for ICMS Kalamazoo 2022:

“Religious Communities across Time & Space” Roundtable
This roundtable, inspired by the theme of the 2022 Marco Symposium, offers comparative exploration of premodern religious communities across and within confessional traditions in Europe, Africa, and the Middle East. Central questions include: what tensions and comforts emerged from efforts to live deliberately within global communal systems (oikumene, ummah, ecclesia) and local communities (mosques, monasteries, synagogues)? How did interactions between distinct religious communities contribute to their identities? How did daily practice within religious community shape memory and ethnicity? How did heresy, conversion, or apostasy complicate community?
Session sponsored by the Marco Institute for Medieval & Renaissance Studies.

Submit proposals by Sept 15, 2021 to https://wmich.edu/medievalcongress/call

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Call for participants: Studying East of Byzantium VIII: Material Culture

The Arthur H. Dadian and Ara Oztemel Chair of Armenian Art at Tufts University and the Mary Jaharis Center for Byzantine Art and Culture at Hellenic College Holy Cross in Brookline, MA, are pleased to invite abstracts for the next Studying East of Byzantium workshop: Studying East of Byzantium VIII: Material Culture.

The three-part workshop intends to bring together doctoral students studying the Christian East to reflect on how to study the material world of the Christian East, to share methodologies, and to discuss their research with workshop respondents, Marica Cassis, University of Calgary, and Kate Franklin, Birkbeck, University of London. The workshop will meet on November 19, 2021, February 18, 2022, and June 6–7, 2022, on Zoom. The timing of the workshop meetings will be determined when the participant list is finalized.

We invite doctoral students working in any discipline of East Christian studies to discuss the role of material culture—monuments, archaeological sites, artifacts, images—in their research and to consider questions such as how the tools of the study of material culture can assist in understanding the realities of the Christian East? What is the difference between material culture and art-historical and archaeological approaches? How does attention to the non-verbal world harmonize with or challenge historical narratives based on textual study?

Participation is limited to 10 students. The full workshop description is available on the East of Byzantium website (https://eastofbyzantium.org/upcoming-events/). Those interested in attending should submit a C.V. and 200-word abstract through the East of Byzantium website no later than September 13, 2021.

For questions, please contact East of Byzantium organizers, Christina Maranci, Arthur H. Dadian and Ara Oztemel Chair of Armenian Art, Tufts University, and Brandie Ratliff, Director, Mary Jaharis Center for Byzantine Art and Culture at contact@eastofbyzantium.org.

EAST OF BYZANTIUM is a partnership between the Arthur H. Dadian and Ara Oztemel Chair of Armenian Art at Tufts University and the Mary Jaharis Center for Byzantine Art and Culture at Hellenic College Holy Cross in Brookline, MA. It explores the cultures of the eastern frontier of the Byzantine Empire in the late antique and medieval periods.

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Jobs for Medievalists

Associate Director for Fellowships

The Folger Shakespeare Library, located on Capitol Hill in Washington, D.C., is seeking an Associate Director for Fellowships at the Folger Institute. The Folger is a world-class research and cultural center on Shakespeare and the early modern age. Through its cross-disciplinary conversations, the Institute gathers scholarly communities to stimulate fresh research in the Folger collections. The fellowship program sponsors scholars from across the globe to work with the Folger’s collections for up to an academic year.

The Associate Director for Fellowships (AD) will work closely with the Executive Director of the Folger Institute to shape and manage our highly competitive program and take a key role in shaping future research and public humanities initiatives. The AD will contribute to the Institute’s self-study of its values and mission, including with reference to diversity and inclusion. The AD is responsible for the administration of the full fellowship program, from recommending policies and criteria for the program, to assisting scholars with procedures and applications, to managing the review process with the selection committee, and communicating with applicants regarding selection and process. As a member of the Institute, the AD will use their familiarity with early modern materials and scholarship to guide and assist with future collaborative research opportunities, including taking a lead administrative role in some resulting projects. The AD will also serve as a responsible officer for the J-1 program for international scholars, organize regular colloquia and other in person and electronic forums for scholarly discussion, and participate in grant initiatives. This is a full-time role with a generous benefit package.

Further information on the position and requirements may be found on our website at: https://amherst.wd5.myworkdayjobs.com/FSL_Employment_Opportunities

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Call for Papers – Reconsidering Consent and Coercion: Gender, Sex and Power in Global Medieval Literature

We invite proposals for papers contributing to two paired sessions to be submitted for the 2022 Gender and Medieval Studies conference. The conference will take place 5th-7th January 2022, and will be hosted by the American University of Paris (Paris, France). Participants will be able to join remotely and/or asynchronously as well as having the option of on-site attendance. The conference theme is ‘Resilience, Persistence, and Agency’. These panels will use this theme as a starting point to open up discussion about the interplay of gendered power and sexuality in medieval contexts. Specifically, they will ask: how can reconsidering coercion and consent across global medieval literatures expose the gaps in our perceptions of premodern sexual dynamics? How do individual expressions of persistence, resilience and agency subvert hegemonic power, and (medieval or modern) readers’ expectations? And how might engagement with overlooked or marginalised medieval sexual experiences challenge us to reexamine corresponding misconceptions and elisions in modern discourses about coercive relationships?

We welcome any papers considering consent and coercion in the global Middle Ages (broadly considered as the period 500-1500); topics may include, but are not limited to:

  • Readings of sexual and/or marital negotiations, different forms of sexual coercion, sexual violence and its effects in literary texts from across the medieval world
  • Embodiment, agency and control in sexual relationships
  • Consent and its limitations in medieval contexts
  • Comparative approaches to consent and coercion across genres, cultures or literary traditions
  • The impact of intersectional models of power on sexual vulnerability
  • Atypical configurations of gender and power (for example, associations between masculinity and sexual vulnerability)
  • LGBTQ+ experiences of consent and coercion in medieval literature
  • Readings of sexual violence through gender, queer and/or disability theory
  • Affect and readers’ responses: interpretive possibilities of traumatic narratives
  • Literary depictions of sexual violence in dialogue or contrast with medieval legal or historical views
  • The limitations and/or opportunities of applying modern theoretical views of consent and coercion to medieval material
  • Pedagogy: teaching consent and coercion in the medieval literature classroom
  • Intersections between medieval scholarship and activist engagement

We encourage academics of all levels (particularly postgraduate students and early career researchers) to submit abstracts for papers of 10-15 minutes. We are open to considering papers for a round table format rather than a traditional paper session, depending on submissions. We welcome papers that seek to generate a dialogue rather than necessarily offering an answer to a particular research question.

Please submit applications containing the title of your paper, an abstract of 300 words, and a short biography by 1 September 2021. All applications should be sent to janeebonsall@gmail.com and hannah.piercy@ens.unibe.ch. For more information about the conference, see https://medievalgender.co.uk/2022-paris/, and for questions about these specific sessions, please email Jane or Hannah.

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Ninth Annual Symposium on Medieval and Renaissance Studies

The Ninth Annual Symposium on Medieval and Renaissance Studies (June 20-22, 2022) is a convenient summer venue in North America for scholars to present papers, organize sessions, participate in roundtables, and engage in interdisciplinary discussion. The goal of the Symposium is to promote serious scholarly investigation into all topics and in all disciplines of medieval and early modern studies.

The plenary speakers for this year will be David Abulafia, of Cambridge University, and Barbara Rosenwein, of Loyal University, Chicago.

The Symposium is held annually on the beautiful midtown campus of Saint Louis University. On campus housing options include affordable, air-conditioned apartments as well as a luxurious boutique hotel. Inexpensive meal plans are also available, although there is a wealth of restaurants, bars, and cultural venues within easy walking distance of campus.

While attending the Symposium participants are free to use the Vatican Film Library, the Rare Book and Manuscripts Collection, and the general collection at Saint Louis University’s Pius XII Memorial Library.

The Ninth Annual Symposium on Medieval and Renaissance Studies invites proposals for papers, complete sessions, and roundtables. Any topics regarding the scholarly investigation of the medieval and early modern world are welcome. Papers are normally twenty minutes each and sessions are scheduled for ninety minutes. Scholarly organizations are especially encouraged to sponsor proposals for complete sessions.

For more information please visit:

https://www.smrs-slu.org/

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Call for Sessions: Mary Jaharis Center Sponsored Panel, 2022 International Medieval Congress

To encourage the integration of Byzantine studies within the scholarly community and medieval studies in particular, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 2022 International Medieval Congress, University of Leeds, July 4–7, 2022. We invite session proposals on any topic relevant to Byzantine studies.

The thematic strand for the 2022 IMC is “Borders.” See the IMC Call for Papers (https://www.imc.leeds.ac.uk/imc-2022/) for additional information about the theme and suggested areas of discussion.

Session proposals must be submitted through the Mary Jaharis Center website (https://maryjahariscenter.org/sponsored-sessions/imc-2022). The deadline for submission is September 3, 2021. Proposals should include:

*Title
*100-word session abstract
*Session moderator and academic affiliation
*Information about the three papers to be presented in the session. For each paper: name of presenter and academic affiliation, proposed paper title, and 100-word abstract
*CV

Applicants will be contacted by mid-September about the status of their proposal.

The session organizer may act as the moderator or present a paper. Participants may only present papers in one session.

If the proposed session is approved, the Mary Jaharis Center will reimburse a maximum of 4 session participants (presenters and moderator) up to $600 maximum for European residents and up to $1200 maximum for those coming from outside Europe. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.

Please note that all listed speakers and the moderator should be prepared to participate remotely should health conditions necessitate a virtual conference or should local conditions make travel inadvisable for a participant. In the case of remote participation, the Mary Jaharis Center will reimburse participants for conference registration.

Please contact Brandie Ratliff (mjcbac@hchc.edu) Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.

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University Lectureship in Digital Humanities

Cambridge Digital Humanities (CDH) is a thriving research centre reaching across the School of Arts and Humanities and School of Humanities and Social Sciences. We have strong associations with Cambridge’s many museums and collections, work closely with the University Library, and have links to many other faculties and research centres.

The successful applicant will convene the new CDH-led MPhil programme in Digital Humanities to be launched in September 2022 and will work with the CDH Director and Learning Director to further develop the programme as it expands into new areas. They will offer postgraduate teaching and supervision, and they will also take on doctoral students in CDH and the Faculty of English. The role is likely to involve UG teaching in future years as CDH develops. Primary responsibilities of the role will be to CDH.

We are seeking candidates with a wide range of expertise in Digital Humanities, which we conceive as an expansive and intrinsically inter-disciplinary field, that brings together research focussed around collections, platforms, digital methods, public cultures, digital aesthetics, cultural analytics, digital media studies, medium theory, and cultural critique.

The post will be based in the Faculty of English, and we welcome applications from candidates whose DH work directly engages with English literature or other media. However, we also welcome other DH specialisms including: cultural analysis, archival cultures, film and visual cultures, digital media studies, digital methods, AI and humanities research, activism and critical media, race, decolonization and epistemic change. The successful applicant will have a commitment to Digital Humanities as their interdisciplinary home, and through their research and teaching, they will make a substantial contribution to the range, scope and depth of the work at CDH.

https://www.jobs.cam.ac.uk/job/29965/?fbclid=IwAR3-PEnAn2qCoL5MyBhAXGUDLG2wzsOkTlyb6Wz6tB78oVJCKMyngC-R9-Y<

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Georgetown-International Dunhuang Project Lecture Series: Following the Silk Roads to North America

The Georgetown-IDP Lecture Series: Following the Silk Roads to North America was organised to celebrate the upcoming completion of the Georgetown-IDP Project, which has worked to incorporate images of Silk Road items in North American collections into the International Dunhuang Project’s public database, based at the British Library, and to expand the IDP’s partnership with North American institutions. Generously supported by the Henry Luce Foundation and the Dunhuang Foundation, the project began in 2016, and since then has brought together more than 30 North American institutions and over 1,300 objects. The lecture series is supported by the Henry Luce Foundation.

Co-organized by Georgetown Art and Art History faculty member Michelle C. Wang, five lectures are scheduled on consecutive Wednesdays beginning July 28 (most starting at 1:00pm EST, the first one starting at 2:00pm EST) and will be held over Zoom.

Please note each lecture’s event page is linked at the end of each entry. On these pages, you can register as well as find out more information regarding the lecture and speaker! All the lectures will be taking place over Zoom.

July 28 (11 am PDT/2 pm EDT/7 pm BST): Dr. Miki Morita, Georgetown-IDP Project for North American Silk Road Collections, and Dr. Michelle C. Wang, Georgetown University “The Georgetown-IDP Project: Prospects for Collaboration and Research”
https://www.bl.uk/events/the-georgetown-idp-project-prospects-for-collaboration-and-research

August 4 (10 am PDT/1 pm EDT/6 pm BST): Dr. Amanda Goodman, University of Toronto
“The Many Lives of a Buddhist Devotional Print: A Dated Dunhuang Document in the Royal Ontario Museum Collection”
https://www.bl.uk/events/the-many-lives-of-a-buddhist-devotional-print

August 11 (10 am PDT/1 pm EDT/6 pm BST): Dr. Xin Wen, Princeton University
“A Traveler’s History of the Silk Road: Revelations from Dunhuang Materials”
https://www.bl.uk/events/a-travelers-history-of-the-silk-road

August 18 (10 am PDT/1 pm EDT/6 pm BST): Dr. Ping Foong, Seattle Art Museum
“Dunhuang in Seattle”
https://www.bl.uk/events/dunhuang-in-seattle

August 25 (10 am PDT/1 pm EDT/6 pm BST): Dr. Fan Jeremy Zhang, Asian Art Museum of San Francisco
“Exploring Eastern Silk Roads: A Journey Through the Collection at the Asian Art Museum of San Francisco”
https://www.bl.uk/events/exploring-eastern-silk-roads

Please see the flyer’s pdf linked here for further details and the registration links.

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Call for Papers – Ninth Annual Symposium on Medieval and Renaissance Studies

CALL FOR PAPERS
Ninth Annual Symposium on Medieval and Renaissance Studies
June 20-22, 2022
Saint Louis University
Saint Louis, Missouri

The Ninth Annual Symposium on Medieval and Renaissance Studies (June 20-22, 2022) will be held in person in beautiful Saint Louis, Missouri. This summer venue in North America provides scholars the opportunity to present papers, organize sessions, participate in roundtables, and engage in interdisciplinary discussion. The goal of the Symposium is to promote serious scholarly investigation into all topics and in all disciplines of medieval and early modern studies.

The plenary speakers for this year will be David Abulafia, of Cambridge University, and Barbara Rosenwein, of Loyola University, Chicago.

The Symposium is held annually on the beautiful midtown campus of Saint Louis University. On campus housing options include affordable, air-conditioned apartments as well as a luxurious boutique hotel. Inexpensive meal plans are also available, although there is a wealth of restaurants, bars, and cultural venues within easy walking distance of campus.

While attending the Symposium, participants are free to use the Vatican Film Library, the Rare Book and Manuscripts Collection, and the general collection at Saint Louis University’s Pius XII Memorial Library.

The Ninth Annual Symposium on Medieval and Renaissance Studies invites proposals for papers, complete sessions, and roundtables. Any topics regarding the scholarly investigation of the medieval and early modern world are welcome. Papers are normally twenty minutes each and sessions are scheduled for ninety minutes. Scholarly organizations are especially encouraged to sponsor proposals for complete sessions.

The deadline for all submissions is December 31, 2021. Late submissions will be considered if space is available. Decisions will be made in January and the final program will be published in February.

For more information or to submit your proposal online go to: https://www.smrs-slu.org/

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The BSA Fellowship Program – Deadline October 1, 2021

In keeping with the central value the Bibliographical Society of America places on bibliography as a critical framework, the Society funds a number of fellowships to promote inquiry and research in books and other textual artifacts in both traditional and emerging formats.

Bibliographical projects may range chronologically from the study of clay tablets and papyrus rolls to contemporary literary texts and born-digital materials. Topics relating to books and manuscripts and material texts of all kinds in any field and of any period are eligible for consideration as long as they include analysis of the physical object – that is, the handwritten, printed, or other textual artifact – as historical evidence.

Full details on fellowship opportunities offered, eligibility requirements, and the application process are available on the BSA website.

Awards range from $2,500 to $6,000. A list of past Fellowship winners and their projects is also available on the BSA website.

And for the New Scholars Program:

The BSA New Scholars Program – Deadline September 3, 2021

The Bibliographical Society of America’s New Scholars Program promotes the work of scholars new to bibliography, broadly defined to include the creation, production, publication, distribution, reception, transmission, and subsequent history of all textual artifacts. This includes manuscript, print, and digital media, from clay and stone to laptops and iPads. 

The New Scholars award is $1,000, with a $500 travel stipend. Three awards are made each year as part of a two-pronged program:

  1. New Scholars present fifteen-minute talks on their current, unpublished bibliographical research during a program preceding the Society’s Annual Meeting, held each January.

  2. Expanded versions of New Scholars’ papers are submitted to the editor of The Papers of the Bibliographical Society of America (PBSA) for publication, subject to peer review.

The committee strongly encourages applications from those who have not previously published, lectured, or taught on bibliographical subjects. Bibliographical scholarship pursuing new methods and new approaches, including applications from candidates applying bibliographical theory and principles to diverse materials and media, is welcome. Guided by the Society’s Equity Action Plan, the committee also welcomes submissions that embrace diverse, multicultural perspectives.

For more details on the New Scholars program, including eligibility and application information, please visit the BSA website and watch the 2020 information session recording on YouTube.

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